MoMA Talks: Panel Discussions and Symposia show

MoMA Talks: Panel Discussions and Symposia

Summary: Adult Programs explore the complexity of modern and contemporary art through an array of programs (artist presentations, gallery talks, lectures, MoMA Courses, symposia, workshops, etc.) that are accessible to audiences of various levels. Using MoMA’s collection and special exhibitions as a point of focus, the programs enable participants to gain insight through firsthand looking and discussions with distinguished art historians, artists, MoMA curators, poets, and writers. To view images of these artworks, please visit the Online Collection at moma.org/collection. MoMA Audio is available free of charge courtesy of Bloomberg.

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  • Artist: MoMA, The Museum of Modern Art
  • Copyright: 2010 MoMA, The Museum of Modern Art

Podcasts:

 Mining Modern Museum Education: Jessica Gogan | File Type: audio/mpeg | Duration: 0:07:31

Part 6 of 9 Jessica Gogan, museum education consultant and former Director of Education, The Andy Warhol Museum

 Mining Modern Museum Education: Kelly McKinley | File Type: audio/mpeg | Duration: 0:12:08

Part 4 of 9 Arthur Lismer and the Early Educational Foundations of the Art Gallery of Ontario Kelly McKinley, Richard and Elizabeth Currie Director of Education and Public Programming, Art Gallery of Ontario

 Mining Modern Museum Education: Kelly McKinley | File Type: audio/mpeg | Duration: 0:12:08

Part 4 of 9 Arthur Lismer and the Early Educational Foundations of the Art Gallery of Ontario Kelly McKinley, Richard and Elizabeth Currie Director of Education and Public Programming, Art Gallery of Ontario

 Caribbean Modernist Architecture Symposium: Panel Four: Mark Raymond | File Type: audio/mpeg | Duration: 0:23:58

February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION FOUR Mark Raymond, architect, Trinidad and Tobago “Critical Practice”

 Caribbean Modernist Architecture Symposium: Panel Four: Mark Raymond | File Type: audio/mpeg | Duration: 0:23:58

February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION FOUR Mark Raymond, architect, Trinidad and Tobago “Critical Practice”

 Before and After 1933: The International Legacy of the Bauhaus | File Type: audio/mpeg | Duration: 5:02:06

Friday, January 22, 2010 10:00 AM–5:00 PM The legacy of the Bauhaus has been shaped by the tides of the twentieth century. After the school’s forced closing in 1933, many of its faculty and students left Germany for the Americas, Palestine, South Africa, and elsewhere. Through this diaspora, varied understandings of the Bauhaus proliferated, and over many years it served as a key symbol in intellectual and political debates around the world. In the United States, Bauhaus émigrés were influential teachers of several generations of art and architecture students, both drawing on and transforming pedagogical principles developed at the school. In both parts of divided postwar Germany, the Bauhaus played a weighty symbolic role as an emblem of the aspirations of a new German democratic state. In this one-day symposium, scholars offer new perspectives on aspects of the international legacy of the Bauhaus after 1933 through individual presentations and conversations. SYMPOSIUM SCHEDULE Germany and the Diaspora to the East 10:00–10:05 Welcome Glenn Lowry, Director, The Museum of Modern Art Barry Bergdoll, The Philip Johnson Chief Curator of Architecture and Design, The Museum of Modern Art, and co-organizer of Bauhaus 1919–1933: Workshops for Modernity 10:05–10:20 Introduction Leah Dickerman, Curator, Department of Painting and Sculpture, The Museum of Modern Art, and co-organizer of Bauhaus 1919–1933: Workshops for Modernity 10:20–10:40 The Nazi Party’s Strategic Use of the Bauhaus Paul Jaskot, Professor of Art History, Department of the History of Art and Architecture, DePaul University 10:40–11:00 Cold War Legacies: The Bauhaus in Divided Germany Greg Castillo, Associate Professor of Architecture, Department of Architecture, College of Environmental Design, University of California, Berkeley 11:00–11:20 Break 11:20–11:40 The Pale Red Bauhaus and the USSR Juliet Koss, Associate Professor and Chair, Department of Art History, Scripps College 11:40–12:00 Zionism + Bauhaus: The Politics of Architecture and Its Historiography Alona Nitzan-Shiftan, Senior Lecturer, Faculty of Architecture and Town Planning, Technion, Israel Institute of Technology 12:00–12:30 Conversation moderated by Leah Dickerman 12:30–2:00 Lunch break The Americas 2:00–2:15 MoMA’s 1938 Bauhaus Exhibition Barry Bergdoll 2:15–2:35 Gropius, Mies, Moholy-Nagy: Traces of the Bauhaus in Cambridge and Chicago Dietrich Neumann, Royce Family Professor for the History of Modern Architecture, Brown University 2:35–2:55 Black Mountain College: An American Bauhaus? Brenda Danilowitz, Chief Curator, The Josef and Anni Albers Foundation 2:55–3:05 The Forgotten Bauhaus: The Design Laboratory, New York City, 1935–1940 Paul Makovsky, Editorial Director, Metropolis magazine 3:05–3:20 Break 3:20–3:40 Erratic Architecture: Circling around the Bauhaus in Gego's Work Monica Amor, Assistant Professor of Art History, Maryland Institute College of Art 3:40–4:00 Hannes Meyer and the Bauhaus-Mexico Connection: Experiences, Criticism, and Influences Raquel Franklin, Head of the Architectural Research Center, Universidad Anahuac-Mexico Norte 4:00–4:40 Debate moderated by Leah Dickerman and Barry Bergdoll 4:40–5:00 Q&A 5:00–7:00 Reception, Bartos Lobby, The Lewis B. and Dorothy Cullman Education and Research Building

 Before and After 1933: The International Legacy of the Bauhaus | File Type: audio/mpeg | Duration: 5:02:06

Friday, January 22, 2010 10:00 AM–5:00 PM The legacy of the Bauhaus has been shaped by the tides of the twentieth century. After the school’s forced closing in 1933, many of its faculty and students left Germany for the Americas, Palestine, South Africa, and elsewhere. Through this diaspora, varied understandings of the Bauhaus proliferated, and over many years it served as a key symbol in intellectual and political debates around the world. In the United States, Bauhaus émigrés were influential teachers of several generations of art and architecture students, both drawing on and transforming pedagogical principles developed at the school. In both parts of divided postwar Germany, the Bauhaus played a weighty symbolic role as an emblem of the aspirations of a new German democratic state. In this one-day symposium, scholars offer new perspectives on aspects of the international legacy of the Bauhaus after 1933 through individual presentations and conversations. SYMPOSIUM SCHEDULE Germany and the Diaspora to the East 10:00–10:05 Welcome Glenn Lowry, Director, The Museum of Modern Art Barry Bergdoll, The Philip Johnson Chief Curator of Architecture and Design, The Museum of Modern Art, and co-organizer of Bauhaus 1919–1933: Workshops for Modernity 10:05–10:20 Introduction Leah Dickerman, Curator, Department of Painting and Sculpture, The Museum of Modern Art, and co-organizer of Bauhaus 1919–1933: Workshops for Modernity 10:20–10:40 The Nazi Party’s Strategic Use of the Bauhaus Paul Jaskot, Professor of Art History, Department of the History of Art and Architecture, DePaul University 10:40–11:00 Cold War Legacies: The Bauhaus in Divided Germany Greg Castillo, Associate Professor of Architecture, Department of Architecture, College of Environmental Design, University of California, Berkeley 11:00–11:20 Break 11:20–11:40 The Pale Red Bauhaus and the USSR Juliet Koss, Associate Professor and Chair, Department of Art History, Scripps College 11:40–12:00 Zionism + Bauhaus: The Politics of Architecture and Its Historiography Alona Nitzan-Shiftan, Senior Lecturer, Faculty of Architecture and Town Planning, Technion, Israel Institute of Technology 12:00–12:30 Conversation moderated by Leah Dickerman 12:30–2:00 Lunch break The Americas 2:00–2:15 MoMA’s 1938 Bauhaus Exhibition Barry Bergdoll 2:15–2:35 Gropius, Mies, Moholy-Nagy: Traces of the Bauhaus in Cambridge and Chicago Dietrich Neumann, Royce Family Professor for the History of Modern Architecture, Brown University 2:35–2:55 Black Mountain College: An American Bauhaus? Brenda Danilowitz, Chief Curator, The Josef and Anni Albers Foundation 2:55–3:05 The Forgotten Bauhaus: The Design Laboratory, New York City, 1935–1940 Paul Makovsky, Editorial Director, Metropolis magazine 3:05–3:20 Break 3:20–3:40 Erratic Architecture: Circling around the Bauhaus in Gego's Work Monica Amor, Assistant Professor of Art History, Maryland Institute College of Art 3:40–4:00 Hannes Meyer and the Bauhaus-Mexico Connection: Experiences, Criticism, and Influences Raquel Franklin, Head of the Architectural Research Center, Universidad Anahuac-Mexico Norte 4:00–4:40 Debate moderated by Leah Dickerman and Barry Bergdoll 4:40–5:00 Q&A 5:00–7:00 Reception, Bartos Lobby, The Lewis B. and Dorothy Cullman Education and Research Building

 Mining Modern Museum Education: Briley Rasmussen | File Type: audio/mpeg | Duration: 0:11:14

Part 3 of 9 Victor D’Amico, Director of the Educational Project, Museum of Modern Art (1937-70) Briley Rasmussen, Museum Educator, Los Angeles County Museum of Art

 Mining Modern Museum Education: Briley Rasmussen | File Type: audio/mpeg | Duration: 0:11:14

Part 3 of 9 Victor D’Amico, Director of the Educational Project, Museum of Modern Art (1937-70) Briley Rasmussen, Museum Educator, Los Angeles County Museum of Art

 Mining Modern Museum Education: Kim Kanatani | File Type: audio/mpeg | Duration: 0:11:18

Part 2 of 9 Hilla Rebay, and the Solomon R. Guggenheim Museum Kim Kanatani, Deputy Director and Gail Engelberg Director of Education, Solomon R. Guggenheim Museum, New York

 Mining Modern Museum Education: Kim Kanatani | File Type: audio/mpeg | Duration: 0:11:18

Part 2 of 9 Hilla Rebay, and the Solomon R. Guggenheim Museum Kim Kanatani, Deputy Director and Gail Engelberg Director of Education, Solomon R. Guggenheim Museum, New York

 Women and the Bauhaus: Public Relations/Ise Gropius, Lucia Moholy | File Type: audio/mpeg | Duration: 1:25:15

Wednesday, January 6, 2010 6:30 PM The Modern Women’s Project presents a series of four discussions on female members of the Bauhaus whose important contributions have often been overlooked in earlier histories of the school. Tonight’s program, the third in the series, features Adrian Sudhalter, Assistant Research Curator, Department of Painting and Sculpture, The Museum of Modern Art, as she discusses Ise Gropius’s role as spokesperson for the Bauhaus; and Claire Zimmerman, Assistant Professor, Department of the History of Art and Taubman College of Architecture and Urban Planning, University of Michigan, who explores the central role of Lucia Moholy’s photographs in the representation of modern architecture in the first decades of the twentieth century. Leah Dickerman, Curator, Department of Painting and Sculpture, and co-organizer of Bauhaus 1919–1933: Workshops for Modernity, moderates the conversation.

 Women and the Bauhaus: Public Relations/Ise Gropius, Lucia Moholy | File Type: audio/mpeg | Duration: 1:25:15

Wednesday, January 6, 2010 6:30 PM The Modern Women’s Project presents a series of four discussions on female members of the Bauhaus whose important contributions have often been overlooked in earlier histories of the school. Tonight’s program, the third in the series, features Adrian Sudhalter, Assistant Research Curator, Department of Painting and Sculpture, The Museum of Modern Art, as she discusses Ise Gropius’s role as spokesperson for the Bauhaus; and Claire Zimmerman, Assistant Professor, Department of the History of Art and Taubman College of Architecture and Urban Planning, University of Michigan, who explores the central role of Lucia Moholy’s photographs in the representation of modern architecture in the first decades of the twentieth century. Leah Dickerman, Curator, Department of Painting and Sculpture, and co-organizer of Bauhaus 1919–1933: Workshops for Modernity, moderates the conversation.

 Contemporary Artists' Book Conference (Part 3 of 3) | File Type: audio/mpeg | Duration: 1:32:00

Part 3 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina Funcke, Margaret Glover, Joseph Grigely, Yuichi Hibi, Darius Himes, Milan Hughston, Matt Keegan, Brian Kennon, Sandra Kroupa, Dr. Cornelia Lauf, Deirdre Lawrence, Emily Larned, Leigh Ledare, Esther Levine, Elisabeth Long, Susan Meiselas, James Mitchell, Hans-Ulrich Obrist, Clive Phillpot, David Reinfurt, Sara Reisman, Jane Rolo, Emily Roysdon, Joachim Schmid, David Senior, Victor Sira, Buzz Spector, Jennifer Tobias, Rirkrit Tiravanija, Tony White, and Matvei Yankelevich. For more information, please visit www.arlisny.org/cabc.

 Contemporary Artists' Book Conference (Part 3 of 3) | File Type: audio/mpeg | Duration: 1:32:00

Part 3 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina Funcke, Margaret Glover, Joseph Grigely, Yuichi Hibi, Darius Himes, Milan Hughston, Matt Keegan, Brian Kennon, Sandra Kroupa, Dr. Cornelia Lauf, Deirdre Lawrence, Emily Larned, Leigh Ledare, Esther Levine, Elisabeth Long, Susan Meiselas, James Mitchell, Hans-Ulrich Obrist, Clive Phillpot, David Reinfurt, Sara Reisman, Jane Rolo, Emily Roysdon, Joachim Schmid, David Senior, Victor Sira, Buzz Spector, Jennifer Tobias, Rirkrit Tiravanija, Tony White, and Matvei Yankelevich. For more information, please visit www.arlisny.org/cabc.

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