Radio America

Riding out of the sunny back lots of Hollywood, All Star Western Theatre delivered Republic Western-style entertainment with chuck wagon sized doses of fine music, broad humor and guest appearances by the best of the West. The music was provided by the Riders of the Purple Sage, fronted by Foy Willing, with the help of Kenny Driver, Al Sloey and Johnny Paul. The group appeared on various shows on radio, including the Andrews Sisters' Eight-to-the-Bar Ranch in '44-'45, and the Roy Rogers Show during the 1946 - 48 period. Western swing was big in those days, and this show has some really fine renditions in that great American music style.

These half-hours of drama and sometimes comedy were often very exciting and suspenseful. The cast was very good New York veterans of radio and stage, including Jan Minor and John Larkin as featured performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as Ray Bradbury, Cornell Woolrich, Agatha Christie and Paul Gallico. They were dramatized with a full orchestral soundtrack and excellent sound effects.

These half-hours of drama and sometimes comedy were often very exciting and suspenseful. The cast was very good New York veterans of radio and stage, including Jan Minor and John Larkin as featured performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as Ray Bradbury, Cornell Woolrich, Agatha Christie and Paul Gallico. They were dramatized with a full orchestral soundtrack and excellent sound effects.

Little Lulu: Bored of Education is a classic cartoon featuring Little Lulu and her classmate Tubby as they experience a series of events out of a history book. Produced in 1946,

Little Lulu: Bored of Education is a classic cartoon featuring Little Lulu and her classmate Tubby as they experience a series of events out of a history book. Produced in 1946,

SILENT OLD MOViE JUST SIT BACK AND ENJOY The spunky Helen (Helen Holmes) is our hero as a telegraph operator at a remote location along a railroad. She dashes to the rescue when a train engine goes out of control.

SILENT OLD MOViE JUST SIT BACK AND ENJOY The spunky Helen (Helen Holmes) is our hero as a telegraph operator at a remote location along a railroad. She dashes to the rescue when a train engine goes out of control.

Unknown to many, including me, Jimmy Stewart loved radio drama and appeared in almost as many radio broadcasts as he did movies and stage plays. His radio career spanned over seven decades, starting with Yellow Jack in 1934 and ending with his last performance in a Thanksgiving special, which aired on November 22, 1990. He was best known for his appearances in the Lux Radio Theatre, which first broadcast in 1937. Lux Radio Theatre, a CBS showcase, played to a weekly audience of over 36 million people. Hosted by Cecil B. DeMille, programs consisted of feature length films compressed into one-hour radio plays. Stewart starred in such classics as Destry Rides Again, It’s a Wonderful Life, Winchester ’73 and the Philadelphia Story, to name a few.

Unknown to many, including me, Jimmy Stewart loved radio drama and appeared in almost as many radio broadcasts as he did movies and stage plays. His radio career spanned over seven decades, starting with Yellow Jack in 1934 and ending with his last performance in a Thanksgiving special, which aired on November 22, 1990. He was best known for his appearances in the Lux Radio Theatre, which first broadcast in 1937. Lux Radio Theatre, a CBS showcase, played to a weekly audience of over 36 million people. Hosted by Cecil B. DeMille, programs consisted of feature length films compressed into one-hour radio plays. Stewart starred in such classics as Destry Rides Again, It’s a Wonderful Life, Winchester ’73 and the Philadelphia Story, to name a few.

Many fine actors of the British stage and screen were involved, such as Robert Morley, Harry Andrews, Muriel Forbes and Daphne Maddox. Music was by the renown British organist and arranger, Sidney Torch, and featured in some shows the Campbell Singers. Harry Alan Towers produced and directed. The show was a Towers of London syndicated show, and was broadcast in America in various markets through the years, including WRVR-FM, Riverside Radio, in New York City. A fine addition to the dramatic radio library, done in the grand manner of English dramatic excellence

Many fine actors of the British stage and screen were involved, such as Robert Morley, Harry Andrews, Muriel Forbes and Daphne Maddox. Music was by the renown British organist and arranger, Sidney Torch, and featured in some shows the Campbell Singers. Harry Alan Towers produced and directed. The show was a Towers of London syndicated show, and was broadcast in America in various markets through the years, including WRVR-FM, Riverside Radio, in New York City. A fine addition to the dramatic radio library, done in the grand manner of English dramatic excellence

Chet Lauck and Norris Goff were the creators of Lum & Abner. Chet was born on February 2, 1902 in Aleene, Arkansas and Norris was born in Cove, Arkansas on May 30, 1906. Both had moved to Mena with their families by 1911. They lived only a few blocks apart and grew up together. They were both very talented comedians and by 1931 had become local "Amos and Andy" imitators. They were scheduled to perform on a local charity program in Hot Springs, Arkansas on April 26, 1931. At the last minute they decided to appear as two old-time Arkansas philosophers with the names "Lum Eddards" and "Abner Peabody". Thus was formed a team that was to delight radio audiences for the next 25 years. Just three months later on July 27, 1931 "Lum & Abner" made its' national radio debut on the NBC radio network from Chicago with the Quaker Oats Company as their first sponsor. This was to continue, with different sponsors and networks, for nearly 25 years. They also performed their routines on vaudeville stages throughout the country. By 1933 they had introduced the "Jot "Em Down Store" to their audiences and this would become the focal point of most of the programs. By 1940, Chet and Norris were on their way to Hollywood to make the first of seven motion pictures. In 1948 the radio format was changed from a 15-minute show to a thirty minute program. The new shows used special guest stars, a live orchestra, and a studio audience. This was quite a change from the original shows and was not as well received by the listening audience. By 1953 television was the new rage in America. Chet and Norris considered trying the new medium and a pilot show was taped. However, Norris' health problems were just too much to allow him to stand rigors of performing on early tv. So Chet and Norris decided to retire those "two loveable old characters from Pine Ridge". Another era of the golden age of radio came to an end. They had performed over 5,000 live radio programs and entertained countless millions of fans. For the next ten years or so Chet and Norris each made several appearances on various tv programs but never again revived the Lum & Abner show. Norris "Tuffy" Goff (Abner) passed away on June 12, 1978 and Chester "Chet" Lauck (Lum) joined him on February 21, 1980. Gone but definitely NOT forgotten!

Chet Lauck and Norris Goff were the creators of Lum & Abner. Chet was born on February 2, 1902 in Aleene, Arkansas and Norris was born in Cove, Arkansas on May 30, 1906. Both had moved to Mena with their families by 1911. They lived only a few blocks apart and grew up together. They were both very talented comedians and by 1931 had become local "Amos and Andy" imitators. They were scheduled to perform on a local charity program in Hot Springs, Arkansas on April 26, 1931. At the last minute they decided to appear as two old-time Arkansas philosophers with the names "Lum Eddards" and "Abner Peabody". Thus was formed a team that was to delight radio audiences for the next 25 years. Just three months later on July 27, 1931 "Lum & Abner" made its' national radio debut on the NBC radio network from Chicago with the Quaker Oats Company as their first sponsor. This was to continue, with different sponsors and networks, for nearly 25 years. They also performed their routines on vaudeville stages throughout the country. By 1933 they had introduced the "Jot "Em Down Store" to their audiences and this would become the focal point of most of the programs. By 1940, Chet and Norris were on their way to Hollywood to make the first of seven motion pictures. In 1948 the radio format was changed from a 15-minute show to a thirty minute program. The new shows used special guest stars, a live orchestra, and a studio audience. This was quite a change from the original shows and was not as well received by the listening audience. By 1953 television was the new rage in America. Chet and Norris considered trying the new medium and a pilot show was taped. However, Norris' health problems were just too much to allow him to stand rigors of performing on early tv. So Chet and Norris decided to retire those "two loveable old characters from Pine Ridge". Another era of the golden age of radio came to an end. They had performed over 5,000 live radio programs and entertained countless millions of fans. For the next ten years or so Chet and Norris each made several appearances on various tv programs but never again revived the Lum & Abner show. Norris "Tuffy" Goff (Abner) passed away on June 12, 1978 and Chester "Chet" Lauck (Lum) joined him on February 21, 1980. Gone but definitely NOT forgotten!

These famous words, and the sinister laugh that followed, have become part of Americana, forever embodying the special magic of radio drama and mystery. The adventures of The Shadow have thrilled millions for more than 70 years, demonstrating that "crime does not pay" on radio and movie screens, in pulp magazines, Big Little Books, comics and hardcover and paperback books

These famous words, and the sinister laugh that followed, have become part of Americana, forever embodying the special magic of radio drama and mystery. The adventures of The Shadow have thrilled millions for more than 70 years, demonstrating that "crime does not pay" on radio and movie screens, in pulp magazines, Big Little Books, comics and hardcover and paperback books