LIVE! From City Lights

On Wednesday, October 24, 2012, City Lights Bookstore celebrated the release of Sister Spit: Writing, Rants and Reminiscence from the Road (City Lights Books), hosted by Michelle Tea. Featuring readings from Ali Liebegott, Ben McCoy, Cassie J. Sneider, Kat Marie Yoas, MariNaomi, Michelle Tea, Rhiannon Argo, Sara Seinberg, Tamara Llosa Sandor. A collection of writing and artwork from the irreverent, flagrantly queer, hilariously feminist, tough-talking, genre-busting ruffians who have toured with the legendary Sister Spit. Co-founded in 1997 by award-winning writer Michelle Tea, Sister Spit is an underground cultural institution, a gender-bending writers' cabaret that brings a changing roster of both emerging writers and some of the most important queer and counterculture artists of the day to universities, art galleries, community spaces, and other venues across the country and worldwide. Sister Spit: Writing, Rants and Reminiscence from the Road captures the provocative, politicized, and risk-taking elements that characterize the Sister Spit aesthetic, stamping the raw energy and signature style of the live show onto the page. Bratty poets and failed priestesses, punk angst and tough love, too much to drink and tattooed timelines—this anthology captures it all in a collection of poetry, personal narrative, fiction, and artwork. Featuring a who's who of queer and queer-centric writers and artists, the collection functions as a travelogue, a historical document, and a yearbook from irreverent graduates of the school of hard knocks. Eileen Myles * Beth Lisick * Michelle Tea * MariNaomi * Cristy Road * Ali Liebegott * Blake Nelson * Lenelle Moise * and Many More! "Heartbreakingly beautiful writing; sometimes funny, sometimes shattering—always revolutionary. Truly amazing collection!"—Margaret Cho "Sister Spit is like the underground railroad for burgeoning queer writers. Not only in the van, but in the audiences trapped in the hinterlands of America and looking to escape. Sister Spit saves lives."—Justin Vivian Bond, author of TANGO: My Childhood, Backwards and in High Heels

Richard Wolff and David Barsamian came together at City Lights on September 12, to celebrate the release of Occupy the Economy: Challenging Capitalism (City Lights Books). Today’s economic crisis is capitalism’s worst since the Great Depression. Millions have lost their jobs, homes and healthcare while those who work watch their pensions, benefits and job security decline. As more and more are impacted by the crisis, the system continues to make the very wealthy even richer. In eye-opening interviews with prominent economist Richard Wolff, David Barsamian probes the root causes of the current economic crisis, its unjust social consequences and what can and should be done to turn things around. While others blame corrupt bankers and unregulated speculators or the government or even the poor who borrowed, the authors show that the causes of the crisis run much deeper. They reach back to the 1970s when the capitalist system itself shifted, ending the century-old pattern of rising wages for U.S. workers and thereby enabling the top 1% to become ultra-rich at the expense of the 99%. Since then, economic injustice has become chronic and further corrupted politics. The Occupy movement, by articulating deep indignation with the whole system, mobilizes huge numbers who seek basic change. Occupy the Economy not only clarifies and analyzes the crisis in U.S. capitalism today, it also points toward solutions that can shape a far better future for all. Richard D. Wolff is Professor Emeritus of Economics at U. Mass, and Visiting Professor at the New School University. Author of Capitalism Hits the Fan, he’s been a guest on NPR, Glenn Beck Show, and Democracy Now! David Barsamian is founder and director of Alternative Radio and author of Targeting Iran. He is best known for his interview books with Noam Chomsky, including What We Say Goes. Praise for Occupy the Economy: “Richard Wolff and David Barsamian truly understand, at the deepest levels, both the need for political, social, and economic change in this nation, and the ways such change can happen. This is an essential read for everybody concerned with the future of the world, from academics to concerned citizens, it’s also a brilliant and thoughtful manual that every activist must own.” —Thom Hartmann, internationally syndicated radio/TV host, and author of The Last Hours of Ancient Sunlight “Occupy activists everywhere are heatedly debating the question, ‘What’s next for our movement?’ In his collected interviews with David Barsamian, radical economist Richard Wolff lays out a compelling framework for further anti-corporate organizing that focuses on the root of the problem: capitalism and its never-ending assault on the 99%. Occupiers (past, present, and future) now have an intellectual guide to a different kind of economy–one that’s equitable, sustainable and, let’s hope, politically achievable, sooner rather than later. Wolff’s deep but conversational synthesis of recent practice and older theory couldn’t be more timely, persuasive, and readable. This book should be required reading for all labor and community organizers newly inspired by Occupy Wall Street!” —Steve Early, labor activist, journalist, and author of The Civil Wars in U.S. Labor Praise for Richard Wolff: “With unerring coherence and unequaled breadth of knowledge, Rick Wolff offers a rich and much needed corrective to the views of mainstream economists and pundits.” —Stanley Aronowitz

David Calonne came into City Lights Bookstore to discuss his new book Charles Bukowski (Critical Lives Series) (Reaktion Books) on December 4, 2012.  Charles Bukowski (Critical Lives Series) Poet, short-story writer, and novelist Charles Bukowski (1920–94) was once called by Time a “laureate of American lowlife.” In this new interpretation of his life and work, David Stephen Calonne examines the creation and originality of Bukowski’s writings through the lens of his colorful life, the literary traditions that influenced him, and his unique place in world literature. Calonne describes how Bukowski, who was born in Germany and immigrated to the United States at the age of three, was influenced by German literary and intellectual traditions. He shows how the writer’s traumatic childhood—his abusive father, social withdrawal, and early introduction to alcohol—influenced the themes and content of his work. Calonne also explores several unknown pieces of fiction and poetry from the early years of Bukowski’s career, as well as his major works—including Post Office and the poetry volumes published by Black Sparrow Press—and biographical films such as Barfly. Comprehensive but concise, Charles Bukowski will find a wide audience in fans of this prolific, influential figure and provide a valuable introduction to his new admirers. David Stephen Calonne is the author of William Saroyan: My Real Work Is Being and Bebop Buddhist Ecstasy: Saroyan’s Influence on Kerouac and the Beats, and he has edited several Bukowski titles, including Absence of the Hero: Uncollected Stories and Essays, Vol. 2: 1946-1992, More Notes of a Dirty Old Man, and  Portions From a Wine-Stained Notebook Uncollected Stories and Essays, 1944-1990.

On December 5, 2012, Arthur Kroker came to City Lights Bookstore to discuss his new book, Body Drift: Butler Hayles Haraway (University of Minnesota Press). Philosopher, cultural critic, educator, and researcher of political science, technology and culture, Arthur Kroker makes a special visit to City Lights to discuss the subject of his new book. Body Drift: Butler, Hayles, Haraway published by University of Minnesota Press As exemplary representatives of a form of critical feminism, Judith Butler, Katherine Hayles, and Donna Haraway offer entry into the great crises of contemporary society, politics, and culture through their writings. Butler leads readers to rethink the boundaries of the human in a time of perpetual war. Hayles turns herself into a “writing machine” in order to find a dwelling place for the digital humanities within the austere landscape of the culture of the code. Haraway is the one contemporary thinker to have begun the necessary ethical project of creating a new language of potential reconciliation among previously warring species. According to Arthur Kroker, the postmodernism of Judith Butler, the posthumanism of Katherine Hayles, and the companionism of Donna Haraway are possible pathways to the posthuman future that is captured by the specter of body drift. Body drift refers to the fact that individuals no longer inhabit a body in any meaningful sense of the term, but rather occupy a multiplicity of bodies: gendered, sexualized, laboring, disciplined, imagined, and technologically augmented. Body drift is constituted by the blast of information culture envisioned by artists, communicated by social networking, and signified by its signs. It is lived daily by remixing, resplicing, and redesigning the codes: codes of gender, sexuality, class, ideology, and identity. The writings of Butler, Hayles, and Haraway, Kroker reveals, provide the critical vocabulary and political context for understanding the deep complexities of body drift and challenging the current emphasis on the material body. A special presentation will be given about Drone technologies, in addition to the discussion about the new book. Arthur Kroker is Canada Research Chair in Technology, Culture, and Theory and professor of political science at the University of Victoria, British Columbia. He is the author or editor of many books, including The Will to Technology and the Culture of Nihilism: Heidegger, Nietzsche, and Marx. With Marilouise Kroker, he edits the acclaimed online scholarly review CTheory.net.

Daniel Grandbois came into City Lights Bookstore on Wednesday, November 14, 2012, to read from his new collection Unlucky Lucky Tales, illustrated by Fidel Scalvo and foreward by Ed Ochester (Texas Tech University Press). Inventive, disconcerting, and hilarious, Daniel Grandbois's present-day fables call to mind Rudyard Kipling's Just So Stories as readily as they do Italo Calvino's Cosmicomics, Rikki Ducornet's Butcher's Tales, and Woody Allen's most literary writings. Braced on the shoulders of the fabulists, fantasists, flash-fictionists, absurdists, surrealists, and satirists who came before him, Daniel Grandbois dredges up impossible meanings from the mineral and plant kingdoms, as well as the animal, and serves them to us as if they were nothing more fantastic than a plate of eggs and ham. Like Zen koans, these stories playfully short-circuit the brain to bypass normal thought and open the mind to undiscovered worlds of perception. As the human organism responds inexplicably to music, to particular combination of notes of varying pitches and durations and the intervals of silence between them, so too it responds in profound yet ultimately incomprehensible ways to the absurd, twisted language of Grandbois' poetic prose. Daniel Grandbois is a writer and musician. His books include Unlucky Lucky Days and The Hermaphrodite: An Hallucinated Memoir, illustrated by Alfredo Benavidez Bedoya. His writing has appeared in many journals and anthologies, including Fiction, Boulevard, Mississippi Review, and Web Conjunctions. He plays the bass for the rocking Denver bands Slim Cessna's Auto Club, Munly, and Tarantella. what has been said about Daniel Grandbois work: "Daniel Grandbois is the love child of Rod Serling, HP Lovecraft, and Russell Edson... Kiss conventional reality goodbye and prepare to have your brain rearranged, to enter a realm in which scintillating, nonstop invention is god." -- Amy Gerstler "One is tempted to look for precedents to his odd surrealism and verbal pranks, but it's clear Grandbois has staked out his own territory, one peopled with offbeat characters and varied discourses... The wise fool, an old conceit of literature, resurfaces, and he is of course Grandbois himself." -- Peter Johnson

  On December 11, 2012, at City Lights Bookstore, City Lights Publishers and Eleven Eleven:  Journal of Literature and Art at California College of the Arts warmly welcomed Aron Aji, who discussed his latest work of translation, A Long Day’s Evening (City Lights Books) by the great Turkish experimental modernist Bilge Karasu.  When Leo III, Emperor of Byzantium outlaws all religious paintings and icons, Constantinople is thrown into crisis. A palace official overseeing the destruction of an image of Christ is murdered by a band of irate women, and an atmosphere of danger grips the city’s monasteries, strongholds of icon veneration. Living amidst unacknowledged stirrings of resistance, watching for cues from the other monks, Andronikos is deeply confused about his own beliefs, and fears the consequences of exposing himself. One night he decides to escape, leaving behind his beloved Ioakim, who must confront his own crisis of faith and choose where to place his allegiance. Against a backdrop of religious and political upheaval, the two experience their love as the absence that each becomes for the other. In language that builds to an operatic intensity, the dualities of dogma and faith, custom and law, truth and lies, individual and society, East and West, Byzantium and Rome, are embodied in a story of prohibited love and devotion to the Unseen. “From 8th century Constantinople to Istanbul in 1960, Karasu’s words travel the temporal distance like a flock of storks, flying to a horizon where history intersects with faith, religious and political, and where memory looks and finds meaning. Only a master can choreograph such a difficult journey . . . and Karasu is one. This is a fascinating novel and a pleasure to read.” — Sinan Antoon, author of I’jaam: An Iraqi Rhapsody “It might seem odd to find such crafted postmodernist writing coming out of Turkey. [Karasu] is a rare find indeed. Fascinating … an illuminating transitional work between the work of Turkey’s romantic realist Yashar Kemal and contemporary postmodernist Orhan Pamuk. More please.” — Kirkus Reviews “One of Turkey’s most interesting modern writers.” — Booklist Bilge Karasu (1930-1995) was born in Istanbul. Often referred to as “the sage of Turkish literature,” during his lifetime he published collections of stories, novels, and two books of essays.

On February 5, 2013, Graywolf Press Poetry Tour visited City Lights with readings by D. A. Powell (Useless Landscape), Mary Szybist (Incarnadine) and Dobby Gibson. Graywolf Press was founded in Port Townsend, Washington, in 1974 by Scott Walker. Graywolf’s first publications were limited-edition chapbooks of poetry, which were printed on a letterpress and hand sewn by Walker and his colleagues. Over the years Graywolf has expanded its list to include novels, short stories, memoirs, essays, as well as poetry. The Press has discovered and/or promoted such writers as Elizabeth Alexander, Mary Jo Bang, Charles Baxter, Sven Birkerts, Robert Boswell, John D’Agata, Percival Everett, Nuruddin Farah, Tess Gallagher, Albert Goldbarth, Linda Gregg, Eamon Grennan, Tony Hoagland, Jane Kenyon, William Kittredge, Don Paterson, Per Petterson, Carl Phillips, Salvatore Scibona, Vijay Seshadri, William Stafford, David Treuer, and Brenda Ueland. Today, Graywolf is considered one of the nation’s leading nonprofit literary publishers. Dobby Gibson is the author of Skirmish and Polar, both of which were finalists for the Minnesota Book Award. Polar also won Alice James Books’ Beatrice Hawley Award. Gibson has recieved fellowships from the McKnight Foundation, the Jerome Foundation, and two Pushcart Prize nominations. D. A. Powell is the author of Useless Landscape, or A Guide for Boys, Tea, Lunch, and Cocktails, which was a finalist for the National Book Critics Circle Award in Poetry. He teaches at the University of San Francisco and lives in the Bay Area.   Mary Szybist is the author of the poetry collection, Granted.  She was a finalist for the National Book Critics Circle Award, and in 2009, she won a Witter Bynner Fellowship. She is the recipient of an Academy of American Poets Prize, a Rona Jaffe Foundation Writers’ Award, and a fellowship from the National Endowment for the Arts. Her work has appeared in the Iowa Review and Denver Quarterly and was featured in Best American Poetry (2008). She is an associate professor of English at Lewis & Clark in Portland, Oregon.

City Lights in conjunction with the UCSF Medical Humanities Initiative presents Louise Aronson reading from her new collection A History of the Present Illness (Bloomsbury Books) on January 24, 2013. A History of the Present Illness takes readers into overlooked lives in the neighborhoods, hospitals, and nursing homes of San Francisco, offering a deeply humane and incisive portrait of health and illness in American today. An elderly Chinese immigrant sacrifices his demented wife’s well-being to his son’s authority. A busy Latina physician’s eldest daughter’s need for more attention has disastrous consequences. A young veteran’s injuries become a metaphor for the rest of his life. A gay doctor learns very different lessons about family from his life and his work, and a psychiatrist who advocates for the underserved may herself be crazy. Together, these honest and compassionate stories introduce a striking new literary voice and provide a view of what it means to be a doctor and a patient unlike anything we’ve read before. In the tradition of Oliver Sacks and Abraham Verghese, Aronson’s writing is based on personal experience and addresses topics of current social relevance. Masterfully told, A History of the Present Illness explores the role of stories in medicine and creates a world pulsating with life, speaking truths about what makes us human. Louise Aronson has an MFA in fiction from the Warren Wilson Program for Writers and an MD from Harvard Medical School. She has won the Sonora Review prize, the New Millennium short fiction award and has received three Pushcart nominations. She is an Associate Professor of Medicine at the University of California where she cares for diverse, frail older patients and directs the Pathways to Discovery Program, the Northern California Geriatrics Education Center and UCSF Medical Humanities. She lives in San Francisco.

Tony Serra came to City Lights Bookstore the evening of September 26th, 2012, and spoke of his new book, Walking the Circle: Prison Chronicles (Grizzly Peak Press). Walking the Circle: Prison Chronicles from Grizzly Peak Press Tony Serra is the epitome of counter-cultural hero. He has spent his life defending society’s marginalized citizens in the courtroom. His role in the Chol Soo Lee case was depicted in the film True Believer and he has gained national prominence for his closing argument techniques. Mr. Serra has consulted with hundreds of professional organizations on various legal issues in multiple forums in 14 different states. He is a life-long tax resister who has spent time in federal prison in protest of what he perceives to be an unjust political and legal system. His recent stay in Lompoc Federal Prison Camp yielded the release of this new book that sheds light on the conditions prevalent in the prison system. Not one to be content with fighting for a more civil and just society only in the court-room, Tony Serra has taken the fight to the front-lines. His examination and criticism of the prison system complex adds to the ongoing dialog for prison reform. J. Tony Serra has been a practsing criminal defense attorney for over 45 years. He has represented: Heuy Newton and the Black Panthers, The White Panthers, The Hell’s Angels, Chol Soo Lee, Hooty Croy, Brownie Mary, Bear Lincoln, and many others. He is the reciepient of numerous award that include: ACLU Benjamin Dreyfus Civil Liberties Award, Gideon Equal Justice Award from the San Francisco Public Defender’s Office, Lawyer of the Year from the Criminal Trial Lawyers Association, as well as numerous others. What has been said about Walking the Circle: Prison Chronicles: “A life filled with passion, trouble, and general shit-kicking may be the best life to have, but probably only if you are Tony Serra, wily defense lawyer, generous supporter of perilous causes, devoted custodian of just about everyone except himself. Recently, he continued his mission of disruptive merry-making while ioncarcerated fora little matter of federal taxes he decided not to offer a federal government he considers hostile to the poor, immigrants, Native Americans, and folks who enjoy a bit of inner transportaion by means of forbidden substances. In the matter of Tony Serra vs. the System, the conflict has gone on for more than forty years.” -Herb Gold “Tony Serra’s Walking the Circle: Prison Chronicles, is a wonder, as is the author. Not since Clarence Darrow has a trial lawyer attracted such envious attention in court, Nt since Byron has there been a more poetic, passionate defender of liberty. Tony’s book almost akes you want to spend time in jail.” -John Keker, Esq.

 Join David Brinks as he reads from his new release, The Secret Brain: Selected Poems 1955-2012 (Black Widow Press), at City Lights Books, Wednesday, October 17, 2012.About The Secret Brain:David Brinks celebrates the release of this extensive collection of poetry spanning the years 1995 through 2012. In this dense and thoughtfully edited collection, the reader experiences the broad spectrum of Brink's work, revealing his genius, firsthand.David Brinks is a stalwart of the American poetry community, founder of New Orleans School for the Imagination, Trembling Pillow Press, 17 Poets! Literary & Performance Series, publisher of Entrepôt and editor of YAWP, a Journal of Poetry & Art. . His poetry and essays have appeared in magazines, newspapers, journals and anthologies throughout the United States, Canada, and overseas including The Nation, Exquisite Corpse, Shambhala Sun, Scrisul Românesc, Metaphora, Vlak, National Geographic Explorer, Louisiana Cultural Vistas and Gathering of the Tribes. His works also have been featured on National Public Radio's Hearing Voices and PBS' News Hour with Jim Lehrer. Brinks is the author of six published collections of poetry including the critically acclaimed The Caveat Onus (Black Widow Press 2009). Currently Brinks is at work on a biography of early jazz pioneer Emile Barnes; as well a new collection of poetry titled The Geometry of Sound?an experimental, cross-disciplinary study which explores the origins of alphabets, ideograms and pictographs, with specific locus to phoneme-based patterns and linguistic genomes found naturally occurring in the environment through hexagonal structures and frequencies derived from the I Ching.Black Widow Press is an independent press that publishes authors who have had an impact on the cultural, literary and/or artistic thought of the 20th (and 21st) century. There is a focus on dada and surrealism, 20th century avante garde, and contemporary poets on the literary edge. They have published the works of Clayton Eshleman, Jerome Rothenberg, Andrei Codrescu, Robert Kelly, Benjamin Péret, Paul Eluard, Tristan Tzara, Rene Char, and many others.

Tamim Ansary came into City Lights Bookstore to discuss his book Games Without Rules: The Often Interrupted History of Afghanistan (Public Affairs Books), December 12, 2012. Today, most Westerners still see the war in Afghanistan as a contest between democracy and Islamist fanaticism. That war is real; but it sits atop an older struggle, between Kabul and the countryside, between order and chaos, between a modernist impulse to join the world and the pull of an older Afghanistan: a tribal universe of village republics permeated by Islam. Now, Tamim Ansary draws on his Afghan background, Muslim roots, and Western and Afghan sources to explain history from the inside out, and to illuminate the long, internal struggle that the outside world has never fully understood. It is the story of a nation struggling to take form, a nation undermined by its own demons while, every 40 to 60 years, a great power crashes in and disrupts whatever progress has been made. Told in conversational, storytelling style, and focusing on key events and personalities, Games without Rules provides revelatory insight into a country at the center of political debate. Tamim Ansary is the author of Destiny Disrupted: A History of the World through Islamic Eyes and West of Kabul, East of New York, among other books. For ten years he wrote a monthly column for Encarta.com, and has published essays and commentary in the San Francisco Chronicle, Salon, Alternet, TomPaine.com, Edutopia, Parade, Los Angeles Times, and elsewhere. Born in Afghanistan in 1948, he moved to the U.S. in 1964. He lives in San Francisco, where he is director of the San Francisco Writers Workshop.

Catherine Wagner comes to City Lights Bookstore on Tuesday, October 30, 2012, to celebrate the latest release in the Spotlight Poetry Series, Nervous Device (City Lights Books).In Nervous Device, Catherine Wagner takes inspiration from William Blake’s “bounding line” to explore the poem as a body at the intersection between poet and audience. Using this figure as a model for various sexual, political, and economic interactions, Wagner’s poems shift between seductive lyricism and brash fragmentation as they negotiate the failure of human connection in the twilight of American empire. Intellectually informed, yet stubbornly insistent on their own objecthood, and taking a bewildering variety of forms, the poems of Nervous Device express a self-conscious skepticism about the potential for human connection even as they maintain an optimistically charged eroticism.The author of three previous full-length collections, Catherine Wagner was born in Burma during the Vietnam War to American military parents, afterwards living in the Philippines, Indonesia, Yemen, and India before moving to the U.S. She received her MFA from the Iowa Writers’ Workshop (where she studied with Jorie Graham and Donald Revell) and a PhD from the University of Utah. She has written criticism on Barbara Guest, Leslie Scalapino and Harryette Mullen, among others, and has published chapbooks with the Dusie collective and other small presses. Her poems appear in the Norton Anthology of Postmodern American Poetry and Out of Ev­erywhere: Linguistically Innovative Poetry by Women in North America and the UK, among other anthologies. She’s currently an Associate Professor of English at Miami University in Ohio. Future Spotlight Series poet Alli Warren also read.

National Book Critics Circle in conjunction with City Lights and Litquake presents a panel discussion at City Lights Bookstore revolving around the world of West Coast reviewers, on October 9th, 2012. Moderated by John McMurtrie of the San Francisco Chronicle, with Julie Cline of the Los Angeles Review of Books, Isaac Fitzgerald of The Rumpus, Dean Rader, columnist for San Francisco Magazine and Huffington Post, and Daniel Levin Becker of The Believer Three decades ago, most book reviewing was done by local reviewers writing for local papers who picked books of national interest, but also books that spoke to the places they lived. As newspapers have shrunk or collapsed and online reviews have grown, how has book reviewing changed? Four west coast reviewers from both print and online venues  discuss their experiences supporting literary culture today. Julie Cline of the Los Angeles Review of Books, Isaac Fitzgerald of The Rumpus, Dean Rader, columnist for San Francisco Magazine and Huffington Post, and Daniel Levin Becker of The Believer will join in a panel moderated by the San Francisco Chronicle’s book editor, John McMurtrie JOHN MCMURTRIE is book editor of the San Francisco Chronicle. His writing has appeared in the Washington Post, the Globe and Mail, and the Boston Globe. JULIE CLINE is Senior Nonfiction Editor at the Los Angeles Review of Books. A California native, she lives in LA’s Echo Park. ISAAC FITZGERALD has written for The Bold Italic, McSweeney’s, Mother Jones, and The San Francisco Chronicle. He is the managing editor of The Rumpus. DEAN RADER’S Works & Days won the 2010 T. S. Eliot Poetry Prize, and he appears in the 2012 Best American Poetry. He writes and reviews regularly for The San Francisco Chronicle and The Huffington Post. DANIEL LEVIN BECKER is reviews editor of The Believer. His first book, Many Subtle Channels: In Praise of Potential Literature, was published by Harvard University Press in April 2012. The National Book Critics Circle honors outstanding writing and fosters a national conversation about reading, criticism and literature. The NBCC was founded in April 1974 at the Algonquin Hotel in New York City, with founding members John Leonard, Nona Balakian, and Ivan Sandrof intending to extend the Algonquin round table to a national conversation. The NBCC gained 501(c)(3) status in October 2006, and in 2010 received an NEA grant to support the website and its literary blog, Critical Mass. The National Book Critic Circle Awards are issued each March and honor the best literature published in the United States in six categories—autobiography, biography, criticism, fiction, nonfiction, and poetry. These are the only national literary awards chosen by critics themselves. Visit: bookcritics.org City Lights would like to thank Tess Taylor and Oscar Vilallon for their hard work in making this evening a reality.

City Lights and The Feminist Press present An evening in solidarity with PUSSY RIOT! celebrating the release of the new book: Pussy Riot! A Punk Prayer for Freedom (The Feminist Press). Readings, declamations, and manifestos by: Frightwig (Deanna Mitchell, Mia Simmans, Cecelia Kuhn, Eric Drew Feldman), Daphne Gottlieb, Penelope Houston (of The Avengers), Sophia Kumin, Meri St. Mary (of The House Coat Project), Michelle Tea, and V. Vale (of Search and Destroy & Re/Search Publications). On February 21, 2012, five members of a Russian feminist punk collective Pussy Riot staged a performance in the Cathedral of Christ the Savior in Moscow. Dressed in brightly colored tights and balaclavas, they performed their “Punk Prayer” asking the Virgin Mary to drive out Russian president Vladimir Putin from the church. After just forty seconds, they were chased out by security. Once a retooled video of the events circulated on YouTube (edited to seem much longer than the actual performance), the state was riled into action. Three members of the collective, Maria Alyokhina, Nadezhda Tolokonnikova, and Yekaterina Samutsevich, known as Masha, Nadya, and Katya, were arrested and charged with felony hooliganism motivated by religious hatred, an offense carrying a sentence of up to seven years. As their trial unfolded, these young women became global feminist icons, garnering the attention and support of activists and artists around the world, including Madonna, Paul McCartney, and Patti Smith, as well as contributors to this book: Yoko Ono, Johanna Fateman, Karen Finley, Justin Vivian Bond, Eileen Myles, and JD Samson. The Internet exploded with petitions, music videos, and calls to action, and as the guilty verdict was anticipated, Pussy Riot responded with articulate, unwavering courtroom statements, calling for freedom of expression, an end to economic and gender oppression, and a separation of church and state. They were sentenced to two years in prison, and inspired a global movement. Collected here are the words that roused the world.  Profits from the sale of the book go to the PUSSYRIOT defense fund.

On January 31, 2013 Ayana Mathis came into City Lights Bookstore to read from her new novel The Twelve Tribes of Hattie (Knopf). In a sweeping tale that moves forward and backward in time across sixty years in Georgia and Philadelphia, Ayana Mathis’s extraordinary first novel tells the story of an unforgettable family—and an indomitable woman—caught in singular moment in American history. In 1923, fifteen-year-old Hattie Shepherd, hoping for a chance at a better life, flees Georgia and settles in Philadelphia with her twin babies. Instead, she watches helplessly as they succumb to an illness that a few pennies might have prevented. Hattie gives birth to nine more children whom she raises with grit and mettle and not an ounce of the tenderness they crave, fearing a show of tenderness would inadequately prepare them for the calamitous difficulty they are sure to face in their lives. True to Hattie’s expectations, the Shepherd children confront desolation, poverty, and the coldness and cruelty of their time. Floyd and Franklin battle inner demons in music halls and in the jungles of Vietnam; Bell, ruinously ill, awaits death but discovers salvation from an unexpected source; Alice and Billups wrestle with a secret history that threatens to undo them both; and Ella and Ruthie—one of whom escapes to a brighter life, at a devastating cost—are caught in the vortex of their mother’s deepest passions. Hattie’s children, her tribes, are the children of the Great Migration. Their lives, captured here in twelve distinct and soaring narrative threads, tell the story of amother’s monumental courage and the journey of a nation. Ayana Mathis is a graduate of the Iowa Writers’ Workshop and is a recipient of the Michener-Copernicus Fellowship. The Twelve Tribes of Hattie is her first novel.