Summary: Rupert Sheldrake and Mark Vernon discuss how the communication of science routinely exploits notions of wonder and beauty, and what this might tell us about how science opens onto wider dimensions of reality. Does science fiction similarly suggest that science is grappling with aspects of reality that it can't itself contain? Why is the experience of wonder and, further, the so-called supernatural so popular with the public? What is the hidden metaphysics embedded in popular science, and so perhaps in science itself?
