Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

“An urgent, intimate hybrid of memoir and fiction, Homeland Elegies lays bare the broken heart of our American dream turned reality TV nightmare. The book . . . brilliantly captures how we got to this exact moment in time and at what cost. Stunning.” —A. M. Homes “An unflinchingly honest self-portrait by a brilliant Muslim-American […]

Today’s conversation is with poet Natalie Diaz, author of the National Book Award shortlisted collection Postcolonial Love Poem.  We talk today about questions of postcoloniality, about love and postcolonial love, about writing poetry under occupation, the fine line between participation and complicity, about empathy and what cannot be translated and about the sensuality that arises from […]

In “Getting Past the Gatekeepers: How to Keep Writing in an Industry that Excludes Us,” Kaitlyn Greenidge and Mira Jacob discuss their combined 30+ years of experience navigating literary publishing. From the first feedback to the final copyedits, they discuss strategies to stay sane and keep writing when your story doesn’t fit the industry’s narrow […]

“This collection of essays, memoirs and critical pieces forms an intellectual biography of Europe’s most history-obsessed writer. Beginning with her childhood in East Berlin in the early ’60s and ’70s, the book moves in concentric circles, from the intimate and understatedly moving to the moment History collides with her life. A powerful voice singing the […]

“In The Fish & The Dove, Mary-Kim Arnold’s lyrical scope sweeps across intersecting terrains, moving through time to capture the history of occupation and legacy war in Korea, through the delicate tethers between biological mother, adoptive mother, motherland and daughter, and through the permeable membranes which exist between person and place. . . . With […]

A conversation between Brandon Taylor & Garth Greenwell about queer aesthetics, “problematic art,” representation, and much more.

“It’s hard to overstate the importance of this gorgeous, harrowing, heartbreaking book, which tackles sexual violence and its aftermath while also articulating the singular pain of knowing—or loving, or caring for, or having a history with—one’s rapist. Vanasco is whip-smart and tender, open and ruthless; she is the perfect guide through the minefield of her […]

“Anatomy of Melancholy” is a conversation between Melissa Febos & Bassey Ikpi at the 2020 Tin House Summer Writers Workshop.  Febos & Ikpi talk about making narrative (and aesthetic) sense out of the darkest parts of one’s past. Bassey Ikpi is the New York Times bestselling author of I’m Telling the Truth But I’m Lying […]

“In Lauren Camp’s Took House we are enveloped in a poetry both precise and mysterious, intimate and sublime. Reading through these poems, I was reminded of the tenet that poetry is not like the interior life, but is the interior life, the thing itself made flesh via language. . . . Here is a poet […]

“Sacco is a talent entirely unto himself, applying an exquisitely fine eye for detail to the urgent histories that define the world around us. . . . Now, Sacco brings that eye to the lives of the Dene people in the Canadian subarctic, getting the full picture as only he can.” —Jonny Diamond, Literary Hub […]

“Verge is a bouquet of dynamite: explosive, deadly, and spectacularly beautiful. These stories captivated me like modern fairy tales, and like those dark lessons they showed me how resilience is forged through survival, beauty through brokenness, joy by fire. The women who occupy them are my favorite kinds of heroines: as flawed as they are […]

Today’s talk, “On Likability” by Lacy M. Johnson, was given at the 2018 Tin House Writers Workshop. It later became an essay, one selected by Rebecca Solnit for The Best American Essays 2019.

“Shrapnel Maps is so beautiful. Half dream, half nightmare, all real. Filled with the remnants of what people hope for and what they are willing to do, and everything that remains afterwards. It’s a confrontation to identity and it dares to conjugate love as a defiance to the capacity of violence. Extraordinary. . . . […]

Lidia Yuknavitch gave this craft talk, “Writing from the Deep Cut,” at the 2018 Tin House Writers Workshop. As Lidia says: “We are (always) living in tumultuous times. The despair and trauma fracture our life narratives daily, culturally and personally. And yet we endure, make love, make art, we keep creating. There is so much […]

“The City We Became is a wonderfully inventive love letter to New York City that spans the multiverse. A big middle finger to Lovecraft with a lot of heart, creativity, smarts and humor. A timely and audacious allegorical tale for our times. This book is all these things and more.” —Rebecca Roanhorse “The most important […]