Summary: <p>Like all my podcast episodes, you can watch the video on my YouTube and the transcript is linked here as well: <a href="https://www.leahroseman.com/episodes/emmolei-sankofa" target="_blank" rel="noopener noreferer">https://www.leahroseman.com/episodes/emmolei-sankofa</a></p> <p>EmmoLei Sankofa <a href="https://www.e-sankofa.com/" target="_blank" rel="noopener noreferer">https://www.e-sankofa.com/</a> is a an American composer, producer, musician, and artist whose work spans music, visual media, and fine art. Detailed show notes below with timestamps! </p> <p>You can sign up for my weekly newsletter <a href="https://mailchi.mp/ebed4a237788/podcast-newsletter">https://mailchi.mp/ebed4a237788/podcast-newsletter</a>to get access to Sneak Peeks for upcoming guests on my website <a href="https://www.leahroseman.com/about">https://www.leahroseman.com/about</a> where you can explore past episodes and support the show through my Ko-fi page: <a href="https://ko-fi.com/leahrosemanT">https://ko-fi.com/leahroseman</a></p> <p>My socials are in my Linktree: <a href="https://linktr.ee/leahroseman">https://linktr.ee/leahroseman</a></p> <p>In this episode we focused on EmmoLei's original music for Hulu's The Other Black Girl, the film score for Three Ways and her project Geometry, and we talked about her unique use of Morse code in her compositions, and the benefits of limitations in creative work. I asked her about her experiences in HBCU marching band culture, at the Savannah College of Art and Design, and being part of a positive community of mentors and peers through the Composers Diversity Collective. With her background as a percussionist and her use of Morse code, I was interested to hear about her creative process, and also about some of her visual art projects and collaborative installations. EmmoLei’s discography encompasses many albums and singles, and often integrates soul, jazz, classical, and rhythm and blues. Her single, Don’t Fight, was included on Adult Swim’s OPUS compilation album. EmmoLei has collaborated with many award-winning filmmakers, and through her creative audio company, Bèl Son, has worked with brands like Nike, Buzzfeed and Kamala Harris for the People. At the beginning of this episode, we dig into EmmoLei’s unique score for The Other Black Girl, which I watched and recommend. It’s based on a best-selling novel by Zakiya Dalila Harris, and the show is an edgy thriller that’s a social commentary with humourous twists, and shines a light on the expeirence of Black women in corporate America, specifically in the publishing industry. </p> <p>Here's the link to the official Triangles Video (which is excerpted in the episode) <a href="https://youtu.be/5YGSMD547VE?si=1LS-y6EoFKP-SqGA">https://youtu.be/5YGSMD547VE?si=1LS-y6EoFKP-SqGA</a></p> <p>Timestamps: (00:00) Intro(03:01) The Other Black Girl(11:49) using Morse code in EmmoLei’s compositions(17:10) marching band culture HBCU(20:52) SCAD Sound Design Masters(23:25) please help support this independant podcast!(24:04) Mentors and mentoring, the Composers Diversity Collective(33:37) African diaspora, Sankofa(36:33) Emmolei’s instruments and creative process(44:44) visual art, trip to South Africa(56:26) Geometry, filmmaking, producing(01:00:49) Three Ways(01:04:13) The Other Black Girl, Tonality vocal group, graphic scores(01:12:23) In Pursuit of Silence(01:17:30) EmmoLei’s well-rounded musical background</p> --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message
