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Ten years is forever in the rock world. There were times it seemed Camera Obscura might never return. The 2015 death of longtime keyboard player Carey Lander put the group’s future in limbo. For the first time since the mid-90s, the band went on indefinite hiatus. An invitation to perform at the Belle & Sebastian curated Boaty Weekender cruise brought the band back together in 2018. Plans to record an album two years later were themselves put on hiatus, courtesy of a global pandemic. On May 3, the band returns to form with Look to the East, Look to West.
text post from 2 weeks ago
Episode 648: Emel Mathlouthi
For our conversation, Emel Mathlouthi popped into a Brooklyn coffee shop. It’s a little cacophonous, but also a fitting microcosm of the city she now calls home. The musician moved to the States after a stint in Paris, but a part of her home country of Tunisia always remains close. As she broadens her cultural and musical horizons, the North African country continues to inform both. Her latest album, MRA, pushes Mathlouthi’s explorations further still, courtesy of songs performed and produced entirely by women.
text post from 3 weeks ago
Episode 647: Mary Timony
Fifteen years is forever in the world of popular music. But the number doesn’t tell the whole story. While it’s been a decade-and-a-half since Mary Timony released her last solo record, the low-key guitar god has been plenty busy. She’s released a pair of albums as part of Ex Hex, a record with indie rock supergroup Ex Hex with members of Sleater Kinney and cofounded Hammered Hulls with childhood DC punk friend Alec MacKaye. Timony joins us to discusses her latest, Untame The Tiger.
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Episode 646: Don Was
Few individuals have left as an indelible a mark on late-20th century American popular culture as Don Was. As a producer, he work includes some of music’s biggest names, including Bob Dylan, The Rolling Stones and Iggy Pop. In the 80s, he found success on the other side of the microphone as one-half of the Was (Not Was). In 2012, he became the president of legendary jazz label Blue Note Records and six years later began performing regularly alongside Bob Weir in The Wolf Brothers. His latest project, Don Was and The Pan-Detroit Ensemble, finds the musician reconnecting was jazz performance by way of the city of his birth.
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Fun bonus episode this week, as we’re joined by James “Murr” Muray and Brian “Q” Quinn of “Impractical Jokers. The pair discuss their upcoming tour and keeping the show fresh after 10 seasons.
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Health scares have a way of prioritizing things.
For Lauren Denitzio, undergoing heart surgery at the young age of 25 brought one key priority into sharp focus: music.
Since then, the musician has approached their creative venue Worriers as a form of pure expression, both musically and emotion.
The band’s earnest, joyful music has earned it a place in the world of punk, including an upcoming tour opening for Alkaline Trio.
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Episode 644: Tom McGreevy (Ducks Ltd.)
Ducks Ltd. arrived out of nowhere with 2019’s Get Bleak.
The tight four-song EP offered grad-level crash course on perfect indie pop hits.
This year’s Harm’s Way find the group plumbing the kind of jangle pop that made 2021’s Modern Fiction a critical darling.
Tom McGreevy, the singing/rhythm guitar playing half of the duo joins us to discuss life in Ontario, railway disasters and balancing the darker side of life with bright music.
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There are more than a few points when Hey Panda sounds like the work of an entirely different band.
The songwriting is sharp as ever, but Sean O'Hagan gleefully pushes the High Llamas into new directions.
It’s an impressive accomplishment in itself more than three decades after the band’s formed.
O'Hagan was already a music industry vet by the time he founded the High Llamas in 1990, having spent the previous decade sharing songwriting credits for Rough Trade act, Microdisney.
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In 1970, Mayo Thompson released his only solo record to date. It’s a strange thing to write 50 years later, especially given the Texas-born musician’s wildly prolific career as the sole consistent member of the eclectic and enigmatic Red Krayola. Ignored in many circles upon its release, Corky has grown in stature over the decades, which – much like the Red Krayola – has achieved the status of cult icon. Thompson has begun playing the album live in recent years, as he chart the course for a potential sequel, half a century later.
text post from 2 months ago
The legend of McLusky has grown greatly since the the group’s initial breakup in 2005.
The release of the three-disc Mcluskyism compilation is no doubt reasonable for much of that prolonged success. So, too, are the members’ post-McLusky projects, including Future of the Left.
Formed by ex-members Andrew Falkous and Jack Egglestone shortly after breakup, the group carried on its tradition of sardonic and melodic noise rock. Falkous and Egglestone reformed McLusky in 2014.
The group’s second stint is officially longer than its first as of 2024. The group is currently in the midst of an American tour, postponed by two years, due to Falkous’ health issues. Here he discusses all of that and more.