Why a “Shelter in Place Film Festival” beats bingeing video right now




Deviate with Rolf Potts show

Summary: “Binge watching is designed to make time disappear. A home film festival is designed to be time well spent."  –Kevin Smokler Kevin Smokler (@weegee) is a writer, public speaker, critic, and author of Brat Pack America and Practical Classics. He speaks on the future of media and culture and his written work has appeared in such publications as the Los Angeles Times, Buzzfeed, and Vulture. He previously appeared as a guest on Episode 33 of Deviate, Why 1980s coming-of-age movies matter, and Episode 60, "Celebrating the best travel movies ever." In this episode of Deviate, Rolf and Kevin explain how to organize and execute a Shelter in Place Film Festival as an alternative to bingeing video during a time of pandemic. Kevin hosts a full guide online at his website, but here's an outline version: Notes on creating a Shelter in Place Film Festival Establish a time-constraint An afternoon? A day? A weekend? Film Festivals are inherently a time-bound activity. It may seem counterintuitive to begin planning with how much time you wish to spend watching movies rather than how many or what movies you wish to see. But you can always add movies if everyone's having a great time, or cut the lineup short if everyone's falling asleep. Setting a time-limit also creates reasonable expectations. Watching eleven movies in a day is not going to happen. Watching three over a week might seem anti-climactic, something you'd do anyway instead of creating an event. Film festivals are about maximizing quality for each hour spent watching, not about watching until you and your guests physically can't anymore. Establish who will be a part of it A film festival for just you and your loved ones at home is the easiest way to do this. Level up by inviting friends or another family to join: Everyone watches the movies in their own home then signs on to Zoom or Google Hangout afterward at a designated time to talk about the movie you just saw. If you're making it a truly virtual film festival, it's a bit more important to stick to a schedule so all participants know when they should be watching and when they should be talking with each other. Choose a leader and delegate responsibilities You can either designate a leader who picks all the movies, or you can create a list based on a theme (see next) and vote. A designated leader, like dictatorship, is more efficient. Democracy, as Oscar Wilde said, "is great but takes up a lot of weeknights." If you're the leader, do your own research and come up with the program or poll your own electorate of family and friends for both a theme or movies that fit it. But remember, this kind of film festival is designed to entertain the guests, not show what sort of genius you were for coming up with the event in the first place. Film festivals benefit from a strong leader so the movies are well chosen and hang together. Someone who is a leader, but listens to those he/she has invited to the festival. Pick a theme or organizing principle Festivals have themes to distinguish themselves from binge watching. The idea is many movies creatively grouped in a interesting way. Half the joy is coming up with that creative list rather than just hitting "next" on the remote control. A Vertical Festival is usually organized around the body of work of a creative person (all of Denzel Washington's pre-Oscar movies, all movies directed by Ava Duvernay). The purpose of a Vertical Festival is to notice commonalities (Michael Douglas never plays a working-class person) and evolutions (Laura Dern often played quiet characters in her 20s and loud characters in her 40s and 50s). A Horizontal Festival is organized around something non-people-related that all the chosen movies have in common (movies who all have "Star" in their name, movies that take place in Chicago).  The purpose of a Horizontal Film Festival -- because you have declared the thing they have in common up front -- is to noti