raagarasika

We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. We discuss Sri raagam in this episode and Vidya points out some of the salient aspects of this raaga. Specifically, Vidya elaborates on the unique relationship between the rishabham and gandharam notes in Sri Ragam. She also highlights the key difference between the Thyagaraja and Dikshitar schools in handling this raaga. Download Standard Podcasts

We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. We discuss Sri raagam in this episode and Vidya points out some of the salient aspects of this raaga. Specifically, Vidya elaborates on the unique relationship between the rishabham and gandharam notes in Sri Ragam. She also highlights the key difference between the Thyagaraja and Dikshitar schools in handling this raaga. Download Standard Podcasts

We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. We discuss Sri raagam in this episode and Vidya points out some of the salient aspects of this raaga. Specifically, Vidya elaborates on the unique relationship between the rishabham and gandharam notes in Sri Ragam. She also highlights the key difference between the Thyagaraja and Dikshitar schools in handling this raaga.

We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. The third and fourth raaga she plays are Arabhi and Sri, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to highlight Arabhi raagam. Vidya also touches upon a couple of key differences between Arabhi and its closely allied raaga, Sama. Finally, we finish this segment by reviewing the transition from Arabhi to Sri. Download Standard Podcasts

We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. The third and fourth raaga she plays are Arabhi and Sri, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to highlight Arabhi raagam. Vidya also touches upon a couple of key differences between Arabhi and its closely allied raaga, Sama. Finally, we finish this segment by reviewing the transition from Arabhi to Sri. Download Standard Podcasts

We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. The third and fourth raaga she plays are Arabhi and Sri, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to highlight Arabhi raagam. Vidya also touches upon a couple of key differences between Arabhi and its closely allied raaga, Sama. Finally, we finish this segment by reviewing the transition from Arabhi to Sri.

In this episode, we continue our exploration of the Raagamalika thanam rendition by Smt. Veena Dhanammal. The second and third raaga she plays are Gowlai and Arabhi, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to transition from Nattai to Gowlai, and also elaborates on several important Gowlai phrases that Smt. Veena Dhanammal uses. Finally, we finish this segment by reviewing the transition from Gowlai to Arabhi. Download Standard Podcasts

In this episode, we continue our exploration of the Raagamalika thanam rendition by Smt. Veena Dhanammal. The second and third raaga she plays are Gowlai and Arabhi, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to transition from Nattai to Gowlai, and also elaborates on several important Gowlai phrases that Smt. Veena Dhanammal uses. Finally, we finish this segment by reviewing the transition from Gowlai to Arabhi. Download Standard Podcasts

In this episode, we continue our exploration of the Raagamalika thanam rendition by Smt. Veena Dhanammal. The second and third raaga she plays are Gowlai and Arabhi, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to transition from Nattai to Gowlai, and also elaborates on several important Gowlai phrases that Smt. Veena Dhanammal uses. Finally, we finish this segment by reviewing the transition from Gowlai to Arabhi.

In this episode, we delve deeper into the Raagamalika thanam rendition by Smt. Veena Dhanammal. The first raaga she plays is the Raaga Nattai. Vidya elaborates on several important phrases and detailed nuances that Smt. Veena Dhanammal masterfully packed into a one minute snippet. Download Standard Podcasts

In this episode, we delve deeper into the Raagamalika thanam rendition by Smt. Veena Dhanammal. The first raaga she plays is the Raaga Nattai. Vidya elaborates on several important phrases and detailed nuances that Smt. Veena Dhanammal masterfully packed into a one minute snippet. Download Standard Podcasts

In this episode, we delve deeper into the Raagamalika thanam rendition by Smt. Veena Dhanammal. The first raaga she plays is the Raaga Nattai. Vidya elaborates on several important phrases and detailed nuances that Smt. Veena Dhanammal masterfully packed into a one minute snippet.

In the last segment, we heard a veena rendition by Smt. Veena Dhanammal. In this episode, we discuss her life, times, and contributions to the world of Carnatic music. Vidya shares with us additional details regarding the snippet we heard in the last episode - a raagamalika thanam in the five ghana raagas. We also discuss the term “ghana raagas”. Download Standard Podcasts

In the last segment, we heard a veena rendition by Smt. Veena Dhanammal. In this episode, we discuss her life, times, and contributions to the world of Carnatic music. Vidya shares with us additional details regarding the snippet we heard in the last episode - a raagamalika thanam in the five ghana raagas. We also discuss the term “ghana raagas”. Download Standard Podcasts

In the last segment, we heard a veena rendition by Smt. Veena Dhanammal. In this episode, we discuss her life, times, and contributions to the world of Carnatic music. Vidya shares with us additional details regarding the snippet we heard in the last episode - a raagamalika thanam in the five ghana raagas. We also discuss the term “ghana raagas”.