Hyperallergic

Hyperallergic travels to Cairo to see one of the new wave of exhibitions that are reintroducing Egyptian modern art, particularly related to the Art and Liberty group (often referred to as Egyptian Surrealism), to a wider audience.

Artists Marilyn Minter and Xaviera Simmons both have solo shows up in New York this month. We invited them to chat with Hyperallergic's editor-in-chief Hrag Vartanian about sex, art, gender inequality, Planned Parenthood, and the election.

Hyperallergic's Editor-in-chief Hrag Vartanian speaks to mega-collector Don Rubell of the Rubell Family Collection about decades of collecting and establishing one of the biggest collections of contemporary art in the world.

In the Oceti Sakowin Camp at Stadning Rock, North Dakota, there is a prominent art tent area. Dozens of artists and volunteers are silkscreening and producing work among the thousands of waterprotectors and their allies, which have arrived to stop the Dakota Access Pipeline from crossing the Missouri River. Among those artists is Standing Rock native Cannupa Hanska Luger and three of his friends, Jesse Hazelit, Raven Chacon, and Dylan McLaughlin. Hyperallergic spoke to the friends to discuss what is going on at Standing Rock and what role art plays.

Native American women grapple with the highest rates of sexual violence in the United States and two Native American artists, Rebecca Nagle and Graci Horne, have traveled to Standing Rock to create a Healing Tent and to work on their Monument Quilt project, which addresses sexual violence.

Hyperallergic traveled to Oceti Sekowin Camp at Standing Rock, where thousands of water protectors and their allies are trying to stop the multi-billionaire dollar Dakota Access Pipeline, which is being pushed by the government and major oil companies. We talk to artists about why they’re there and what they are doing to listen, learn, inspire, and heal.

Curator and art historian Kellie Jones is the guest for our latest episode. A 2016 McArthur Fellow, Jones is a lifelong New Yorker and an associate professor at Columbia University. She spoke to Hyperallergic about her work, life, and the evolving world of contemporary art. Photo: John D. & Catherine T. MacArthur Foundation

The impeachment of Brazil’s President Dilma Rousseff and the current economic crisis will have a long-lasting impact on the country, including on one of the largest open-air contemporary art collections in the world.

Why were women excluded from the art movement that has come to represent some of the best of 20th century American art? The answer may be rather complicated and Hyperallergic’s editor-in-chief Hrag Vartanian interviews “Women Of Abstract Expressionism” exhibition curator Gwen Chanzit, Abstract Expressionism artist Judith Godwin, feminist art historian Linda Nochlin, and critic/curator Karen Wilkin to understand the issue.

In the third episode of the Hyperallergic Podcast, we talk to artists Hank Willis Thomas and Eric Gottesman about the For Freedoms Super PAC, which promises to shake things up during the 2016 US Presidential election by inviting artists to reflect on important topics during the run up to Election Day.

Our second podcast focuses on New York's borough of Queens, which is becoming a growing hub of artistic activity in the city. We talk to Tania Bruguera about her Immigrant Movement International project in Queens and her experience in Cuba, then we chat with artist Mariam Ghani about her commissioned mural at the Queen Museum, and finally we wander the Queens International biennial with director Laura Raicovich and guest co-curator Lindsey Berfond to discuss the exhibition's themes of accumulation and globality.

Our inaugural podcast sends our editor-in-chief Hrag Vartanian to Morocco to visit the 6th Marrakech Biennial curated by Reem Fadda. There are interviews with the curator and artists Haig Aivazian (Lebanon) and Dineo Seshee Bopape (South Africa), as well as discussions of Superflex’s “Kwassa Kwassa” and Khaled Malas’ "Windmill in Eastern Ghouta (Syria).”