New Books in Communications show

New Books in Communications

Summary: Discussions with Communications Scholars about their New Books

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  • Artist: New Books Network
  • Copyright: Copyright © New Books Network 2011

Podcasts:

 Christopher Vitale, "Networkologies: A Philosophy of Networks for a Hyperconnected Age" | File Type: audio/mpeg | Duration: 0:42:13

Christopher VitaleView on AmazonNetworks seem to be the dominant metaphor for contemporary society. In Networkologies: A Philosophy of Networks for a Hyperconnected Age (Zero Books, 2014), Christopher Vitale sets out a manifesto for understanding and using networks as the basis of a new philosophy. The book draws on continental philosophy, complex systems theory and a range of other elements to both introduce and contextualise, as well as present, the networkology manifesto. The book explores what networks are, how they emerge, how they change and how they are resilient (or not). The book intervenes in the contemporary interest in networks and will thus be of interest beyond just the critical theoretical disciplines. The text is also part of a much broader networkological project, including an original iteration of the manifesto and several papers. You can find out more about the project here.

 MK Czerwiec, Ian Williams, Susan Merrill Squier, Michael J. Green, Kimberly R. Myers, and Scott T. Smith, "Graphic Medicine Manifesto" | File Type: audio/mpeg | Duration: 1:15:22

View on AmazonPhysician/author Ian Williams coined the term "graphic medicine" to "denote the role that comics can play in the study and delivery of healthcare." The robust emerging graphic medicine community can be witnessed in its website and annual conference, as well as in the profusion of fascinating graphic medicine texts created from a range of perspectives, visions, and voices. Graphic Medicine Manifesto (Penn State University Press, 2015)–the first book in the exciting Graphic Medicine series at The Pennsylvania State University Press–introduces graphic medicine as a practice, a movement, and an ethos to the wide and diverse audience it deserves and will surely attract. This interview features three of the authors of the Graphic Medicine Manifesto: MK Czerwiec, Ian Williams, and Susan Merrill Squier.

 Michael Ray FitzGerald, "Native Americans on Network TV: Stereotypes, Myths, and the 'Good Indian'" | File Type: audio/mpeg | Duration: 0:53:33

Michael Ray FitzGeraldView on AmazonIn his new book Native Americans on Network TV: Stereotypes, Myths, and the 'Good Indian' (Rowman and Littlefield, 2013), Michael Ray FitzGerald reviews how television represented Native Americans, including in both positive and negative stereotypes. He talks about these portrayals from early television shows to more recent characterizations.  

 Jonathan Coopersmith, "Faxed: The Rise and Fall of the Fax Machine" | File Type: audio/mpeg | Duration: 1:01:07

Jonathan CoopersmithView on AmazonJonathan Coopersmith's new book takes readers through the century-and-a-half-long history of the fax machine and the technologies that shaped and were shaped by it, from Alexander Bain's 1843 patent to the computer-based faxing of the end of the 20th century. Faxed: The Rise and Fall of the Fax Machine (Johns Hopkins University Press, 2015) chronicles the transformations of fax wrought by a range of industries and technologies in the context of world wars and global economic changes. In Coopersmith's able hands, the history of the fax machine substantively informs a number of fields and disciplines that might not seem immediately related to it: these include visual studies (as newspapers and the military helped drive the development of fax markets and technology thanks to the need for rapid transfer of images in times of war and beyond) and East Asian studies (as fax machines can be traced through the history of modern homes and businesses in Japan). Coopersmith tells a story of fax as a story of repeated failures that were nevertheless productive and germinal, whether they resulted from competition from other technologies and industries, compatibility problems in a fracturing market, or foundation-laying for the acceptance of the email and internet technologies that would ultimately surpass it. It's a fascinating and elegantly told story of a technology that was, for many years, a constant element of the living and working spaces of many of our lives.

 James A. Secord, "Visions of Science: Books and Readers at the Dawn of the Victorian Age" | File Type: audio/mpeg | Duration: 1:05:24

James A. SecordView on AmazonJames A. Secord's new book is both deeply enlightening and a pleasure to read. Emerging from the 2013 Sandars Lectures in Bibliography at the Cambridge University Library, Visions of Science: Books and Readers at the Dawn of the Victorian Age (University of Chicago Press, 2014) is a fascinating exploration of books and their readers during a moment of intense transformation in British society. Secord brings us into a period of the nineteenth century when transformations in publishing and an expanded reading public helped create a wide-ranging conversation about science and its possible futures. Out of this utopian moment several works emerged that reflected on the practices and prospects of science, and Secord guides us through seven of them in turn: the dialogues of Humphry Davy's Consolations in Travel, the polemic of Charles Babbage's Reflections on the Decline of Science in England, John Herschel's moralizing Preliminary Discourse on the Study of Natural Philosophy, Mary Somerville's mathematical On the Connexion of the Physical Sciences, Charles Lyell's Principles of Geology, George Combe's phrenological The Constitution of Man, Considered in Relation to External Objects, and Thomas Carlyle's bizarre and wonderful Sartor Resartus. In each case, Secord pays careful attention to the physicality of books and the ways that their readers create and transform them. In addition to being great fun to read, the book will also be helpful for teachers putting together material for undergraduate lecture courses on the history of science and/or book history, and will find a happy home on syllabi for upper-level undergraduate or graduate seminars in the history of books and reading, the sciences and modernity, and many others.

 Christian Fuchs, "Culture and Economy in the Age of Social Media" | File Type: audio/mpeg | Duration: 0:55:34

Christian FuchsView on AmazonSocial media is now a pervasive element of many people's lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here.

 Greg Siegel, "Forensic Media: Reconstructing Accidents in Accelerated Modernity" | File Type: audio/mpeg | Duration: 1:06:15

Greg SiegelView on AmazonGreg Siegel's new book is a wonderfully engaging and meticulously researched account of a dual tendency in modern technological life: treating forensic knowledge of accident causation as a key to solving the accident, and treating this knowledge as the source for the future improvement of both technology and civilization. Forensic Media: Reconstructing Accidents in Accelerated Modernity (Duke University Press, 2014) argues that accidents, forensics, and media have been central to the emergence and evolution of this tendency. The chapters of the book trace the forms of media (graphic, photographic, electronic, and digital) that have been crucial forensic mediation since the nineteenth century, a period when the accident became "technologically modern" and the relationship between progress and catastrophe was transformed by the rise of "forensic rationality." A series of fascinating case studies guides readers through the nature and implications of this transformation by introducing the rise of the forensic engineer, the inscribing apparatus of Charles Babbage, the "black box" technology of the flight-data recorder and the cockpit voice recorder, and the high-speed cinematography that offered a way of mapping and making sense of vehicle collision in the 1950s. There are some extremely moving moments nestled in the narratives of these cases, including a must-read discussion of last words and cockpit voice recorders in Chapter 3. Forensic Media is not only a gripping read, but will make a great addition to the syllabi for upper-level courses that treat any combination of STS, technology studies, media studies, and studies of modernity

 Jon L. Mills, "Privacy in the New Media Age" | File Type: audio/mpeg | Duration: 0:31:36

Jon L. MillsView on AmazonThat privacy in the digital age is an important concept to be discussed is axiomatic. Cameras in mobile phones make it easy to record events and post them on the web. Consumers post an enormous amount of information on social media sites. And much of this information is made publicly available. A common question, then, is what can people truly expect to be be private when so much information is accessible. In his new book Privacy in the New Media Age (University Press of Florida 2015), Jon L. Mills (University of Florida, Levin College of Law), discusses another issue related to privacy in the digital environment: the conflict between privacy and freedom of expression. In so doing, Mills examines how the law, particularly in the United States, is always chasing advances in technology, and discusses how countries in the European Union have attempted to tackle this matter. Throughout the book he discusses famous court cases that illustrate the issues with privacy and new media in an attempt to come to a resolution for the dispute. Just listen.

 Timothy Jordan, "Information Politics: Liberation and Exploitation in the Digital Society" | File Type: audio/mpeg | Duration: 0:51:04

Timothy JordanView on AmazonStruggles over information in the digital era are central to Tim Jordan's new book, Information Politics: Liberation and Exploitation in the Digital Society (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of information with the architectures and practices surrounding information. The text begins by setting out how information is not separated from contemporary struggles over liberation and exploitation and points towards the principles of information politics that guide the reader through an engagement with contemporary theories, including the work of Haraway and Deleuze. These principles then inform theories of networks, recursion and the affordances of technologies that are used, in turn, to account for the platforms and battlegrounds of informational politics. The book does not offer up information as a new master discourse for political struggles, but rather shows, through examples including Facebook, the ICloud, the iPad, online gaming, and hacktivism, how information can be connected to, and can shape, other areas of social contestation. The text will be of interest to anyone using the internet, in particular those concerned with who is control of that space and how it might be reimagined.

 Naomi S. Baron, "Words Onscreen: The Fate of Reading in a Digital World" | File Type: audio/mpeg | Duration: 0:37:11

Naomi S. BaronView on AmazonScreens are ubiquitous. From the screen on a mobile, to that on a tablet, or laptop, or desktop computer, screens appear all around us, full of content both visual and text. But it is not necessarily the ubiquity of screens that has societal implications. The significance is in how screens fundamentally change how we ingest information. In her new book, Words Onscreen: The Fate of Reading in a Digital World (Oxford University Press, 2015), Naomi S. Baron, professor of linguistics and Executive Director of the Center for Teaching, Research & Learning at American University, asserts that despite the benefits of convenience and monetary savings, reading onscreen has many drawbacks. Using surveys of millennials in the United States, Japan and Germany, combined with anecdotes, and information from writers, Baron provides evidence of the impact of technology on reading, and thinking, in society. Just listen.

 Jason Stanley, "How Propaganda Works" | File Type: audio/mpeg | Duration: 1:03:59

Jason StanleyView on AmazonPropaganda names a familiar collection of phenomena, and examples of propaganda are easy to identify, especially when one examines the output of totalitarian states. In those cases, language and imagery are employed for the purpose of shaping mass opinion, forming group allegiances, constructing worldviews, and securing compliance. It is undeniable that propaganda is employed by liberal democratic states. But it is also undeniable that the use of propaganda is especially problematic in liberal democracies, as it looks incompatible with the democratic ideals of equality and autonomous self-government. It's surprising, then, that the topic of propaganda has gone relatively unexplored in contemporary political philosophy. In How Propaganda Works (Princeton University Press, 2015), Jason Stanley develops an original theory of propaganda according to which propaganda is the deployment of an ideal against itself. Along the way, Stanley distinguishes various kinds of propaganda and explores the connections between propaganda, ideology, stereotypes, and group identities. Stanley's central thesis is that propaganda poses an epistemological problem for democracy, as propaganda is the vehicle by which false beliefs are disseminated and opportunities for knowledge are closed.

 Christine Borgman, "Big Data, Little Data, No Data: Scholarship in the Networked World" | File Type: audio/mpeg | Duration: 0:35:59

Christine BorgmanView on AmazonSocial media and digital technology now allow researchers to collect vast amounts of a variety data quickly. This so-called "big data," and the practices that surround its collection, is all the rage in both the media and in research circles. What makes data "big," is described by the v's: volume, velocity, variety, and veracity. Volume refers to the massive scale of the data that can be collected, velocity, the speed of streaming analysis. Variety refers to the different forms of data available, while veracity considers the bias and noise in the data. Although many would like to focus on these details, two other v's,validity and volatility, hold significance for big data. Validity considers the level of uncertainty in the data, asking whether it is accurate for the intended use. Volatility refers to how long the data can be stored, and remain valid. In her new book, Big Data, Little Data, No Data: Scholarship in the Networked World (MIT Press, 2015), Professor Christine L. Borgman, Presidential Chair in Information Studies at the University of California, Los Angeles, examines the infatuation with big data and the implications for scholarship. Borgman asserts that although the collection of massive amounts of data is alluring, it is best to have the correct data for the kind of research being conducted. Further, scholars must now consider the economic, technical, and policy issues related to data collection, storage and sharing. In examining these issues, Borgman details data collection, use, storage and sharing practices across disciplines, and analyzes what data means for different scholarly traditions.

 Todd Wolfson, "Digital Rebellion: The Birth of the Cyber Left" | File Type: audio/mpeg | Duration: 0:42:06

Todd WolfsonView on AmazonTodd Wolfson's book, Digital Rebellion: The Birth of the Cyber Left (University of Illinois Press, 2014) examines the impact of new media and communication technologies on the spatial, strategic, and organizational fabric of social movements. Wolfson explores how aspects of the mid-1990s Zapatistas movement–network organizational structure, participatory democratic governance, and the use of communication tools as a binding agent–became essential parts of Indymedia and other Cyber Left organizations. From there he uses oral interviews and other rich ethnographic data to chart the media-based think tanks and experiments that continued the Cyber Left's evolution through the Independent Media Center's birth around the 1999 WTO protests in Seattle. Melding virtual and traditional ethnographic practice to explore the Cyber Left's cultural logic, Wolfson maps the social, spatial and communicative structure of the Indymedia network and details its operations on the local, national and global level. He looks at the participatory democracy that governs global social movements and the ways democracy and decentralization have come into tension, and how "the switchboard of struggle" conducts stories from the hyper-local and disperses them worldwide. As he shows, understanding the intersection of Indymedia and the Global Social Justice Movement illuminates their foundational role in the Occupy struggle and other emergent movements that have re-energized radical politics.

 Robert W. Gehl, "Reverse Engineering Social Media: Software, Culture, and Political Economy in New Media Capitalism" | File Type: audio/mpeg | Duration: 0:41:47

Robert W. GehlView on AmazonReverse Engineering Social Media: Software, Culture, and Political Economy in New Media Capitalism (Temple University Press, 2014) by Robert Gehl (University of Utah, Department of Communication) explores the architecture and political economy of social media. Gehl analyzes the ideas of social media and software engineers, using these ideas to find contradictions and fissures beneath the surfaces of glossy sites such as Facebook, Google, and Twitter. The book draws upon software studies, science and technology studies, and political economy to contextualize the institutionalization of user labor in our growing social media landscape. Looking backward at divisions of labor and the process of user labor, he provides case studies that illustrate how binary "Like" consumer choices hide surveillance systems that rely on users to build content for site owners who make money selling user data, and that promote a culture of anxiety and immediacy over depth. Gehl also goes beyond a critique of these inherently undemocratic systems to outline proposals that can shape our collective online future for the better. An idealized social data system, he argues, should be "decentralized, transparent, encrypted, antiarchival, stored on free hardware, and geared toward collective politics over atomization and depth over immediacy and surfaces."

 Christina Dunbar-Hester, "Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism" | File Type: audio/mpeg | Duration: 0:40:58

Christina Dunbar-HesterView on AmazonFor the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer an alternative without the limitations of new media systems. In her new book Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism (MIT Press, 2014), Christina Dunbar-Hester, an assistant professor in the School of Communication and Information at Rutgers University, explores the activist organization the Prometheus Project, and its role in advocating for greater community access to low power radio licenses. In an ethnographic examination of the medium of microradio, Dunbar-Hester examines the dichotomy of old versus new media, as well as the use of media for participatory and emancipatory politics on the local community level.

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