Summary: When the movie HEATHERS was shown at the 1989 US Film Festival, now known as Sundance, the Los Angeles Times film critic Sheila Benson wrote: “No amount of production sheen or acting skill seems excuse enough for the film's scabrous morality or its unprincipled viciousness.” In The New Yorker, Pauline Kael wrote the script for the black comedy “promises that the picture will lift off into the junior division of Blue Velvetland. But layers of didacticism weigh it down.” But HEATHERS has survived the test of time to become a cult sensation, and is now being celebrated on the 30th anniversary of its theatrical release. With its big hair and big shoulder pads, the film took on the nasty high school caste system in a way that was ahead of its time. HEATHERS turned the common cruelty of most teen films of that era on its head. In a conversation with LA Times film writer Mark Olsen, (@IndieFocus ) the movie’s writer, director and one of its Heathers explain that the film was designed as an antidote to John Hughes movies. And later, Fosse/Verdon fans don’t want to miss Olsen's talk with Steven Levenson, the Tony-winning writer of Dear Evan Hanson, and a writer and executive producer of the miniseries on FX.
