MoMA Talks: Panel Discussions and Symposia show

MoMA Talks: Panel Discussions and Symposia

Summary: Adult Programs explore the complexity of modern and contemporary art through an array of programs (artist presentations, gallery talks, lectures, MoMA Courses, symposia, workshops, etc.) that are accessible to audiences of various levels. Using MoMA’s collection and special exhibitions as a point of focus, the programs enable participants to gain insight through firsthand looking and discussions with distinguished art historians, artists, MoMA curators, poets, and writers. To view images of these artworks, please visit the Online Collection at moma.org/collection. MoMA Audio is available free of charge courtesy of Bloomberg.

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  • Artist: MoMA, The Museum of Modern Art
  • Copyright: 2010 MoMA, The Museum of Modern Art

Podcasts:

 Contemporary Artists' Book Conference (Part 2 of 3) | File Type: audio/mpeg | Duration: 2:01:37

Part 2 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina Funcke, Margaret Glover, Joseph Grigely, Yuichi Hibi, Darius Himes, Milan Hughston, Matt Keegan, Brian Kennon, Sandra Kroupa, Dr. Cornelia Lauf, Deirdre Lawrence, Emily Larned, Leigh Ledare, Esther Levine, Elisabeth Long, Susan Meiselas, James Mitchell, Hans-Ulrich Obrist, Clive Phillpot, David Reinfurt, Sara Reisman, Jane Rolo, Emily Roysdon, Joachim Schmid, David Senior, Victor Sira, Buzz Spector, Jennifer Tobias, Rirkrit Tiravanija, Tony White, and Matvei Yankelevich. For more information, please visit www.arlisny.org/cabc.

 Contemporary Artists' Book Conference (Part 2 of 3) | File Type: audio/mpeg | Duration: 2:01:37

Part 2 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina Funcke, Margaret Glover, Joseph Grigely, Yuichi Hibi, Darius Himes, Milan Hughston, Matt Keegan, Brian Kennon, Sandra Kroupa, Dr. Cornelia Lauf, Deirdre Lawrence, Emily Larned, Leigh Ledare, Esther Levine, Elisabeth Long, Susan Meiselas, James Mitchell, Hans-Ulrich Obrist, Clive Phillpot, David Reinfurt, Sara Reisman, Jane Rolo, Emily Roysdon, Joachim Schmid, David Senior, Victor Sira, Buzz Spector, Jennifer Tobias, Rirkrit Tiravanija, Tony White, and Matvei Yankelevich. For more information, please visit www.arlisny.org/cabc.

 Contemporary Artists' Book Conference (Part 1 of 3) | File Type: audio/mpeg | Duration: 1:12:20

Part 1 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina Funcke, Margaret Glover, Joseph Grigely, Yuichi Hibi, Darius Himes, Milan Hughston, Matt Keegan, Brian Kennon, Sandra Kroupa, Dr. Cornelia Lauf, Deirdre Lawrence, Emily Larned, Leigh Ledare, Esther Levine, Elisabeth Long, Susan Meiselas, James Mitchell, Hans-Ulrich Obrist, Clive Phillpot, David Reinfurt, Sara Reisman, Jane Rolo, Emily Roysdon, Joachim Schmid, David Senior, Victor Sira, Buzz Spector, Jennifer Tobias, Rirkrit Tiravanija, Tony White, and Matvei Yankelevich. For more information, please visit www.arlisny.org/cabc.

 Contemporary Artists' Book Conference (Part 1 of 3) | File Type: audio/mpeg | Duration: 1:12:20

Part 1 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina Funcke, Margaret Glover, Joseph Grigely, Yuichi Hibi, Darius Himes, Milan Hughston, Matt Keegan, Brian Kennon, Sandra Kroupa, Dr. Cornelia Lauf, Deirdre Lawrence, Emily Larned, Leigh Ledare, Esther Levine, Elisabeth Long, Susan Meiselas, James Mitchell, Hans-Ulrich Obrist, Clive Phillpot, David Reinfurt, Sara Reisman, Jane Rolo, Emily Roysdon, Joachim Schmid, David Senior, Victor Sira, Buzz Spector, Jennifer Tobias, Rirkrit Tiravanija, Tony White, and Matvei Yankelevich. For more information, please visit www.arlisny.org/cabc.

 Visual Arts Workspaces and Contemporary Art Making | File Type: audio/mpeg | Duration: 2:30:41

Friday, October 2, 2009 1:00–5:00 P.M. The New York State Artist Workspace Consortium is an organization comprising ten leading contemporary art institutions across the state. Fostering the creative process, the workspaces provide artists with freedom, space, time, equipment, technical assistance, stipends, and other resources for experimentation and exploration. This half-day conference examines the evolving relationships between workspaces, artists, curators, funders, journalists, and communities through a series of panel discussions and breakout sessions. Conference speakers include artists Edgar Arceneaux, Mark Dion, and Byron Kim; Sina Najafi, Editor-in-Chief, Cabinet Magazine; Mina Takahashi, Editor, Hand Papermaking; Nancy Princenthal, Senior Editor, Art in America; Phong Bui, Publisher, Brooklyn Rail; Linda Earle, Executive Director, The New York Arts Program, Ohio Wesleyan University; Alyson Baker, Executive Director, Socrates Sculpture Park; Ruby Lerner, CEO/President, Creative Capital; Yvonne Force Villareal, Founder, Art Production Fund; Katy Siegel, Professor of Art History, Hunter College; Ian Berry, Curator and Associate Director of Curatorial Affairs, Tang Teaching Museum, Skidmore College; and Sarah Suzuki, The Sue and Eugene Mercy, Jr., Assistant Curator of Prints and Illustrated Books, The Museum of Modern Art.Photo by Paula Court

 Visual Arts Workspaces and Contemporary Art Making | File Type: audio/mpeg | Duration: 2:30:41

Friday, October 2, 2009 1:00–5:00 P.M. The New York State Artist Workspace Consortium is an organization comprising ten leading contemporary art institutions across the state. Fostering the creative process, the workspaces provide artists with freedom, space, time, equipment, technical assistance, stipends, and other resources for experimentation and exploration. This half-day conference examines the evolving relationships between workspaces, artists, curators, funders, journalists, and communities through a series of panel discussions and breakout sessions. Conference speakers include artists Edgar Arceneaux, Mark Dion, and Byron Kim; Sina Najafi, Editor-in-Chief, Cabinet Magazine; Mina Takahashi, Editor, Hand Papermaking; Nancy Princenthal, Senior Editor, Art in America; Phong Bui, Publisher, Brooklyn Rail; Linda Earle, Executive Director, The New York Arts Program, Ohio Wesleyan University; Alyson Baker, Executive Director, Socrates Sculpture Park; Ruby Lerner, CEO/President, Creative Capital; Yvonne Force Villareal, Founder, Art Production Fund; Katy Siegel, Professor of Art History, Hunter College; Ian Berry, Curator and Associate Director of Curatorial Affairs, Tang Teaching Museum, Skidmore College; and Sarah Suzuki, The Sue and Eugene Mercy, Jr., Assistant Curator of Prints and Illustrated Books, The Museum of Modern Art.Photo by Paula Court

 Joan Miró: New Approaches | File Type: audio/mpeg | Duration: 4:41:15

January 10, 2009 10:00 a.m–4:45 p.m. To mark the close of the exhibition Joan Miró: Painting and Anti-Painting 1927–1937, MoMA hosts a daylong symposium to consider issues surrounding the artist's creative production during a transformative decade within his long career. A distinguished group of international scholars offer new approaches to this period of the artist's work, examining its relation to the crisis of painting in Surrealism, the specific nature of the French and Catalan avant-gardes of the time, and the broader sociopolitical situation that emerged in Europe as the 1920s came to an end and the political tensions that would lead to World War II became increasingly apparent. Participants include Dawn Ades, Professor of Art History and Theory at the University of Essex, and Co-Director of the Centre for Studies of Surrealism and its Legacies; Juan José Lahuerta, Professor, History of Art, Escola Técnica Superior d'Arquitectura, Barcelona; Susan Laxton, art historian (PhD, Columbia University); David Lomas, Reader in Art History, University of Manchester, England; Robert S. Lubar, Associate Professor, Institute of Fine Arts, New York University; Jordana Mendelson, Associate Professor, Spanish and Portuguese, New York University; and Charles Palermo, Associate Professor of Art History, Department of Art and Art History, The College of William and Mary. Anne Umland, Curator, Department of Painting and Sculpture, and organizer of the exhibition, introduces the day's presentations. The symposium closes with a roundtable discussion. 10:00–10:20 Welcome and Introduction, Anne Umland 10:20–10:50 "Miró's Challenge to Painting: A Dialogue with Picasso, 1924–1930," Robert S. Lubar 10:50–11:20 "Turning Bodies," Charles Palermo 11:20–11:50 "Anti-Painting and Espagnoles," Juan José Lahuerta 12:00–1:30 Lunch Break 1:30–2:00 "Joan Miró, Salvador Dalí, and the Catalan Avant-Garde c. 1928," Dawn Ades 2:00–2:30 "Telephone Game," Susan Laxton 2:30–3:00 "Grounds for Painting: Joan Miró's Object (Object of Sunset) (1936)," David Lomas 3:00–3:15 Afternoon Break 3:15–3:45 Response, Jordana Mendelson 3:45–4:45 Roundtable Discussion and Q&A Held in conjunction with the exhibition Joan Miró: Painting and Anti-Painting 1927–1937.

 Joan Miró: New Approaches | File Type: audio/mpeg | Duration: 4:41:15

January 10, 2009 10:00 a.m–4:45 p.m. To mark the close of the exhibition Joan Miró: Painting and Anti-Painting 1927–1937, MoMA hosts a daylong symposium to consider issues surrounding the artist's creative production during a transformative decade within his long career. A distinguished group of international scholars offer new approaches to this period of the artist's work, examining its relation to the crisis of painting in Surrealism, the specific nature of the French and Catalan avant-gardes of the time, and the broader sociopolitical situation that emerged in Europe as the 1920s came to an end and the political tensions that would lead to World War II became increasingly apparent. Participants include Dawn Ades, Professor of Art History and Theory at the University of Essex, and Co-Director of the Centre for Studies of Surrealism and its Legacies; Juan José Lahuerta, Professor, History of Art, Escola Técnica Superior d'Arquitectura, Barcelona; Susan Laxton, art historian (PhD, Columbia University); David Lomas, Reader in Art History, University of Manchester, England; Robert S. Lubar, Associate Professor, Institute of Fine Arts, New York University; Jordana Mendelson, Associate Professor, Spanish and Portuguese, New York University; and Charles Palermo, Associate Professor of Art History, Department of Art and Art History, The College of William and Mary. Anne Umland, Curator, Department of Painting and Sculpture, and organizer of the exhibition, introduces the day's presentations. The symposium closes with a roundtable discussion. 10:00–10:20 Welcome and Introduction, Anne Umland 10:20–10:50 "Miró's Challenge to Painting: A Dialogue with Picasso, 1924–1930," Robert S. Lubar 10:50–11:20 "Turning Bodies," Charles Palermo 11:20–11:50 "Anti-Painting and Espagnoles," Juan José Lahuerta 12:00–1:30 Lunch Break 1:30–2:00 "Joan Miró, Salvador Dalí, and the Catalan Avant-Garde c. 1928," Dawn Ades 2:00–2:30 "Telephone Game," Susan Laxton 2:30–3:00 "Grounds for Painting: Joan Miró's Object (Object of Sunset) (1936)," David Lomas 3:00–3:15 Afternoon Break 3:15–3:45 Response, Jordana Mendelson 3:45–4:45 Roundtable Discussion and Q&A Held in conjunction with the exhibition Joan Miró: Painting and Anti-Painting 1927–1937.

 The Feminist Future: Keynote Address: Lucy R. Lippard, Question and Answer | File Type: audio/mpeg | Duration: 0:24:21

The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by artists, museums, and the academy, and its future role in art practice and scholarship. Friday, January 26, 2007 Keynote Address Lucy R. Lippard, writer and activist

 The Feminist Future: Keynote Address: Lucy R. Lippard, Question and Answer | File Type: audio/mpeg | Duration: 0:24:21

The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by artists, museums, and the academy, and its future role in art practice and scholarship. Friday, January 26, 2007 Keynote Address Lucy R. Lippard, writer and activist

 Caribbean Modernist Architecture Symposium: Respondent: Jean François Lejeune | File Type: audio/mpeg | Duration: 0:52:04

February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 Respondent Jean François Lejeune, University of Miami, Florida

 Caribbean Modernist Architecture Symposium: Respondent: Jean François Lejeune | File Type: audio/mpeg | Duration: 0:52:04

February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 Respondent Jean François Lejeune, University of Miami, Florida

 Caribbean Modernist Architecture Symposium: Keynote: Dr. Ken Yeang | File Type: audio/mpeg | Duration: 0:54:57

February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 Keynote address Dr. Ken Yeang, architect, Malaysia and United Kingdom

 Caribbean Modernist Architecture Symposium: Keynote: Dr. Ken Yeang | File Type: audio/mpeg | Duration: 0:54:57

February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 Keynote address Dr. Ken Yeang, architect, Malaysia and United Kingdom

 Caribbean Modernist Architecture Symposium: Panel Four: Mervyn Awon | File Type: audio/mpeg | Duration: 0:35:46

February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION FOUR Mervyn Awon, architect, Barbados “Modernist Architecture in Barbados”

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