Summary: Since 2005, RED has become the dark horse of the film industry, promising insanely high resolutions and frame rates that will hold up to any camera system from ARRI to Canon to Sony. Their new RED Komodo shows the promise of a high quality 6K sensor for under $10,000, unheard of by any cinema camera brand. But how did they get this way? What were some of the steps that took them from Silicon Valley startup to near-cultish camera empire?
