Ferrispark Records Podcast

Ferrispark Records proudly introduces the release of FPR018 Eddie Amador & Scott Ferguson Present: DJ Tools Vol. The LA/Detroit Team deliver 2 long and DJ friendly tracks for your dance-floor pleasure... Exclusivley available on Beatport. The first of the two tracks by this dynamic duo is appropriately entitled "Work It" due to the repetitive vocal sample, constant plush chord, and non-stop mixture of high hat and bass drum. Super trackee and laid out in mathematical equations it will be a pleasurable experience for any Deejay as well as dance-floor. Track two of the ep "I Believe" heads more in a spiritual direction with its continuous pounding kik drum and heavy bass stab joined by an Eddie Amador-esque preacher and Ferguson style deep chords. With one of the longest breakdowns ever, Deejays will have plenty of time to trick it out or to simply hype their crowd anxiously awaiting the beat to return. A Floor friendly release through and through.

Ferrispark Records proudly presents the release of Scott PeteBlas's  "Blue Sky EP".  Deep & Soulful House. The Ferrispark newcomer hits hard with two deep and eclectric tracks to keep heads nodding and shoulders shaking. Included is a remix of 'Blue Sky' by label-head/producer Scott Ferguson. Enjoy! Soon to be sold exclusively on Beatport.com.

Ferrispark Records proudly presents the release of Scott Ferguson & Marvin Belton's  "I Am Here EP".  Deep & Soulful House. Available Now Exclusively on Beatport. Kicking things off is the deep "Piano Mix" of "I Am Here".  A filtered synth pad sweeps and swirls behind a big kik drum, pulsating off beat keys unite with a punchy bass line and heavy piano chords, all accompanying delayed and harmonic vocals by  the talented Marvin Belton. The "Synth Mix" makes for a fun dance-floor pleaser incorporating Belton's colorful vocals with a groovy bass line, poly-rhythmic percussion, sweeping synth pads, and a hauntingly beautiful synthetic choir.

Ferrispark Records proudly presents the release of Scott Ferguson's "Groove EP". Deep & Dubby Soulful House. Available Now Exclusively on Beatport. Scott Ferguson's mix of "Groove" is dubby and organic, spinning organ keys and a deep filtered saw pad swirl behind a low and heavy bass drum, groovy bass line, crispy 909 hats, and reggae style guitar. Catchy keys move along with the spattering congas and guitar leading into a break that introduces the horn section. "That's a groove baby"... Secondly a remix by label-mate and the "Master of Darkness", Silvio Manuel. Silvio slows down the BPM, spaces out the keys, and replaces the funky guitar with an even funkier Clavinet. Supper deep, dark, and dubby this is a slow-burner for late-night Detroit basement "after parties"....

Detrtoit's jazzy husband and wife duo En Passant team up with producer Scott Ferguson for some serious Disco action. Melana Grubor-Thomas uses her beautiful vocal talents to tell the story of a young woman meeting a man at the discotheque whom sweeps her off her feet and for-fills her dreams and desires, or more like makes her move her feet, while for-filling here dreams and desires. Melana is helped to tell her romantic love story by Mike Thomas's funky guitar and drumming by Ferrispark Records label-head and Executive Producer, Scott Ferguson. Even though 'Love at the Disco' comes to you in 2008 it will make you feel like as if its 1978...

FPR014 is produced by Spain's own Deep Explorer, Dubbyman. Dubbyman delivers two hefty versions of the soulful production "Rise of Equality". Built on a 4/4 foundation and a swinging bass-line, the two different takes are a mixture of deep and moving piano chords, murmuring synth lines, and a stimulating and charming vox. Deep Detroit House via Madrid Spain. To accompany Dubbyman's 'Original' and 'Piano Take Beats' mixes is an Acid House rework by famed producer and Ferrispark label-head Scott Ferguson. We hope you will enjoy the soulfulness and diversity of this exceptional EP.

In southern Michigan completely surrounded by The City of Detroit lies a small community named Highland Park. It was within these borders that Scott Ferguson built his first studio on Ferris Street. Renting two rooms in an old grand house, he used one room as a bedroom and the other for a recording studio. During this time Ferrispark Records came to be known to the underground dance world. Tracks like 'Dump Days' and 'Bleed to be Free' were created and history was being made. Ferris Street is an album compiled of previously unreleased tracks produced by Scott Ferguson during this era. The tracks on this album have the same soulful rawness as his early record releases, catching so many people's attention.

After the international success of Scott Ferguson's numerous 12" record releases on his own Ferrispark imprint and many others, (Gigolo, Deep Vibes, Third Ear, Deep Explorer, etc...) Ferguson presents his first full-length album entitled "Save Our Sons and Daughters." The album combines diverse musical styles and influences reflecting an eclectic taste in rhythms and sound. "Save Our Sons and Daughters" is a soulful, meaningful, and intriguing look into the future of electronic music.

Take a listen as Scott Ferguson plays the "Master of Darkness ep" in its entirety and talks about Silvio Manuel and the making of this record.

Take a listen as Scott Ferguson plays the "Robo-Motown ep" in its entirety and talks about Keith Kemp and the making of this record.

Take a listen as Scott Ferguson plays the "Any Day Now ep" in its entirety and talks about Marvin Belton and the making of this record.

Take a listen as Scott Ferguson plays his "Death of the Diggers ep" in its entirety and talks about Ferrispark and the making of this record.

Take a listen as Scott Ferguson plays his "Gnosis ep" in its entirety and talks about Ferrispark and the making of this record.

Take a listen as Scott Ferguson plays the "Bleed to be Free ep" in its entirety and talks about Marvin Belton and the making of this record.

Take a listen as Scott Ferguson plays the "Floor Kulture ep" in its entirety and talks about Keith Kemp and his first record release on FPR.