Summary: What does it take to maintain a career in music? We track down members of bands that flirted with stardom and find out what their lives are like now. How did it feel to get that first big break? What was fame like at its peak? What was the transition back into normal life like? And what have you been doing since?
After beginning his career as a challenging, almost avant garde solo artist, Rupert Hine fell into producing in the early 80s and went on to become one of the most successful of the last four decades. He's put his signature sound on loads of classic artists, but the ones we talk about in here include Saga, The Fixx, Howard Jones, Tina Turner, Kate Bush, Eight Seconds, Thompson Twins, Underworld, Stevie Nicks, Rush and Duncan Sheik. The man is full of fascinating stories that every music lover will gobble up like manna from heaven. Enjoy this colorful conversation with a magnificent artist! http://ruperthine.com/
The focus of this podcast has always been how do artists maintain careers in music over the long haul. How do they "pay their bills". And, up til now, we've always talked to musicians about that, but I thought it would be interesting to hear from a regular person who has carved out a career working on the business side of the music business. This is a conversation with my friend Jackie Clary who has worked in the music business for 20 years with stops at MTV and the Rock and Roll Hall of Fame. We'll learn what it's like to work at those places, the culture, brushes with fame, do they pay, and how you continue on in an industry that shrivels up more and more by the day.
Yes, E.G. Daily has been an accomplished actor, voice over artist, and singer/songwriter for over 35 years, but to me she will always be the Queen of the 80s Movie Soundtrack. Her "unmistakable" voice can be heard in decade defining films like The Breakfast Club, Summer School, Scarface, and Better Off Dead, in which she also appeared. Plus, in addition to her own successful solo career, she's collaborated with artists like Giorgio Moroder, Jude Cole, Phil Oakey, Jellybean Benitez and the Cruzados. We discuss her many years in the business, the stories behind many of her songs, what she still wants to accomplish, and her greatest role - motherhood. Enjoy! https://egdaily.com/
Jon and Jan tell what they really thought of the last few guests, plans for the future and answer some listener questions.
The Hustle is turning three this week! And to celebrate our guest is Steve Farris, guitarist for our most requested guests, Mr. Mister! Who would have guessed when that band of session musicians came together that their second album, 1985's Welcome to the Real World, would conquer the globe with the three gigantic hits "Is It Love" and two #1s "Broken Wings" and "Kyrie". Unfortunately, the bond that made Real World happen had grown toxic for the follow up album, 1987's Go On... which flopped mightily. A fourth album was recorded, but by then Steve left, the rest of the guys splintered, and the album never came out. In this candid conversation, Steve talks about his life before and during the band, what made it end, the time he auditioned for Kiss, his time with Eddie Money, playing with Howard Jones, and his life now as an outdoorsman and land developer. Steve is so full of great stories he should have his own show! You guys will love this! http://www.stevefarris.com/
On a recent trip to Texas, Jon was invited to appear on Glory Days Radio with host Paul Underwood. On the show they talked about the Hustle, stories behind some of the episodes, and Jon got to pick some of his favorite songs that feature his favorite "magical moments" in them. Or, as Paul calls it, the part you shush your family when it comes up in the car. You even get to hear from Jon's wife and kids on how they feel about it all. Paul is the best and GDR is a wonderful show. Follow them on facebook so you can hear his episodes every week. http://koxe.com/glory-days/ https://www.facebook.com/magic1380glorydays/
Throughout the 80s and 90s, the Hoodoo Gurus elevated the art of hooky power pop showing a mastery few others of the era could emulate. And though they never landed that deserved crossover hit, they were mainstays on college radio with gems like "Bittersweet", "Come Anytime" and "What's My Scene". Though new releases have been few and far between the last 20 years, they are, rightfully, considered legends in their native Australia and still play shows to rapt audiences. In this conversation, frontman Dave Faulkner discusses their status back home, the evolution of the band, and the stories behind each album. If you didn't know the band well before, get ready to discover some of the best music there is. http://www.hoodoogurus.net/
Mark Opitz is probably the most important Australian music producer in that country's history. Beginning in the mid-70s with AC/DC's Powerage album, Mark went on to define a generation's worth of rock music with his style he coined "sophisto-punk". In 1978 is produced the Angel's landmark album Face To Face and his legendary status was cemented. From there it was other Australian icons like Cold Chisel, Divinyls and Australian Crawl, as well as global phenoms INXS. Other credits we discuss in this interview are the Hoodoo Gurus, the Ocean Blue and even Kiss. In 2012 Mark published his memoir "Sophisto-punk: The Story of Mark Opitz and Oz Rock" which is an insightful look into all he's accomplished. Over the course of this chat you'll hear some great music and excellent stories. http://www.markopitz.com/
In the world of ska and the history of British alternative rock of the 70s and 80s, Neville Staple is practically royalty. Coming up with the pioneering Two-Tone group The Specials, Neville and his bandmates not only cut an indelible image stylistically, but politically as well by displaying blacks and whites cohabitating in the same band during a time of political unrest in the UK. After releasing one of the greatest debut albums in history, as well as a more expansive, but worthy follow up, Neville, Terry Hall and Lynval Goulding created the Fun Boy Three which expanded their musical palette even wider. After two albums they too called it quits. Today, Neville reunites with the Specials on occasion, but his primary focus is the Neville Staple Band, who released an excellent album last year called The Return of Judge Roughneck. Neville is a legend and changed a lot of people's lives, including mine! http://www.originalrudeboy.co.uk/
Filmmaker Blair Foster is a 2-time Emmy winner and co-director of the documentary "Rolling Stone: Stories From the Edge" which chronicles the cultural impact of Rolling Stone magazine and its founder Jann Wenner on it's 50th anniversary. The film, which debuted on HBO last fall, is being expanded and is now available on iTunes and other streaming services. We dissect the format of the film, the choices she and co-director Alex Gibney made, the impact the magazine and its founder have had on popular culture and the life of a documentarian. We also discuss the other music-related documentaries she's worked on including films on George Harrison, James Brown, Frank Sinatra, and the now infamous Eagles documentary. https://itunes.apple.com/us/tv-season/rolling-stone-stories-from-the-edge/id1333566965
The Motels were one of the most successful bands to emerge from LA's New Wave scene. Lead by the unique vocals of frontwoman Martha Davis, the band scored three top 40 hits, including "Only the Lonely" and "Suddenly, Last Summer" which both peaked at #9 in 1982 and 1983 respectively and are still mainstays today. Eventually, Martha went solo in the mid-80s, but by then the wave had petered out and the spotlight had moved on. Since then, Martha's remained a draw on the nostaligia circuit, but today she and the Motels are putting their heart and soul behind their brand new album, The Last Few Beautiful Days, which was just released last week. She's a wonderfully open woman and very candid about the ups and downs of life as an artist. Plus, the new album is excellent! http://www.themotels.com
BulletBoys burst on the scene at the height of 80s hair metal with the super sexy "Smooth Up In Ya" in 1988. During the glory days of 80s rock, they partnered with Van Halen producer Ted Templeman on three classic albums before grunge began wreaking havoc on them and everybody else. Though Marq and his band may have slowed down, they never completely went away. They've been enjoying a creative resurgence recently with their excellent comeback album Elefante from 2015 and their brand new disc From Out of the Skies which was released last week. Marq and I discuss his early days in Motown, choosing hard rock over r&b, starting out on the Sunset Strip, and what he did during the band's lean years. He's a really good dude! http://www.bulletboysofficial.com/
Nick Heyward has built a reputation as one of Britain's finest songwriters. His initial success came by fronting Haircut 100 in the early 80s and scoring major hits with "Love Plus One" and "Fantastic Day". Bad vibes led him to leave the band and go out on his own where he had continued success with standards like "Whistle Down the Wind" and "Kite". He's also racked up several excellent solo albums including 2017's wonderful Woodland Echoes, his first disc in almost 20 years. Here we talk about why he left Haircut 100 and how that relatively small period of time has overshadowed the rest of his career in some ways. We also talk about what took him so long to put out another solo album and what he's working on now. He's a beautifully funny and engaging guy and one of the best there's ever been at what he does. http://nickheyward.com/
Jon and Jan review the last couple of months, discuss plans for the future, and answer some of your mailbag questions.
Everybody remembers Ray Parker Jr. taking over the world in 1984 with the Ghostbusters theme. But, there is so much more to his story. He was one of the most sought after session guitarists of the 70s playing with everyone from Stevie Wonder to Marvin Gaye to Seals and Crofts. He also wrote hit songs for artists like Leo Sayer and Rufus with Chaka Khan, not to mention racking up a bunch of his own hits like "The Other Woman" and "A Woman Needs Love (Just Like You Do)" as both a solo artist and as the frontman for his funk band Raydio. As he says in this conversation, "Ghostbusters" was just "gravy on the steak". Here we talk about his whole career, but the big news is that Fran Strine, director of the acclaimed Hired Gun documentary, has begun work on a Ray doc called Who You Gonna Call, which launched an Indiegogo campaign last week. Here is the link to donate. Enjoy! https://www.indiegogo.com/projects/who-you-gonna-call-music/x/2404155#/