Summary: What does it take to maintain a career in music? We track down members of bands that flirted with stardom and find out what their lives are like now. How did it feel to get that first big break? What was fame like at its peak? What was the transition back into normal life like? And what have you been doing since?
This is a busy year for Jethro Tull's Ian Anderson. For starters, there's a new String Quartet album of JT classics performed by the Carducci Quartet. In addition, this year marks the 40th anniversary of maybe the most formative album in my life, Songs From The Wood. He only had 20 mins to chat, so we discussed where Songs From the Wood fits in their canon and how the String Quartet album came to be, as well as a few nerdy things I've always wondered about. I could have kept him for hours! http://jethrotull.com/
Today is Independence Day in America and who better to celebrate with than Lee Greenwood! By now, his "God Bless the USA" has basically become another unofficial national anthem. He's performed the song for several Presidents, including at Donald Trump's inauguration in January. This is a unique opportunity to get to know the man behind the song. He had been a successful country singer in the early 80s before his signature tune took over his life. He talks candidly about how it's blessed his life as well as what gets him excited creatively today. We talk about the state of the country without making it about politics, which I'm particularly proud of. He's a really good man and a devout patriot. Enjoy! http://www.leegreenwood.com/
Believe it or not, Don McLean has always felt like a second-class citizen in the music business. Despite over 45 years of success, and the credit of writing one of the most important songs in the history of recorded music with "American Pie", as well as many other hits, Don feels he's had to fight to be taken seriously. In this short, but candid conversation, we discuss why that is, what went into the writing of his legendary song, how he finally became a wealthy man, and his astonishment over inspiring modern legends like Drake. Get to know the man behind the song. https://don-mclean.com/
Orleans were another beloved soft-rock band of the 70s scoring two giant hits with "Dance With Me" and the ever-present "Still The One", which remains one of those great tunes that never completely goes away. Frontman John Hall has had a very unique path through life for a rock star. He went on to serve two terms as a congressman from New York and he's written a book about his experience called "Still The One: A Rock n Roll Journey to Congress and Back" that's worth your attention if you're into politics. Today he's still passionate about many issues and remains involved on a local level, but he's also still out there playing solo and as Orleans when the opportunities arise. We also talk about that legendarily bad album cover and his ability to pay his bills from his hits. http://www.orleansonline.com/home.html http://www.johnhallmusic.com/index.html
When you think about it, Firefall were one of the original super groups. With members hailing from legendary acts like the Flying Burrito Brothers, the Byrds, and Spirt, success must have seemed imminent to these seasoned vets. Buoyed by the incredible songwriting of frontman Rick Roberts, Firefall score half a dozen top 40 hits ("You Are the Woman", "Just Remember I Love You", etc) and had a pretty good run there for a while. The band has split up and come back together many times over the years, but they are a solid entity now, hitting the summer nostalgia circuit hard year after year. This week is a twofer - first we get to hear from multi-instrumentalist David Muse and then former lead singer Rick Roberts, who no longer tours with the band, but does his own unique solo thing. http://www.firefallofficial.com/ http://davemuse.com/ http://rickrobertsmusic.com/
New England were another one of those great rock bands of the late 70s/early 80s that deserved more. So many things were in place to make them successful - they were managed by Kiss's manager Bill Aucoin, opened many shows for Kiss over the years, and they released three excellent albums between '79 and '81, each produced by a legend (Paul Stanley, Mike Stone and Todd Rundgren respectively) - yet it didn't happen. They did manage to crack the pop charts once when "Don't Ever Wanna Lose Ya" reached #40 in 1979. Though the band came to an end, drummer Hirsh Gardner has maintained a successful career for himself as a producer, a label-head, and the manager of a Boston-area Guitar Center. He's a fun-loving guy that is still passionate about music and a great storyteller. https://www.hirshgardner.com/
Sisters Tracey and Melissa Belland grew up loving the alternative music coming out of Britain in the 80s. So, instead of sitting idly, they decided to move to the UK and start a band like their heroes, thus Voice of the Beehive. They had a good run there for a while, releasing three fun-filled albums between 1988 and 1995 and though they never crossed over to the pop charts, they did score a number of decent alternative hits. Eventually, the girls decided it wasn't worth continuing to pursue this dream and decided to call it a day. Since then, Tracey has found success as a teacher and Melissa has remained an artist and is also a care-giver. Believe it or not, the original band will be reforming for a reunion show in London on Oct. 7th this year. They are one of our most requested guests, proving the taste for the Beehive's music has never gone away!
Jesus Jones broke big in 1991 when their second album Doubt catapulted them into one of the biggest bands in the world. Hits like the still ever-present "Right Here Right Now" have never gone away, and have provided a nice living for lead singer Mike Edwards. So, expectations were high when they released the follow-up, 1993's Perverse. Unfortunately, that album underperformed mightily and the Jesus Jones bubble burst. The band released a couple more albums, but to less fanfare. Today, Mike and the band record and release music once in a while and are currently working on a Pledge Music campaign to fund a new album. Through it all, Mike remains a pretty unaffected guy, but also grateful for the success his hits have provided. https://www.jesusjones.com/
Paul grew up in the music industry of Los Angeles where hanging out with famous rock stars was no big deal. His dad worked for Capitol Records and helped discover acts like the Beach Boys and Bob Seger while his mom was an in demand session singer. After serving a mission for the LDS church, Paul dove headfirst into his own music career with his first major break through being a fruitful collaboration with producing icon Giorgio Moroder. From there he was selected to front a band put together by songwriting legend Holly Knight called Device. They only managed one excellent album called 22B3 and one top 40 hit with "Hanging On a Heart Attack" which reached #35 in 1986. After that he was pegged to join the second installment of popular band Animotion. With them he sang on the top 10 1989 smash "Room to Move". Once Animotion fizzled out, Paul eventually decided to leave the chaotic music business for a more normal life in the network marketing industry and settled in Provo, UT. It's been a wild ride, but Paul's never lost his head.
Johnny Hates Jazz was about to get big. Real big. In 1987 their seminal hit "Shattered Dreams" just hit #2 in the US (other singles did well in the UK and other parts of the world), they had a memorable band name, sleek videos, and the future looked bright. But, suddenly front man Clark Datchler decided he needed to leave the band and venture out on his own. In this engrossing conversation, Clark details what lead him to make that decision and how it impacted his bandmates. Basically, along with global success came an awakening to the sad, dark side of life on this planet as a member of the human race. It stirred within him a desire to fix what he could and inspire others to do the same. It's motivated him personally and creatively ever since and is at the core of who he is. So, get ready to go deep with a fascinating gentleman! http://johnnyhatesjazz.com/
Happy 2nd Birthday to us! This week we celebrate by having as our guest, one of the greatest drummers of the British alternative scene, Mel Gaynor of Simple Minds! Mel's the unmistakable beat behind iconic tracks like "Waterfront", "Alive and Kicking", "Promised You a Miracle" and, of course, "Don't You (Forget About Me)". Mel is now working on his first ever solo album set for release later this year which could include a US tour! We talk about why sometimes he gets the call to be in Simple Minds and sometimes he doesn't, how the late-great Robert Palmer appears on Mel's current cover of "Addicted to Love", and what the highlights of his career have been. http://melgaynor.com/
People who know will tell you that Max Carl has one of the greatest voices of any living soul singer, white or black. Max may not be a household name, but he's pieced together a successful workmanlike career for over 40 years. He's put out a few solo albums dating back to the mid-70s, he's fronted a few successful bands, namely Jack Mack & the Heart Attack, .38 Special, and Grand Funk Railroad where he's been employed for going on 17 years. He's written songs for artists like Kenny Loggins, Bette Midler, Aaron Neville, and Joe Cocker and sang with legends like Rod Stewart, Elton John and Don Henley. His most recognizable legacy may be writing and singing "Second Chance", one of .38 Special's biggest hits or having his track "The Circle" featured on the Weird Science soundtrack. He's an extremely kind, sensitive and intelligent man and I love his perspective on the ups and downs of his career. http://www.maxcarl.net/
The word pioneer gets thrown around a lot, but in the case of Genya Ravan it is well-earned. Genya's career has included so many "firsts", it's a crime she isn't a household name. She went from being a virginal topless model to fronting the first ever all-girl group signed to a major label with Goldie and the Gingerbreads. From there she led the popular blues/jazz group Ten Wheel Drive before going solo in the 70s and releasing a number of stellar solo albums (especially 1978's Urban Desire and 1979's ... And I Mean It!). While recording some of her own exceptional music, she also produced one of the greatest punk albums of all time, The Dead Boys' 1977 masterpiece Young Loud and Snotty. She has seen and done it all and lived to tell the fantastic story (she also published her autobiography The Lollipop Lounge, a must-read). She's the freest of spirits and biggest of personalities. An underground legend! http://www.genyaravan.com/
The 70s were a beautiful time for earnest, heartfelt singer-songwriters. One of the most versatile was Henry Gross, whose one and only hit was 1976's "Shannon". This tune about Beach Boy Carl Wilson's dead dog reached #6 in 1976 and placed Henry alongside contemporaries like James Taylor and Jim Croce as a force to be reckoned with. Henry is also an example of perseverance because, though "Shannon" was as good as it got on the charts, he has continued to record and perform, never losing his thirst for finding another great song. His vibrant energy leaps out of the speakers in this conversation as we ruminate on everything from music careers and creativity to politics and faith. He even talks about his Woodstock experience when he was the youngest performer that weekend (18 years old) while a member of Sha Na Na. I also get to tell him an impactful story on how he kinda sorta inspired this podcast. Enjoy! http://www.henrygross.com/
This week we celebrate the big 100 with Rock and Roll Hall of Famer Stu Cook, bassist for the legendary Creedence Clearwater Revival! Everyone knows and loves the music of CCR, but sadly the band has been fraught with tension almost from the beginning. In this intensely candid conversation, Stu lays out the reasons for much of the dysfunction. It basically comes down to lead-singer and main songwriter John Fogerty on one side and Stu and drummer Doug Clifford on the other. Thankfully, Stu and Doug have been able to soldier on for over 20 years now as Creedence Clearwater Revisited playing the songs they helped to make famous. Stu also discusses CCR's Woodstock experience, the drama behind that awkward Hall of Fame induction ceremony, and the reasons for the many legal battles that have erupted over the years. We are supremely honored to have Stu celebrate the 100 milestone with us! And there's also a giveaway, so listen til the end. http://creedence-revisited.com/