Cinemaholics

This week, we call Aaron Sorkin to the stand for his latest film The Trial of the Chicago 7, which is now on Netflix and stars Sacha Baron Cohen, Eddie Redmayne, Mark Rylance, Joseph Gordon Levitt, Yahya Abdul-Mateen II, and many more. We also find some time for love, or Love and Monsters to be specific, which stars Dylan O'Brien and Jessica Henwick. We discuss Spike Lee's concert film, David Byrne's American Utopia, which is now on HBO Max. Plus Spontaneous, a high school "sci fi black comedy" starring Katherine Langford and Charlie Plummer. And finally, The Kid Detective, a dark comedy starring Adam Brody and Sophie Nélisse.

Emily Kubincanek returns to Extra Milestone at last, and in no small fashion! We're diving headfirst into the most Classic of Cinema with two brilliant films that connect to the Silent Era! First up is Charlie Chaplin's The Gold Rush, a dramatic comedy featuring Chaplin's 'Little Tramp' that cemented many dramatic traditions while simultaneously telling a heartfelt and humorous story! From there, we jump forward to Billy Wilder's Sunset Boulevard, which examines the world of showbusiness, the remnants of the Silent Era, and the widespread sacrifices found in Hollywood living through a melancholy lens steeped in Film Noir tradition.

It’s a little spooky how positive we are on Hubie Halloween, the newest Netflix film starring Adam Sandler and a whole host of other recognizable actors and comedians. We keep the horror comedy vibe going with our review of The Wolf of Snow Hollow, the final film starring Robert Forster. Then we go back to Netflix to watch The 40-Year-Old Version, a Sundance hit starring Radha Blank, who also directed the film. On HBO Max, there’s Charm City Kings, a fun dirt bike racing drama starring Jahi Di’Allo Winston and Meek Mill. And finally, Will welcomes us to “Welcome to the Blumhouse,” a new Amazon Prime Video slate of horror movies starting with The Lie.

The pairings keep getting stranger and stranger every week, and this week's show is no exception! Special guest Ryan Oliver joins Sam and Jon to tackle two very different classics, starting with Akira Kurosawa's massively influential 1950 arthouse classic Rashomon. We discuss everything from our differing experiences with the film, how multiple viewings have yielded different interpretations, and why the film has remained so meaningful even after 70 years. After that, we take a huge left turn toward Transylvania to examine the legacy and power of Jim Sharman's 1975 genre-defining cult classic The Rocky Horror Picture Show, which one of us doesn't like! It's another collection of varied experiences complete with a litany of recommendations to go along with both films!

We had an out-of-body experience trying to review Brandon Cronenberg's trippy new sci-fi horror film Possessor, which stars Andrea Riseborough, Christopher Abbot, Jennifer Jason Leigh, and Sean Bean. After that, we dive into the endless charms of Kirsten Johnson's new documentary Dick Johnson is Dead. And since it is October, why not add another horror film, Scare Me, which is now on Shudder. Last, there's Save Yourselves! — a new indie comedy starring Sunita Mani and John Paul Reynolds.

To officially commence the Milestone month of August, Will Ashton and Andrew McMahon make their long-awaited returns to help break down a unique and unexpected triple feature, the likes of which the podcast world may have never seen before. We begin with an analysis of Barbara Loden’s Wanda, the first film to be written, directed, and led by a female filmmaker. We follow this up with a look back at Pee-Wee’s Big Adventure, the iconic feature debut of Tim Burton. Finally, we dive into the work of the great Agnès Varda with an observational look at her acclaimed and influential film Vagabond.

As always, we don't have a clue what to review this week. But we'll start with Enola Holmes, a new YA Netflix film starring Millie Bobby Brown as the younger sister of Sherlock Holmes, played by Henry Cavill. We also discuss Miranda July's latest indie favorite, Kajillionaire, which stars Evan Rachel Wood, Gina Rodriguez, Richard Jenkins, and Debra Winger. Last, there's a new Disney+ movie made with the Disney Channel called Secret Society of Second Born Royalsand, um, yikes.

Things are getting real heavy this week, because Adonis Gonzalez is here to talk about the two best movies of 1985, which happen to be radically different from one another! We start with a harrowing exploration of Elem Klimov's Come and See, an anti-war film depicting the Nazi invasion of Belorussia through the eyes of a young boy. We discuss the history of the film's reputation, the drama associated with the production, the way that it emerges as (potentially) the only War movie that actually matters, and why we find it so difficult to even recommend. After that, we were happy to cleanse our palate with a discussion on Robert Zemeckis's iconic Sci-Fi Family Comedy Back to the Future, covering its deft narrative construction, effective antagonist, and curious soundtrack decisions, as well as a deserved commendation for the recently deceased Ron Cobb.

This year's Toronto International Film Festival has just ended, but we're just getting started covering and even rediscovering the best and worst of this virtual event. From awards favorites like Nomadland and One Night in Miami to noteworthy standouts like Wolfwalkers and City Hall, we discuss up to 33 films you'll likely hear even more about as we move into the winter film season.

On this week's episode, we're hitchhiking all the way to West Virginia and Ohio for the latest Netflix original film, The Devil All The Time starring Tom Holland and Robert Pattinson. We also discuss The Nest starring Jude Law and Carrie Coon, Antebellum starring Janelle Monáe, and The Way I See It, a new documentary about the Obama administration from the perspective of his official White House photographer.

Sam Noland is back on Extra Milestone after a week's respite to take on, along with friend and coworker Robert Wilkinson, two radically different classics. First up is Charles Laughton's gothic thriller The Night of the Hunter, which stars Robert Mitchum as a psychopathic priest hunting down two children during the Great Depression. Next up on our itinerary is the landmark spoof comedy Airplane!, the laugh-a-minute lampooning of pop cinema celebrating 40 years of making the world howl with laughter.

The Cinemaholics are going on a road trip! Metaphorically, at least. Our first pit stop this week is an in-depth review of Unpregnant, a buddy road trip comedy streaming exclusively on HBO Max. Next, we travel all the way to the internet for The Social Dilemma, a new Netflix documentary about social media. After that, we head to France to discuss yet another Netflix film, Cuties, which has been caught in a maelstrom of controversy. Then we go on a detour out east for #Alive, a new South Korean zombie movie on (you guessed it) Netflix! Last, we head on home for an American documentary on Prime Video called All In: The Fight For Democracy.

Hey there, buddy-boys and buddy-gals! This week, we might just have the key to your next favorite movie, The Apartment, which recently celebrated 60 years since its initial release. Widely considered to be one of Billy Wilder’s true masterpieces, this romantic dramedy stars Jack Lemmon, Shirley MacLaine, and Fred McMurray. We discuss the film’s impact on our own movie-going lives, play some of our favorite clips, and have a spirited debate about this either being a “Christmas movie” or a “New Year’s” movie.

In our first official episode with new Cinemaholics co-host Abby Olcese, we discuss the honor and honor that is to be found honorable in Mulan, the latest live-action Disney remake, which stars Liu Yifei, Donnie Yen, Tzi Ma, Gong Li, and Jet Li. Plus, we review Charlie Kaufman’s new mind-bending film I’m Thinking of Ending Things, which is now on Netflix and stars Jessie Buckley, Jesse Plemons, Toni Collette, and David Thewlis. Please welcome Abby to the show by commenting below!

In this special bonus episode, guests Cory Woodroof and Charlie Ridgely join Will Ashton for an in-depth review of Tenet, the newest film from director Christopher Nolan.