Getty Art + Ideas

In 1902, Austrian poet Rainer Maria Rilke visited sculptor August Rodin in Paris to write an essay on the artist for a new series of German monographs. Writing with his usual intensity, Rilke’s poetic language and passion for Rodin’s art make this an engaging account of the artist’s life and work. Curator Anne-Lise Desmas discusses this text and Rodin’s career, addressing the personal relationship between the two men, Rodin’s unusual artistic process, and the reception of Rodin’s art in his time. Rilke’s 1902 essay has recently been published in a short book as part of the Getty Publications Lives of the Artists series. Anne-Lise Desmas is senior curator of sculpture and decorative arts at the J. Paul Getty Museum.

A towering sarcophagus for a man with a Grecian name, an ancient medical scroll that details Mycenaean cures in Egyptian hieroglyphics, and a Roman mosaic illustrating scenes from the Nile are just a few of the incredible objects that tell the story of sustained trade and cultural exchange between Egypt and Classical Greece and Rome. The Getty Center exhibition Beyond the Nile: Egypt and the Classical World centers on this artistic exchange and in this episode, exhibition curators Timothy Potts and Jeffrey Spier explore some of the exhibition’s highlights. Timothy Potts is director of the J. Paul Getty Museum; Jeffrey Spier is senior curator and department head of antiquities at the Getty Museum.

Dutch artist Rembrandt Harmensz van Rijn was a well-known and somewhat controversial artist in his time, and many historians, critics, and artists wrote about his work and life during and shortly after his lifetime. In this episode, curator of paintings Anne Woollett discusses three short biographies of the artist: one by German painter Joachim von Sandrart; the second by Italian painter Filippo Baldinucci; and a third by Dutch painter and printmaker Arnold Houbraken.  All three biographies were written within fifty years of Rembrandt’s death and have recently been published together in a short book as part of the Getty Publications Lives of the Artists series.

Giorgio Vasari’s book Lives of the Most Excellent Painters, Sculptors, and Architects from Cimabue to Our Times, first published in 1550, is widely considered to be the ideological foundation of the discipline of art history. In this episode, senior curator of paintings Davide Gasparotto discusses the structure and history of Vasari’s Lives and explores three biographies in particular—those of Giovanni Bellini, Raphael, and Michelangelo. These texts have recently been republished as individual books in Getty Publications’ new Lives of the Artists series.

The husband and wife team Charles and Ray Eames produced some of the most iconic designs of the mid-twentieth century.  This episode engages with a wide range of topics, from Charles and Ray’s training and inspiration, to their collaborative design process, to the challenges of preserving and conserving modern architecture. Recorded at the Eames’ home and studio in the Pacific Palisades neighborhood of Los Angeles, this episode brings together in conversation Eames Demetrios, the grandson of Charles and Ray Eames, director of the Eames Office, and chairman of the Eames Foundation; Thomas Hines, a renowned architectural historian; and Susan Macdonald, head of field projects at the Getty Conservation Institute.

How do we understand the seemingly senseless destruction of monuments during World War I? How does art history dovetail with military history? In this episode, Thomas Gaehtgens’ explores these questions through the lens of Reims Cathedral. He traces the history and symbolism of this iconic gothic building through the war and after, investigating the roles of culture, scholarship, and media in shaping our understanding of WWI and its legacy. Gaehtgens is Director Emeritus of the Getty Research Institute and his new book from Getty Publications is titled Reims on Fire: War and Reconciliation between France and Germany.

Tom Weiss, a specialist on humanitarian intervention and the United Nations, believes we are at a watershed moment for international cooperation on the protection of cultural heritage. In this episode, Weiss uses the ongoing civil war in Syria as a springboard to address the preservation of monuments and cultural heritage during times of humanitarian crisis and armed conflict. He traces the evolution of thinking and action on this issue, considering the role of the UN, useful legal frameworks, and how approaches to safeguarding cultural heritage might mirror approaches to protecting human rights and lives. Weiss is Presidential Professor of Political Science at the CUNY Graduate Center in New York and the author of the occasional paper Cultural Cleansing and Mass Atrocities: Protecting Cultural Heritage in Armed Conflict Zones, available for free at getty.edu.

The early Baroque artist Caravaggio painted bold compositions with dramatic lighting that emphasized the physical and emotional humanity of his subjects. In this episode, we listen as two curators, Davide Gasparotto and Keith Christiansen, visit the Getty Museum’s exhibition "Caravaggio: Masterpieces from the Galleria Borghese" to talk about the paintings on view. Gasparotto is senior curator of paintings at the J. Paul Getty Museum and Christiansen is the John Pope-Hennessy Chairman of the Department of European Paintings at the Metropolitan Museum of Art. It is recommended to view images of the paintings online while listening.

Venetian Renaissance painter Giovanni Bellini is widely considered one of the greatest Italian artists of all time. His landscapes are imbued with allegory and a reverence for nature. In this episode, we listen as two curators, Davide Gasparotto and Keith Christiansen, visit the Getty Museum’s exhibition Giovanni Bellini: Landscapes of Faith in Renaissance Venice to talk about a selection of paintings on view. Gasparotto is senior curator of paintings at the J. Paul Getty Museum and Christiansen is the John Pope-Hennessy Chairman of the Department of European Paintings at the Metropolitan Museum of Art. It is recommended to view images of the paintings online while listening.

To say that Swiss-born artist, art historian, and curator Harald Szeemann was an obsessive collector might be putting it mildly. Szeemann’s personal archive and research library, which he referred to as the “Museum of Obsessions,” spans over five decades and amounts to thousands of linear feet. In this episode, we hear from the Getty Research Institute’s Glenn Phillips, Doris Chon, and Pietro Rigolo about the work and archive of this influential curator.

Egyptian mummy portraits are among the oldest paintings that have survived from the ancient world. Incorporated with the wrappings of mummies, these strikingly realistic portraits of the deceased reflect a blending of the artistic style of Greco-Roman culture with Egyptian funerary traditions. We visit the galleries of the Getty Villa with associate conservator Marie Svoboda to learn about a project that will bring greater understanding to these remarkable portraits and the era of ancient Egypt.

Last week, Indian architect, urban planner, and educator Balkrishna Doshi was selected as the 2018 Pritzker Architecture Prize laureate. In light of this news, we wanted to share an episode from earlier this year featuring an interview with Doshi. — While working in Chandigarh, Le Corbusier also developed projects in Ahmedabad, the former capital of Gujarat, 740 miles southeast of Chandigarh. In the second of a two-part series on modern architecture in India, we hear from B. V. Doshi, Le Corbusier’s “man on the job” for his projects in Ahmedabad. Doshi shares his experiences as a young architect working with Le Corbusier in Paris and recounts various projects he managed in Ahmedabad and Chandigarh.

The Getty Center is a campus that features modernist buildings, beautiful gardens, open spaces, and panoramic views of Los Angeles. Christopher Hawthorne, architecture critic at the Los Angeles Times, discusses the relationship between Richard Meier’s unique design and the architectural tradition of LA. This is the final episode of Getty at Twenty, a three-part series that looks at the Getty Center on the twentieth anniversary of its opening.

Stephen Rountree served as the director of the Getty building program, working closely with architect Richard Meier, Getty staff and committees, and neighborhood councils during the construction of the center. In this episode, Rountree talks about the challenges he and his colleagues faced throughout the thirteen-year process. This is the second episode of Getty at Twenty, a three-part series that looks at the Getty Center on the twentieth anniversary of its opening.

Included in Rembrandt’s prolific body of work is a series of twenty-five drawings inspired by paintings created by Mughal artists in India. How did Rembrandt come across Mughal images? Why did he make these drawings? These questions are at the heart of an upcoming exhibition organized by Getty Museum curator Stephanie Schrader. In this episode, Schrader discusses Rembrandt’s series and what inspired him to draw in a style different from his own. "Rembrandt and the Inspiration of India" opens at the Getty Center on March 13, 2018.