Lost in Criterion
Summary: The Adam Glass and John Patrick Owatari-Dorgan, attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection and talk about them. Want to support us? We'll love you for it: www.Patreon.com/LostInCriterion
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- Artist: withtwobrains.com
Podcasts:
Paul Morrissey's Blood for Dracula (1974) was made when Flesh for Frankenstein was underbudget and ahead of schedule. It manages to be the better movie.
Paul Morrissey's 1973 horror-comedy is a bizarrely sexualized telling of Mary Shelley's classic that doubles as a critique of Free Love. In 3D! (Where available.)
In John Mackenzie's ode to the dying breed of London gangster, Mario is married to The Queen and James Bond is trying to kill them.
Lost in Criterion discusses Jean-Luc Godard's bizarre and disjointed 1965 sci-fi noir, Alphaville.
Resident Kurosawa obsessive Donovan Hill joins us again for High and Low (1968) and a discussion of slow builds.
Lost in Criterion explores Paul Verhoeven's 1987 masterpiece Robocop in all it's violent anti-corporatism.
Lost in Criterion enjoys Katherine Hepburn's incongruous accent as she plays a school teacher from Akron in David Lean's 1955 love story Summertime.
Lost in Criterion goes along with Jeremy Irons and his identical twin Jeremy Irons as they live one life between them and emotionally scar Geneviève Bujold.
It's a drug-induced psychosis on Lost in Criterion with Alex Cox's Sid and Nancy (1986).
Sam Fuller's Shock Corridor may not be quite as good as The Naked Kiss, but it's still a pretty awesome movie, taking risks where it could just rest on cliche.
Lost in Criterion recovers from Salo and moves into a movie that is significantly more enjoyable, if only in comparission.
Gratuitous in so many ways. Vomitously gratuitous.
Lost in Criteiron and special guest Donovan Hill probably missed something because they weren't really into Samurai III: Duel at Ganryu Island.
The second film in Hiroshi Inagaki's SAmurai Trilogy, Duel at Ichijoji Temple (1955) didn't have quite the international reception as the first, but there's a story to tell and we're here to try to figure it out.
Donovan Hill, who's father exposed him to films like Inagaki's Samuria Trilogy at an inappropriately young age, joins Lost in Criterion to discuss the classic Japanese historic biopic.
