Producing The Beatles

016 "Now and Then"-

015a A closer look at the "Live and Let Die" orchestration-

015 Paul McCartney and Wings, "Live and Let Die""

015a A closer look at the "Live and Let Die" orchestration

015 Paul McCartney and Wings, "Live and Let Die"

014 George Harrison, "Isn't It A Pity"

013 George Harrison, "My Sweet Lord"

012 John Lennon, "Love" (S1 bonus episode)

011 Nothing is Real: Strawberry Fields Forever, take 26

In Part 2 of our look at the trio of songs titled “Revolution,” we dive into the recording of the electric guitar driven single version of the song.

009 It's Gonna Be Alright: Revolution - Part I (Revolution 1 & 9)

A brief message about an upcoming project I'm excited to be working on, and how you can contribute.

In this episode, we discover what role George Martin played in the infamous Get Back sessions of January 1969, a project where John Lennon made clear they didn't want any of Martin's "production shit."

Starting in 1966, George Martin and The Beatles used varispeed – variable speed recording – to change the textures of their recordings to create a variety of effects.

Constructing The Beatles' first four singles, including "From Me To You"