Script Magazine

He was born on the first day of the Great Depression, did competitive ski racing in Europe, and went to spy school to became a special agent. But a passion for writing led Eric Kaldor to Hollywood, and he has many stories to tell about his journey! After spending some time as a sports producer, Eric Kaldor landed his first TV writing gig. He then went on to write for some of the most well known hits of the 1970s: Emergency,Kojak, The Rockford Files, and The Incredible Hulk. You'll love hearing about how TV writing worked in the 1970s, and how much it differs from the group writing of today. Also, Eric is full of amusing anecdotes about his path to and through Hollywood. After 1980, Eric left TV writing to raise his family and build a successful family business with his wife. He started acting, and has had parts in films, like 2006's Hollywoodland, and many recent shows, including ER and House. Eric never stopped writing … he is currently working on a novel, and publishing it a chapter at a time on his website at erickaldor.com. Follow Eric on Twitter: @EricKaldor Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)

He was born on the first day of the Great Depression, did competitive ski racing in Europe, and went to spy school to became a special agent. But a passion for writing led Eric Kaldor to Hollywood, and he has many stories to tell about his journey! After spending some time as a sports producer, Eric Kaldor landed his first TV writing gig. He then went on to write for some of the most well known hits of the 1970s: Emergency, Kojak, The Rockford Files, and The Incredible Hulk. You'll love hearing about how TV writing worked in the 1970s, and how much it differs from the group writing of today. Also, Eric is full of amusing anecdotes about his path to and through Hollywood. After 1980, Eric left TV writing to raise his family and build a successful family business with his wife. He started acting, and has had parts in films, like 2006's Hollywoodland, and many recent shows, including ER and House. Eric never stopped writing … he is currently working on a novel, and publishing it a chapter at a time on his website at erickaldor.com. Follow Eric on Twitter: @EricKaldor Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)

He was born on the first day of the Great Depression, did competitive ski racing in Europe, and went to spy school to became a special agent. But a passion for writing led Eric Kaldor to Hollywood, and he has many stories to tell about his journey! After spending some time as a sports producer, Eric Kaldor landed his first TV writing gig. He then went on to write for some of the most well known hits of the 1970s: Emergency,Kojak, The Rockford Files, and The Incredible Hulk. You'll love hearing about how TV writing worked in the 1970s, and how much it differs from the group writing of today. Also, Eric is full of amusing anecdotes about his path to and through Hollywood. After 1980, Eric left TV writing to raise his family and build a successful family business with his wife. He started acting, and has had parts in films, like 2006's Hollywoodland, and many recent shows, including ER and House. Eric never stopped writing … he is currently working on a novel, and publishing it a chapter at a time on his website at erickaldor.com. Follow Eric on Twitter: @EricKaldor Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)

How do you balance comedy and plot? Several comedic voices and big action sequences? Veteran screenwriters Jeff Nathanson (Catch Me If You Can, Indiana Jones and the Kingdom of the Crystal Skull, The Terminal, Rush Hour 2) and Ted Griffin (Ocean's Eleven, Matchstick Men, Killers, Rumor Has It) sat down with Script to talk about their new action comedy, Tower Heist, releasing November 4. The film is about an uptight building manager and his team of misfit friends who decide to rob a millionaire in order to win back their stolen pension money. Tower Heist stars Eddie Murphy, Ben Stiller, Casey Affleck, Alan Alda, Matthew Broderick, Tea Leoni, and Gabourey Sidibe. Podcast highlights include: "The key to writing is rewriting and revisions ..." "That first draft is most likely five to six drafts away from being that final draft ..." How to avoid writing to the joke. How to track multiple characters in plot and comedy. Click below to listen:

How do you balance comedy and plot? Several comedic voices and big action sequences? Veteran screenwriters Jeff Nathanson (Catch Me If You Can, Indiana Jones and the Kingdom of the Crystal Skull, The Terminal, Rush Hour 2) and Ted Griffin (Ocean's Eleven, Matchstick Men, Killers, Rumor Has It) sat down with Script to talk about their new action comedy, Tower Heist, releasing November 4. The film is about an uptight building manager and his team of misfit friends who decide to rob a millionaire in order to win back their stolen pension money. Tower Heist stars Eddie Murphy, Ben Stiller, Casey Affleck, Alan Alda, Matthew Broderick, Tea Leoni, and Gabourey Sidibe. Podcast highlights include: "The key to writing is rewriting and revisions ..." "That first draft is most likely five to six drafts away from being that final draft ..." How to avoid writing to the joke. How to track multiple characters in plot and comedy. Click below to listen:

How do you balance comedy and plot? Several comedic voices and big action sequences? Veteran screenwriters Jeff Nathanson (Catch Me If You Can, Indiana Jones and the Kingdom of the Crystal Skull, The Terminal, Rush Hour 2) and Ted Griffin (Ocean's Eleven, Matchstick Men, Killers, Rumor Has It) sat down with Script to talk about their new action comedy, Tower Heist, releasing November 4. The film is about an uptight building manager and his team of misfit friends who decide to rob a millionaire in order to win back their stolen pension money. Tower Heist stars Eddie Murphy, Ben Stiller, Casey Affleck, Alan Alda, Matthew Broderick, Tea Leoni, and Gabourey Sidibe. Podcast highlights include: "The key to writing is rewriting and revisions ..." "That first draft is most likely five to six drafts away from being that final draft ..." How to avoid writing to the joke. How to track multiple characters in plot and comedy. Click below to listen:

Comedy writer Kristin Newman spent almost 10 years writing on very well-known comedies, and had her own pilot shot and picked up to series (though not aired). She now brings her talents to a one-hour drama, on NBC's Chuck. Kristin Newman got an early break, with a production staff job on Everybody Loves Raymond. She graduated to writer's assistant on Nikita, Mad About You, and That 70s Show. She ended up stuck in the 70s (in a good way!) for the next seven years, rising up from staff writer to supervising producer. Moving on to How I Met Your Mother as co-executive producer, she also landed an overall deal at Fox … which was unfortunately cut short when the 2007 writers strike happened. Because of an injury, Kristin was not able to walk the picket lines. What could she do? She wrote the pilot Single With Parents, which was shot with Alyssa Milano and Beau Bridges, and picked up to series … though it unfortunately never aired. Then came NBC's Chuck. She entered the staff as co-executive producer in its fourth season, and is currently breaking the series finale. Make sure to watch the final season, when Chuck returns on Friday, October 28th! Didn't get your questions asked? Make sure you follow Gray on Twitter so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for several hundred TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com. Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)

Comedy writer Kristin Newman spent almost 10 years writing on very well-known comedies, and had her own pilot shot and picked up to series (though not aired). She now brings her talents to a one-hour drama, on NBC's Chuck. Kristin Newman got an early break, with a production staff job on Everybody Loves Raymond. She graduated to writer's assistant on Nikita, Mad About You, and That 70s Show. She ended up stuck in the 70s (in a good way!) for the next seven years, rising up from staff writer to supervising producer. Moving on to How I Met Your Mother as co-executive producer, she also landed an overall deal at Fox … which was unfortunately cut short when the 2007 writers strike happened. Because of an injury, Kristin was not able to walk the picket lines. What could she do? She wrote the pilot Single With Parents, which was shot with Alyssa Milano and Beau Bridges, and picked up to series … though it unfortunately never aired. Then came NBC's Chuck. She entered the staff as co-executive producer in its fourth season, and is currently breaking the series finale. Make sure to watch the final season, when Chuck returns on Friday, October 28th! Didn't get your questions asked? Make sure you follow Gray on Twitter so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for several hundred TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com. Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)

Comedy writer Kristin Newman spent almost 10 years writing on very well-known comedies, and had her own pilot shot and picked up to series (though not aired). She now brings her talents to a one-hour drama, on NBC's Chuck. Kristin Newman got an early break, with a production staff job on Everybody Loves Raymond. She graduated to writer's assistant on Nikita, Mad About You, and That 70s Show. She ended up stuck in the 70s (in a good way!) for the next seven years, rising up from staff writer to supervising producer. Moving on to How I Met Your Mother as co-executive producer, she also landed an overall deal at Fox … which was unfortunately cut short when the 2007 writers strike happened. Because of an injury, Kristin was not able to walk the picket lines. What could she do? She wrote the pilot Single With Parents, which was shot with Alyssa Milano and Beau Bridges, and picked up to series … though it unfortunately never aired. Then came NBC's Chuck. She entered the staff as co-executive producer in its fourth season, and is currently breaking the series finale. Make sure to watch the final season, when Chuck returns on Friday, October 28th! Didn't get your questions asked? Make sure you follow Gray on Twitter so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for several hundred TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com. Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)

Famed action-thriller screenwriters Michael Brandt and Derek Haas (Wanted, 3:10 to Yuma, 2 Fast 2 Furious) take it up a notch to direct and produce their new thriller The Double. Starring Richard Gere, Topher Grace, and Martin Sheen, the film is about an ex-CIA agent who is suddenly pulled back onto a case he thought was long dead. Brandt makes his directorial debut with the script co-written Haas, and Haas produces. Script sat down with the writing team to talk about tackling a thriller, staying true to their genre, and producing a passion project from the ground up. Podcast highlights: "You have to infuse every single scene in a thriller with conflict and tension ..." "The tension has to come organically from the premise of the movie ..." "Too much outlining might mean you're afraid to start writing your script ..."

Famed action-thriller screenwriters Michael Brandt and Derek Haas (Wanted, 3:10 to Yuma, 2 Fast 2 Furious) take it up a notch to direct and produce their new thriller The Double. Starring Richard Gere, Topher Grace, and Martin Sheen, the film is about an ex-CIA agent who is suddenly pulled back onto a case he thought was long dead. Brandt makes his directorial debut with the script co-written Haas, and Haas produces. Script sat down with the writing team to talk about tackling a thriller, staying true to their genre, and producing a passion project from the ground up. Podcast highlights: "You have to infuse every single scene in a thriller with conflict and tension ..." "The tension has to come organically from the premise of the movie ..." "Too much outlining might mean you're afraid to start writing your script ..."

Famed action-thriller screenwriters Michael Brandt and Derek Haas (Wanted, 3:10 to Yuma, 2 Fast 2 Furious) take it up a notch to direct and produce their new thriller The Double. Starring Richard Gere, Topher Grace, and Martin Sheen, the film is about an ex-CIA agent who is suddenly pulled back onto a case he thought was long dead. Brandt makes his directorial debut with the script co-written Haas, and Haas produces. Script sat down with the writing team to talk about tackling a thriller, staying true to their genre, and producing a passion project from the ground up. Podcast highlights: "You have to infuse every single scene in a thriller with conflict and tension ..." "The tension has to come organically from the premise of the movie ..." "Too much outlining might mean you're afraid to start writing your script ..."

This week we hear from another animation writer / story editor. Christopher Yost has been working on animated TV series, comics, and features for almost 10 years, for well-known Marvel and D.C. franchises. After a number of years as an advertising producer in Detroit, Michigan, Christopher Yost decided he needed to make the jump to Hollywood. He attended the Peter Stark Producing program at USC, but realized while there that writing was really his passion. An internship at Marvel Studios led to his first break, writing a script for Marvel’s animated property X-Men: Evolution. Soon he was writing such well-known titles as D.C.’s The Batman and Teenage Mutant Ninja Turtles, and eventually became head writer and story editor on Fantastic Four, Iron Man: Armored Adventures, and The Avengers: Earth’s Mightiest Heroes. During this time he also wrote two animated DVD features, Next Avengers: Heroes of Tomorrow, and Hulk vs. Wolverine. Yost also works in comic books, writing for Marvel’s X-Men and Spider-Man franchises, DC’s Batman franchise, and the adaptation of the sci-fi classic Ender’s Game. His first creator-owned original graphic novel Killer of Demons debuted in March of 2009 to critical acclaim. Yost is currently working in the Marvel Writers Program, helping develop potential live-action feature properties for Marvel Studios as well as handling additional writing and reshoot scenes for the Marvel Studios film Thor. Follow Christopher on Twitter: @Yost Didn’t get your questions asked? Make sure you follow Gray on Twitter so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for several hundred TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com. Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)

This week we hear from another animation writer / story editor. Christopher Yost has been working on animated TV series, comics, and features for almost 10 years, for well-known Marvel and D.C. franchises. After a number of years as an advertising producer in Detroit, Michigan, Christopher Yost decided he needed to make the jump to Hollywood. He attended the Peter Stark Producing program at USC, but realized while there that writing was really his passion. An internship at Marvel Studios led to his first break, writing a script for Marvel’s animated property X-Men: Evolution. Soon he was writing such well-known titles as D.C.’s The Batman and Teenage Mutant Ninja Turtles, and eventually became head writer and story editor on Fantastic Four, Iron Man: Armored Adventures, and The Avengers: Earth’s Mightiest Heroes. During this time he also wrote two animated DVD features, Next Avengers: Heroes of Tomorrow, and Hulk vs. Wolverine. Yost also works in comic books, writing for Marvel’s X-Men and Spider-Man franchises, DC’s Batman franchise, and the adaptation of the sci-fi classic Ender’s Game. His first creator-owned original graphic novel Killer of Demons debuted in March of 2009 to critical acclaim. Yost is currently working in the Marvel Writers Program, helping develop potential live-action feature properties for Marvel Studios as well as handling additional writing and reshoot scenes for the Marvel Studios film Thor. Follow Christopher on Twitter: @Yost Didn’t get your questions asked? Make sure you follow Gray on Twitter so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for several hundred TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com. Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)

This week we hear from another animation writer / story editor. Christopher Yost has been working on animated TV series, comics, and features for almost 10 years, for well-known Marvel and D.C. franchises. After a number of years as an advertising producer in Detroit, Michigan, Christopher Yost decided he needed to make the jump to Hollywood. He attended the Peter Stark Producing program at USC, but realized while there that writing was really his passion. An internship at Marvel Studios led to his first break, writing a script for Marvel’s animated property X-Men: Evolution. Soon he was writing such well-known titles as D.C.’s The Batman and Teenage Mutant Ninja Turtles, and eventually became head writer and story editor on Fantastic Four, Iron Man: Armored Adventures, and The Avengers: Earth’s Mightiest Heroes. During this time he also wrote two animated DVD features, Next Avengers: Heroes of Tomorrow, and Hulk vs. Wolverine. Yost also works in comic books, writing for Marvel’s X-Men and Spider-Man franchises, DC’s Batman franchise, and the adaptation of the sci-fi classic Ender’s Game. His first creator-owned original graphic novel Killer of Demons debuted in March of 2009 to critical acclaim. Yost is currently working in the Marvel Writers Program, helping develop potential live-action feature properties for Marvel Studios as well as handling additional writing and reshoot scenes for the Marvel Studios film Thor. Follow Christopher on Twitter: @Yost Didn’t get your questions asked? Make sure you follow Gray on Twitter so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for several hundred TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com. Hosted by Gray Jones, the TV Writer Podcast is devoted to interviews with working TV writers. It is brought to you by Script magazine and Scriptmag.com, the leading source for scriptwriting information in print and on the web; and by Final Draft scriptwriting software, the entertainment industry standard for scriptwriting worldwide. Subscribe: iTunes (Video) • iTunes (Audio) • PodBean (Audio)