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clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up Richard Diamond, Private Detective was a detective drama which was on radio from 1949 to 1953 and on television from 1957 to 1960. Dick Powell starred in the Richard Diamond, Private Detective radio series as a rather light-hearted detective who often ended the episodes singing to his girlfriend, Helen. It began on NBC April 24, 1949, picked up Rexall as a sponsor April 5, 1950, and continued until December 6, 1950. The shows were written by Blake Edwards. With Camel as a sponsor, it moved to ABC from January 5, 1951, to June 29, 1951, with Rexall returning for a run from October 5, 1951, until June 27, 1952. Substituting for Amos 'n' Andy, it aired Sunday evenings on CBS from May 31, 1953 until September 20, 1953. Because Dick Powell was known for musical comedies prior to his appearance as Philip Marlowe in Raymond Chandler's Murder, My Sweet (1944) and because he was a detective who sang in Richard Diamond, Private Eye, some regard this radio series as an influence on the character of Philip E. Marlow (Michael Gambon) in Dennis Potter's Chandleresque The Singing Detective (1986).

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up Richard Diamond, Private Detective was a detective drama which was on radio from 1949 to 1953 and on television from 1957 to 1960. Dick Powell starred in the Richard Diamond, Private Detective radio series as a rather light-hearted detective who often ended the episodes singing to his girlfriend, Helen. It began on NBC April 24, 1949, picked up Rexall as a sponsor April 5, 1950, and continued until December 6, 1950. The shows were written by Blake Edwards. With Camel as a sponsor, it moved to ABC from January 5, 1951, to June 29, 1951, with Rexall returning for a run from October 5, 1951, until June 27, 1952. Substituting for Amos 'n' Andy, it aired Sunday evenings on CBS from May 31, 1953 until September 20, 1953. Because Dick Powell was known for musical comedies prior to his appearance as Philip Marlowe in Raymond Chandler's Murder, My Sweet (1944) and because he was a detective who sang in Richard Diamond, Private Eye, some regard this radio series as an influence on the character of Philip E. Marlow (Michael Gambon) in Dennis Potter's Chandleresque The Singing Detective (1986).

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up n Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods---looking primarily to promote its Parkay margarine spread---sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character assumed several first names on Fibber McGee and Molly) as the central, slightly softened, and slightly befuddled focus of a lively new family. Premiering on NBC on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late sister's estate and took on the rearing of his orphaned niece and nephew, Marjorie (Lurene Tuttle followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley) Forester. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. Indeed, The Great Gildersleve may have been the first broadcast show to be centered on a single parent balancing between child-rearing, work, and social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up n Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods---looking primarily to promote its Parkay margarine spread---sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character assumed several first names on Fibber McGee and Molly) as the central, slightly softened, and slightly befuddled focus of a lively new family. Premiering on NBC on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late sister's estate and took on the rearing of his orphaned niece and nephew, Marjorie (Lurene Tuttle followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley) Forester. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. Indeed, The Great Gildersleve may have been the first broadcast show to be centered on a single parent balancing between child-rearing, work, and social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up The Great Gildersleeve (1941-1957) was arguably the first spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Built around a character who had been a staple on the classic radio sit-com, Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off, and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character was given several conflicting first names on Fibber McGee and Molly) as the central, slightly softened, and slightly befuddled focus of a lively new family. Premiering on NBC on August 31, 1941, The Great Gildersleeve moved the title character from the McGee's Wistful Vista to Summerfield, where Gildersleeve now oversaw his late sister's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley) Forester. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. Indeed, The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity The Great Gildersleeve

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up The Great Gildersleeve (1941-1957) was arguably the first spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Built around a character who had been a staple on the classic radio sit-com, Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off, and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character was given several conflicting first names on Fibber McGee and Molly) as the central, slightly softened, and slightly befuddled focus of a lively new family. Premiering on NBC on August 31, 1941, The Great Gildersleeve moved the title character from the McGee's Wistful Vista to Summerfield, where Gildersleeve now oversaw his late sister's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley) Forester. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. Indeed, The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity The Great Gildersleeve

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network (1934-1935); CBS (1935-1955), adapted first Broadway stage works, and then (especially) films to hour-long live radio presentations. It quickly became the most popular dramatic anthology series on radio, running more than twenty years. The program always began with an announcer proclaiming, "Ladies and gentlemen, Lux presents Hollywood!" Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936, until January 22, 1945. On one occasion, however, he was replaced by Leslie Howard (actor). Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell. Many of the greatest names in film appeared in the series, most in the roles they made famous on the screen, including Abbott and Costello, Lauren Bacall, Lucille Ball, Humphrey Bogart, Charles Boyer, Claudette Colbert, Gary Cooper, Bing Crosby, Dan Duryea, Ava Gardner, Cary Grant, Bob Hope, Vivien Leigh, Agnes Moorehead, Vincent Price, Donna Reed, Frank Sinatra, Ann Sothern, Barbara Stanwyck, James Stewart, Gene Tierney, John Wayne, Jane Wyman, Orson Welles and Loretta Young. Who made the most appearances in Lux Radio Theater productions? Among the men, Don Ameche---eventually a radio star in The Bickersons---topped the list with 18 Lux appearances, just ahead of Fred MacMurray's 17. Among the ladies, the honor went to Barbara Stanwyck with 15 Lux appearances (including and especially her re-creation of her hit film Sorry, Wrong Number---itself born of an earlier radio production, on CBS legend Suspense). Loretta Young's 14 appearances were the second most among the ladies.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network (1934-1935); CBS (1935-1955), adapted first Broadway stage works, and then (especially) films to hour-long live radio presentations. It quickly became the most popular dramatic anthology series on radio, running more than twenty years. The program always began with an announcer proclaiming, "Ladies and gentlemen, Lux presents Hollywood!" Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936, until January 22, 1945. On one occasion, however, he was replaced by Leslie Howard (actor). Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell. Many of the greatest names in film appeared in the series, most in the roles they made famous on the screen, including Abbott and Costello, Lauren Bacall, Lucille Ball, Humphrey Bogart, Charles Boyer, Claudette Colbert, Gary Cooper, Bing Crosby, Dan Duryea, Ava Gardner, Cary Grant, Bob Hope, Vivien Leigh, Agnes Moorehead, Vincent Price, Donna Reed, Frank Sinatra, Ann Sothern, Barbara Stanwyck, James Stewart, Gene Tierney, John Wayne, Jane Wyman, Orson Welles and Loretta Young. Who made the most appearances in Lux Radio Theater productions? Among the men, Don Ameche---eventually a radio star in The Bickersons---topped the list with 18 Lux appearances, just ahead of Fred MacMurray's 17. Among the ladies, the honor went to Barbara Stanwyck with 15 Lux appearances (including and especially her re-creation of her hit film Sorry, Wrong Number---itself born of an earlier radio production, on CBS legend Suspense). Loretta Young's 14 appearances were the second most among the ladies.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up The Great Gildersleeve (1941-1957) was arguably the first spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Built around a character who had been a staple on the classic radio sit-com, Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off, and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character was given several conflicting first names on Fibber McGee and Molly) as the central, slightly softened, and slightly befuddled focus of a lively new family. Premiering on NBC on August 31, 1941, The Great Gildersleeve moved the title character from the McGee's Wistful Vista to Summerfield, where Gildersleeve now oversaw his late sister's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley) Forester. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. Indeed, The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity The Great Gildersleeve

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up The Great Gildersleeve (1941-1957) was arguably the first spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Built around a character who had been a staple on the classic radio sit-com, Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off, and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character was given several conflicting first names on Fibber McGee and Molly) as the central, slightly softened, and slightly befuddled focus of a lively new family. Premiering on NBC on August 31, 1941, The Great Gildersleeve moved the title character from the McGee's Wistful Vista to Summerfield, where Gildersleeve now oversaw his late sister's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley) Forester. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. Indeed, The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity The Great Gildersleeve

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00Affordable Web Hosting & Podcasting $5.99 A month Classic Radio Pictures Enjoy The Blues Visit The Uncleshag Gospel Round Up