Fantasy MagazineRSS - Fantasy Magazine

On the island of Manhattan, there’s a building out of time. I can’t tell you where it is, exactly. It has an address, of course, as all buildings do, but that wouldn’t mean anything to you. What I can tell you is that the building is called The Oakmont.

Lara is a summer witch born with fruit rich on her tongue, a monkey god's chittering beneath her skin, and a full July sun's worth of love for love. Her ba claims to have read Pasternak, but she knows it was Julie Christie's face he traced when he named her, Julie's yellow-gold hair her ma made fun of him for admiring, bright as an August afternoon.

The chrysanthemums are dying. The yellow flowers face downward, stems wilting at the neck. Their petals curl and brown at the edges like burning paper. You lift one of the ragged blossoms up, as if to try and help it support its own weight. You keep the flowerpot on the kitchen countertop right by the apartment window where it can get the most sunlight, but it doesn’t seem to be enough.

In the fading shadows of dawn, a hunter meets a wolf with white eyes, a wolf whose mouth stretches open, and in its growl there are three faraway voices, distorted as if heard through water, so the hunter shoots. He does not wait to see what he has done.

The forest whispers of my sister’s arrival long before I sense her. Birds flutter between pink-girdled maehwa trees, mocking her voice in the tongue only shamans understand. Seonbyeon, Seonbyeon, they repeat mindlessly, and this is how I know my sister is looking for me. But I don’t know which sister, not until she finally appears from the forest gloom.

It's so dark. Black-orange-bloody-bruised. Flashlights throw long beams across the sand. Police lights flicker blue and red, blue and red, blue and red, and the Ferris wheel on the pier glows an obscene neon. No one thought to turn off the calliope. It echoes off the empty boardwalk, cheerfully macabre.

Outside is the palace of slaughter. Under its gambrels of boiling sky, there is the cold unforgiving sea; there are mountains ready to cradle your bones. Along its corridors of singing grass, there are horseback warriors who will cut you to pieces.

I am haunted by a funeral, a pageantry of mourners and tears that I can only barely remember. I am not certain, but I suspect the funeral may be my own.

Don’t feed him, Greta. We can’t afford to feed him! There’s not enough to eat! We were lost when we found the tower made of sugar that stretched up into the sky in endless red and white spirals. A sea of ants milled at its base. Fat dollops of sugar dripped onto the surrounding trees, candied the leaves, and brought curious bees to hover.

The beheaded tilapia nudged teasingly against the riverbank in a bloody soup, staining the lush weeds beneath the little girl’s feet. Oblivious to the stench, she squatted beside the muddy water, her gaze tracking over the dead fish. There were a dozen of them, freshly killed. Flies had only just begun to settle over silver flanks, scuttling shyly over tooth marks.

I walk into Old Town. In a curio shop on the promenade, an old man sells paintings, deras, kikois, and ornaments. Tuk-tuks move swiftly along the cabro paving, passing the teapot sculpture at the round-about. Pushcarts lumber beside the street restaurants and past the old buildings covered by vines. A radio plays “Malaika,” the song rising like a wisp of steam. Shouts of children playing football near the sea reach me. I buy a ticket to Fort Jesus and the seller tells me I am lucky because it is the day of secession.

The toe wiggled at Mirella from the compost heap. She let the lid drop with a thud and a cloud of flies. Enough. Time to order an electronic composter.

“Everyone’s making bread,” I say, trying to sound casual and not like I’m terrified, because talking about bread is easier than talking about what’s going on. My phone balances on my belly as I lie in bed. “It’s like the pandemic hit, and everyone’s collective delusion went ‘I’ll bake bread, that’ll solve it.’ I just don’t get it.”

The dead return in strange shapes, yoked to those who mastered them in life. Thais sees them: shadowy animals who slink between the townspeople in the market square. When he was born, so he is told, his mother held up his birth-wet body and pressed her nose to the middle of his brow. They lay together, crowned by oak branches dragged low to the ground by last night’s rain, on the stone table at the center of the woods.

Shaundra took the small, empty cardboard box and swiveled on her work stool to place it gently on top of her daughter Dineisha’s head. Her daughter went cross-eyed trying to look at it and started chewing on the corner of her thumb, smiling at the game.