The Audio Drama Show
Summary: Bringing you the best of original and adapted English language drama - classical and modern - from talented independent writers and producers.
- Artist: James Newberry
- Copyright: © 2021 The Audio Drama Show
Having seen off the first ghost, Scrooge's education in the current lives of others during the festive season proceeds to the houses of the Cratchit family and his nephew, courtesy of a jolly Ghost of Christmas Present. With a grim parting from him, the final, mysterious spectre appears to show Scrooge a series of visions for life after death, in which his focus on money and gain "leave not a wrack behind". Now fully chastened, the miser's spirit breaks - into something much more human. Episode 2 of 2.
Charles Dickens' classic Yuletide tale is presented in a two part adaptation that gives you more of the story, focusing particularly on the corrosive effects of early Victorian capitalism. In Part 1, we see Scrooge in all his business and money-focused selfishness - until Jacob Marley and the Ghost of Christmas Past show up, confronting him with long-forgotten events that end with violent consequences.
Edward is back from Scotland with good news from eldest daughter Greta. For Lia, it is decision time for them regarding her pregnancy. As she leaves, Edward's youngest daughter Megan arrives in a fractious mood. More family strife ensues as the "archaeological dig" on their past relationship begins again. After a few stiff drinks, new revelations on the depths of her bitterness, the teenage affair with a teacher, and some shocking truths about her miscarriage are finally revealed. Will daddy and his girls finally sort it all out? Episode 4 of 4.
The showdown happens. Angry daughter Megan meets with Lia, her dad's new and much younger partner. The discussion ranges far and wide - fatherhood and loss, bringing up children, mothers and teenagers. It all gets personal about motives and attitudes. Then the issue of Lia's new-found pregnancy rears its contentious head and major conflict ensues. Will they be "good" by the end? Episode 3 of 4.
Edward and Lia meet in a wine bar to discuss the bombshell of their relationship announcement for his grown-up daughter Megan. It is time for some honesty about his past marital infidelities and Megan's significant teenage perils and mishaps. Lia suggests that he visits Greta, his other daughter, in Scotland; but strangely, she is not drinking wine and feels a little bit queasy. This is the prelude to a second major and life-changing revelation. Episode 2 of 4.
The up-and-down relationship of a father with his grown-up daughters. In this first of four episodes, recently-bereaved Edward brings home some "interesting" news to Megan about a new romantic attachment...and quite a lot more. Cue conflict and the revisiting of sins from the past. What will Megan and her sister do?
On holiday in Spain with his brother, Geordie Chris encounters a strange,feral dog. They call him "Fella" as he follows them to a restaurant. It is then that the situation turns nasty...and deadly. But will this be the end of "Fella" for Chris?
Memories of people and places in his past life are revisited by a man recovering from serious illness. Ashcombe Hall and a summer holiday spent there with his school friend Roddy are recalled as he approaches the now-derelict country house. In the dilapidated gardens, memories of flowers and an "act of stupidity" trigger powerful emotions about past and future loss.
Mr Hobson is on a train journey back to Liverpool for the funeral of Jim Sweeney, an ex-work colleague. He is accompanied by memories of teaching at Quarry Bank - the teenage John Lennon's alma mater - cheeky "doppelganger" school photography, and paradoxical visions of atheist Jim Sweeney in heaven. Teachers' nicknames, tragically unfortunate pupils, and "why me?" thoughts also flood Hobson's mind - underpinned by the optimistic words of Lennon's famous song "Imagine".
A woman relives memories of her father: planting potatoes on Good Friday, pipe smoke in his shed, and telling stories of old world magical woods, witches, hares and death. Touching recollections mix with more kindly, paternal hokum of supernatural romance and fatal birth, ending in the final words of worldly advice from a dying man to a loving daughter and her unborn child.
In this final episode, in limbo with Molly, Keith survives his heart attack and begins to see the light of past misdemeanours and the fragility of the life he has left to live. Meanwhile, philosophical disagreements about healthcare continue to occupy the doctor and nurse caring for him. His conscience rises in time for Molly's fate to be played out. But the consequences of past sins cannot be entirely erased.
Seriously-ill Keith is still alive in the hospital - sort of. In a kind of limbo, he meets Molly, the unconscious and badly-injured patient in the bed opposite. She has his scrolls: a record of the many downs of his dubious life as a licentious driving test examiner and tax dodger (amongst other things). Can he, will he repent before it is too late?
Keith, the driving test examiner, wakes up in hospital next to a critically injured woman, having had a "cardiac event" in his car. He is tended to by a doctor and nurse with markedly different views on the philosophy and practice of health care. In his still-confused state, our hero cannot understand why his wife is not there. He hears an ominous tune and enters a strange white room...is this "the end"? Part 1 in a series of three episodes.
Based on true accounts, the tragic story of the sinking of the Titanic in 1912 is told from a new perspective - that of a young, female Pomeranian dog called Lady. Accompanying her mistress Margaret Hays, she hobnobs with the pets of the rich and famous - including other dogs, a canary, and a pet pig. Excitement at the prospect of an onboard dog show is interrupted by the unfolding disaster of the famous ship. From Lifeboat 7, she is rescued with her mistress, who becomes involved in the famous kidnapping of two boys: the "Titanic orphans".
In this final part of his life and times, the focus is on Geoffrey's father - a taciturn, diffident Northerner with distinct and sometimes quirkily "interesting" views, likes, and dislikes. We learn about life on match day at Bolton Wanderers football club in the 1940s and 50s - brass bands, cough lozenge sellers, and the different stance of some players who had been miners during the Second World War. As his life and the death of his wife proceed, Geoff's dad moves from domestic dependence towards comparative self-sufficiency, coping with car accidents, visits to hospital, and the other perils of old age. All met with bracing degrees of stubbornness, idiosyncracy and eccentricity, until his sad, elegiac end.