Summary: <br> Note: This was originally published both at my website and at Tweetspeak Poetry back in 2013.<br> <br> I signed up for an American Literature class. The instructor didn’t ask about my brother, and I understood what I read, like The Mill on the Floss and Their Eyes Were Watching God. I formed opinions—my very own—and wrote response papers that earned A’s and positive remarks from the professor.<br> <br> My journalism course, however, turned me off. Plus, I couldn’t shake that memory of standing at the doorway to fetch the photo of the boy who had been shot. I didn’t want that life, so I abandoned journalism and switched to social work. The professor discouraged students from becoming social workers unless they were absolutely sure. I wasn’t sure. So I switched majors again when I took a folklore class, because I loved the idea of capturing stories. But someone pointed out the limited career opportunities available to folklore majors, so I started to look for an alternative.<br> English Major<br> Then I took another English Literature class. Maybe I was reading Kafka’s Metamorphosis or Joyce’s The Dubliners, but I realized I loved literature when I understood the language. Stories, words, ideas, themes. That’s what I wanted to dive into with my remaining time in college. I don’t know what I’ll do with it, I thought, but this is who I am: an English major.<br> <br> Toward the close of a semester, I walked with my boyfriend toward the campus bookstore, wondering aloud about my future.<br> <br> “What do you really want to be?” he asked.<br> <br> I blurted out, “A writer.”<br> <br> “A writer? That’s fantastic! How about communications?”<br> <br> “No, it’s too much like journalism and I hated journalism. I want to write creative things for magazines or books. I would love that.”<br> <br> “Take a creative writing class.”<br> <br> “Creative writing?”<br> <br> “Sure! You’d write fiction and poetry.”<br> <br> “But I don’t write poetry.” I remembered the sonnets in Dr. Weber’s Shakespeare class. “I don’t understand poetry.”<br> <br> “It’s okay. If you take creative writing classes, you’ll learn to write.”<br> Creative Writing<br> So I signed up for Introduction to Creative Writing. I read Writing Down the Bones and learned about free-writing. I filled notebooks with countless words, pen on paper without lifting it for ten minutes, hoping to turn up memories and ideas to work with. We started with fiction and I wrote a story entitled “Fences” that no one liked—not even me.<br> <br> Then we read and discussed poems, mostly contemporary. Some rhymed, but most didn’t. I understood some of them, but not all. Nobody seemed to mind, though I began to second-guess my right to be in the room with other students who grasped the meaning quickly and sounded intellectual.<br> <br> We began to write our own poems. “Write what you know, ” the instructor advised. “Write from your own memories. Write about your childhood.”<br> <br> So I wrote about dropping hay onto the heads of the cows as they leaned into the manger to eat. I wrote about my brother and his friends warning me that the devil lived in the window well. I wrote about sitting alone in the wooden pew watching the adults take communion at the Methodist church. I wrote about dancing in the barn loft as the afternoon sun streaked through the lone window facing west. And I wrote about my grandmother’s calico cat. None of my poems rhymed.<br> Poetry<br> Every semester I signed up for another creative writing class. For one assignment, I wrote a poem inspired by a piece of art. I chose an Andrew Wyeth print my boyfriend’s mom gave me of a little boy sitting in a field. I invented a scene where the boy had run away, and the week I read it aloud, the instructor, who wore long peasant skirts and Birkenstocks, highlighted the last lines, reading them again, slowly.
