New Books in Journalism

View on AmazonIf it doesn't spread, it's dead This is the unifying idea of Henry Jenkins, Sam Ford, and Joshua Green's new book, Spreadable Media: Creating Value and Meaning in a Networked Culture (New York University Press, 2013) Those six words – If it doesn't spread, it's dead – appear on the back cover, on the inside jacket, and in the very first paragraph of the book's introduction. The authors focus on the new currencies of media, including user engagement and the rapid flow of information, while debunking the terms we've all learned to know and dread, such as "viral" and "Web 2.0." Jenkins, Ford, and Green set an ambitious agenda, targeting not one but three audiences: media scholars, communication professionals, and those who create and share media and are interested in learning how media are changing because of it. "Perhaps the most impactful aspect of a spreadable media environment," the authors write, "is the way in which we all now play a vital role in the sharing of media texts." A review of Spreadable Media can be found in Public Books here.

C.W. AndersonView on AmazonSomewhere along the line, C.W. Anderson became fascinated with digital journalism and the culture that surrounds it: engaged publics, social networks, and the challenges to "legacy" media. Rebuilding the News: Metropolitan Journalism in the Digital Age (Temple University Press, 2013) is the fascinating product of Anderson's research into the Philadelphia journalism scene during the first decade-plus of the 21st Century. Once a thriving hub of traditional journalism, Philadelphia has become a living case study of the collision of digital media practices. Anderson's ethnographic research and spot-on academic interpretation paints a vivid picture of a sometimes innovative, sometimes meandering journalism scene. Although we are at the beginning of the digital journalism era, in Rebuilding the News Anderson nonetheless walks us through the new ecosystem, what seems to be working, what doesn't, and where we go from here. "Given all of the pain journalism has experienced in the past decade and a half," Anderson writes, "it would be a shame to waste this moment."

Eric DeggansView on AmazonEric Deggans doesn't just want to see the media transformed. He has his eye on something even more profound. "The goal is to transform the audience," he said, "because the audience has the power." Deggans, media critic for the Tampa Bay Times, is the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation (Palgrave Macmillan, 2012). The title comes from a 2008 episode of Fox News' "The O'Reilly Factor," in which the host, Bill O'Reilly, called Deggan a race-baiter. At the urging of his friends and colleagues, Deggans began to explore divisive issues in media and how networks use them to drive ratings and increase their bottom line. "Race-Baiter" goes beyond race, also studying issues of gender and regional culture. Deggans had both the curse and the benefit of writing the book under a tight deadline, which allowed for a discussion of such recent events as the Trayvon Martin shooting and Sarah Fluke being thrust into the national spotlight by radio talk-show host Rush Limbaugh. Deggans draws on his experience as a critic to look not just at news, but also network television, including scripted shows and reality TV. Although the bulk of the book highlights the outrageous exploitation committed by media, he ends Race-Baiter by pushing the conversation forward in the hopefully titled chapter, "Talking Across Difference." Racial, gender, and cultural differences best serve society through discussion, says Deggans, not exploitation for financial gain. "Let's fill Facebook pages, comment sections, and Twitter feeds with praise for outlets doing the right thing," Deggans writes in his final chapter, "and scorn for those who choose another direction."

Mark DeuzeView on Amazon"You live in media. Who you are, what you do, and what all of this means to you does not exist outside of media." So begins Mark Deuze's critical look at media, society, and culture, Media Life (Polity Press, 2012). Media are everywhere, and like fish in water, most are blissfully unaware of the very surroundings in which they live. Deuze uses hope to separate his book from many scholarly works on modern media culture. He writes not from fear of the future, but optimism. Media, he writes, isn't something to be avoided or something we need to escape. Rather, media is most effective when it is understood and used to live a better life, or as Deuze writes, "… we have to let go of seeing media as influence machines that will eventually make us disappear, instead considering media as part of our lives to the extent that they will make us visible (again)." There isn't a wasted moment in Media Life, with each chapter building upon the ideas of the previous. Meticulously researched and seamlessly written, Media Life addresses concerns and hopes, historical context and modern media phenomena. It is an important book that will be cited for years to come.

Chip BishopView on Amazon[Cross-posted from New Books in Biography] It's a great advantage of a dual biography that one can draw attention to a significant life that might otherwise be unexamined by linking it to the life of someone famous. Such is the case with Chip Bishop's biography, The Lion and the Journalist: The Unlikely Friendship of Theodore Roosevelt and Joseph Bucklin Bishop (Lyons Press, 2011), which charts the simultaneous rise of the former President and the author's own great-granduncle. The author does an excellent job illustrating the dynamics of the relationship between Roosevelt and Bishop. For it was to Bishop's benefit to know Roosevelt, but it was also advantageous for Roosevelt to cultivate an ally in the press like Bishop. Theirs was a mutually beneficial relationship, and the author does an exceptional job of showing how it strengthened and altered with the passage of time, changes in status, increased physical distance, etc. These are the external forces that shape long-term friendships, but they're seldom explored so intimately and eloquently in biographies of men. The Lion and the Journalist covers a lot of ground. There's publishing, politics, PR, and the Panama Canal. It's an unusual historical mélange, but it's riveting. The Lion and the Journalist is also an especially rich entry into the genre of biographies about biographers and their subjects. For it was Bishop who penned the first biography of Roosevelt, laying the foundation from which all future biographers would begin.  

James RodgersView on AmazonOne of the hardest jobs in journalism is making sense of conflict. Seeing through the fog of war and through what each side wants you to report is fantastically difficult, before you come across issues such as access, logistics, safety and context. James Rodgers has a deep understanding of why this is so hard because for many years (Reuters TV and BBC) he was one of the journalists who spent time in conflict zones from Chechnya and Iraq to Georgia and Gaza. As a result his book Reporting Conflict (Palgrave Macmillan, 2012) draws upon his own personal experiences as well his understanding of the issues involved, and the roles that various different types of reporter and journalist can play for different organisations and in very different circumstances. The result is a slim but disarmingly complete and clear book that deals with most of the big issues facing reporters in times of conflict, from the explosion of different technologies to the constraints imposed by practices such as embedding journalists with armed forces. It's an important, clear and informed contribution to a debate that will continue as media organisations change and technologies evolve, and I thoroughly recommend getting hold of a copy. But first, of course, have a listen to my interview with James. PS. Here is the link to James' BBC radio documentary about the 'PR battle for the Caucasus' (and for those who are interested in the region here is also a link to my own BBC radio documentary looking at the symbolic role that wine played in relations between Russia and Georgia). James' Twitter feed is @jmacrodgers; mine is @npw99.

James BrabazonView on Amazon[Crossposted from New Books in African Studies] It's a routine observation that journalists never give Africa a fair shake of the dice: they're only ever there for the famines and wars. James Brabazon is a journalist who made his career in Africa, first in Sierra Leone and Liberia, and then in places like Zimbabwe and DRC. His book My Friend the Mercenary: A Memoir (Canongate, 2010), is about a friendship that grew up with an unlikely figure – a white mercenary and former colonel in the apartheid-era South African special forces – and how he was almost caught up in a failed coup in Equatorial Guinea that saw this unlikely friend spend six years in one of the continent's worst prisons. My Friend the Mercenary certainly does have that typical African background of war and violence, but it is not fly-in, fly-out journalism. It's a very human book that sheds light on how wars build bonds between people, how wrong decisions cost lives, and about the difficulties of looking for the real impact of violence on ordinary people. There is a first-hand account of the attempted coup in Equatorial Guinea (and civil war in Liberia) that is closer to the events than anything else out there. The book is also a very African story that gives the continent far more texture and sympathy than most other works of journalism. First and foremost 'My friend the mercenary' is also an extraordinary story, well written, and a cracking good read. I hope you enjoy the interview.

Interview with Eric Gardner

Matthew GoodmanView on Amazon[Crossposted from New Books in History] The modern newspaper is not as old as you think. Until the early nineteenth century, they were thin and expensive. It was only with the advent of the penny press circa 1830 that the truly mass broadsheet was born. Yet selling a paper for a cent was not a straight-forward business proposition. In order to turn a profit, you needed to sell a lot of copy. You won't be surprised to learn that the best way to move papers was to give the people what they wanted–scandal, outrage, marvels, miracles and outright inventions. In The Sun and the Moon. The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York (Basic Books, 2008) shows how the early masters of the trade invented the modern paper by telling the public that the moon was inhabited by the recognizable ancestors of "Bat Boy." Goodman marches a gallery of rogues across the book's pages–an astronomer with an over-active imagination, an editor with an invented past, a horde of street urchins hawking papers and eating oysters. P.T. Barnum and Edger Allan Poe make appearances! This is a terrifically entertaining book, popular history at its best. And, of course, it's ALL TRUE! Now put down The Weekly World News and go buy The Sun and the Moon! Please become a fan of "New Books in Journalism" on Facebook if you haven't already.

Stevan AllenView on Amazon[Crossposted from New Books in History] We like to think of countries as permanent fixtures. They aren't. They come and go. In 1989, a place called the Deutsche Demokratische Republik, or East Germany, was going.  It was never really an "ordinary" place. In the West but also the East; sovereign but not sovereign; German but not German; poor but rich. I could go on. It was the unnatural product of the Cold War, so when the Cold War ended it ended as well. But it didn't just blink out of existence. Not at all. For a brief period–roughly from the fall of the Berlin Wall in November, 1989 to formal reunification in October, 1990–it continued to exist, a country that was alive and dead. Reporter Stevan Allen was lucky enough to be there and he has written an artful book about it–Roaming Ghostland: The Final Days of East Germany. At its center is a wonderful literary device: just as East Germany was passing out of existence, so too was an important phase in Allen's life. The two narratives–that of the "Ossies" and the young journalist–move together, intermingle, and sometimes do battle as Allen tries to get the story and to figure out what he is doing with his life. One of the terrific things about the book is that you get to see the trials of foreign reporting–and its toll on foreign correspondents–from the street itself. Allen pulls no punchs regarding himself or his subjects. He often fails as do they. Sometimes he gets the story, sometimes he doesn't; sometimes the East Germans help him, sometimes they don't. This is not a self-congratulatory tale of unending triumph; it's the story of a man at work, a man living life, a man struggling with himself and his task. Part personal memoir, part coming-of-age story, part hard-nosed reporting, and part elegy to a youth past, Roaming Ghostland: The Final Days of East Germany will be a welcome treat for journalists, historians, and anyone interested in a good read about places and pasts that no longer exist, save in memory. If you know a young person who is interested in a career as a journalist, this book would make a terrific gift. Please become a fan of "New Books in Journalism" on Facebook if you haven't already.

James ZugView on Amazon[Crossposted from New Books in History] Every so often I read a book that reminds me that things weren't at all what they appear to have been in hindsight. James Zug's wonderfully written The Guardian: The History of South Africa's Extraordinary Anti-Apartheid Newspaper (Michigan State UP, 2007) is one such book. For years I studied and wrote about Russia and the Soviet Union. In that time, I came to think of communists as at best horribly misguided and at worst positively malevolent. Zug reminded me that in fact communists were on the right side of many issues that I hold dear. One of them, and the focus of The Guardian, was racism generally and Apartheid in particular. With a novelist's skill, Zug chronicles the activities of a remarkably brave group of South African leftists, fellow-travelers, and Party members who, through the pages of their newspaper and with their very lives, fought racism in South Africa when so many 'right-thinking people' stood by in silence. He doesn't sugar-coat the story, and never fails to point out when The Guardian's editors and writers were on the wrong side of an issue. But Zug saves them from being written out of history all together by broad-brushed dismissals of mid-century communism. Not only that, he tells a ripping tale. Please read this book. Please become a fan of "New Books in Journalism" on Facebook if you haven't already.