The Next Reel Film Podcast show

The Next Reel Film Podcast

Summary: Subscribe to THE weekly podcast for movie people! Features in-depth reviews of classic films and contemporary hits, with ratings, rankings, and interviews.

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 Prizzi's Honor | File Type: audio/mpeg | Duration: 00:51:15

It's Valentine's Day, and what better way to end our current John Huston series than with his 1985 romantic mafia comedy, Prizzi's Honor? Huston was struggling with his health in the 80s but still a vibrant and essential director when he made this film that garnered 8 Oscar nominations. Join us — Pete Wright and Andy Nelson — as we celebrate love and death in this quirky film. We chat about what works and what doesn't with the performances in the film, particularly Jack Nicholson's and Anjelica Huston's, and how essential they are in a film with such a variety of characters like this film has. We discuss what Huston was trying to say with the film and how it fits into his body of work. We talk about the amazing crew and what they bring to the table as well as the kudos they received for their work. And we chat about the nature of the story — a mafia comedy — and what Richard Condon, who wrote the novel on which it was based, was saying with the story. It's a fun film and we have a great time talking about it. Check it out!

 The Film Board Presents: Side Effects | File Type: audio/mpeg | Duration: 01:26:17

The band is back together! And this month, the illustrious TNR Film Board gathers ranks to take on Steven Soderbergh's "final" film, "Side Effects". Haven't seen it yet? Don't worry, we'll spoil it for you, but it won't matter — you won't understand it anyway. Chadd Stoops, Steve Sarmento, Mike Evans, and newcomer Tom Metz join Andy and Pete to hash out just how Soderbergh this film really is, the overwhelmingly satisfying performances from the key actors throughout this complex thriller, and if "sleep murder" is a thing we should all be more concerned about, actually.

 The Asphalt Jungle | File Type: audio/mpeg | Duration: 00:58:56

When people list off caper films, it's a long list that comes to mind — Ocean's Eleven, Rififi, The Killing, The Ladykillers, Kelly's Heroes, The Italian Job, The Usual Suspects, even more recently Inception — but the film that really kicked it all off was 1950s masterpiece, The Asphalt Jungle. John Huston co-adapted W. R. Burnett's novel and turned it into one of his greatest directorial achievements, a story of a group of criminals working hard to pull off the perfect heist only to have everything fall apart in the end. It's not only the start of the caper subgenre, but also a master work of character development and taut filmmaking. Join us — Pete Wright and Andy Nelson — as we continue our John Huston series with this fantastic film. We talk about how the film looks at the criminal's heist and how that balances with the character development. We chat about the amazing actors who bring the film to life — from Sterling Hayden to Marilyn Monroe. We discuss where the film fits in MGM's body of work and how it felt different for what the studio was churning out at the time. And we revel in the gorgeous black-and-white cinematography shot by Harold Rosson that gives the film a haunting, gray film noir vibe and helps define this jungle — this city beneath the city. It's a film that quickly shot up our list of favorite films upon rewatching and is definitely worth talking about. Tune in!

 Key Largo | File Type: audio/mpeg | Duration: 01:00:02

In 1948, John Huston managed to crank out two of his most well-known films — The Treasure of the Sierra Madre, a masterpiece that received many accolades but took a while to warm up at the box office, and Key Largo, a noirish crime film that takes place during a hurricane on the Florida Keys which did great at the box office but didn't create a big splash in the awards circles. Join us — Pete Wright and Andy Nelson — this week as we continue our series about John Huston with Key Largo, a film that works in many aspects for us but doesn't work in others. We talk about the actors and what we think of their performances — Humphrey Bogart, Lauren Bacall, Edward G. Robinson, Lionel Barrymore, even an appearance of Jay Silverheels who most famously played Tonto on "The Lone Ranger." And we definitely don't forget to chat about Claire Trevor, a fantastic actress who won the film's only Oscar for Best Supporting Actress, along with why we felt she won that award. We discuss the origins of the script, how Huston and his co-writer Richard Brooks reworked the original material to create something with more political subtext, and how that works for us. And we talk about the film's relationships w/both the film noir genre as well as the crime genre, and how the cinematography really works advantageously to create vibes from these genres. It's a film that, while we like it, doesn't hold up as well this go around. That being said, it's still worth watching if you haven't seen it before, and it's fun to talk about. Listen in!

 The Treasure of the Sierra Madre | File Type: audio/mpeg | Duration: 00:43:56

It's a classic (and oft misquoted) line from one of the greatest films of all time, John Huston's classic film from 1948, "The Treasure of the Sierra Madre." This week, join us — Pete Wright and Andy Nelson — as we delve into this fascinating and tragic film, once considered a difficult film that received more praise from critics than it did from audiences at the time even though now it's considered one of the best films ever made. We talk about the fantastic trio of actors heading up the film—Humphrey Bogart, Tim Holt and the unforgettable Walter Huston—John's dad—who rightfully won an Oscar for his performance. We dig into the troubles of location shooting and why it was such a challenge back then. We talk about the nature of man and what the story is saying about what happens to men when large quantities of money (or in this case gold) come into play. And we chat about the mysterious B. Traven, author of the original novel, and the strange theories about who he really is. It's an absolutely fantastic film and one well worth talking about. Join us and listen in!

 The Maltese Falcon | File Type: audio/mpeg | Duration: 01:04:11

That's right, ladies and gentlemen, this week join us — Pete Wright and Andy Nelson — as we talk about one of the most unforgettable films in the history of cinema, "The Maltese Falcon." As a part of our periodic and ongoing John Huston series, this is a film we've looked forward to talking about for a great long while. We have a wonderful time discussing the importance of this film.

 Zero Dark Thirty | File Type: audio/mpeg | Duration: 01:28:50

Divisive before it even opened, Kathryn Bigelow's film Zero Dark Thirty depicts, in a very procedural way, the steps it took to find Bin Laden after the 9/11 attacks. While you can argue whether Bigelow should have received a Best Director nomination in the recent Oscar announcement, it's clear that she's a filmmaker at the top of her form making a film that tracks this decade-long manhunt through the eyes of one dedicated woman, and what it does to her in the process. It's a fascinating film and one that certainly is worthy all of the nominations and accolades it's currently receiving. Join us on this week's episode of The Next Reel as we — Pete Wright and Andy Nelson — close out our series on Bigelow with this amazing film. We talk about the context of this film in relation to what really did — or did not — happen, and how that affects audience members' interpretations of the events as depicted. We discuss the amazing performance by Jessica Chastain and the haunting portrait of Maya, the CIA operative behind this mission, as well as the rest of the crew the Bigelow brings on board, including screenwriter/producer Mark Boal, her partner on The Hurt Locker. We delve into the issue of torture as depicted in the film, how it's created a controversy, and what our opinions are on it. And we chat about the depiction and reality of the clinical (mostly) insertion of Seal Team Six into the compound, how well it was put together yet how surprised we were by how loud they were. It's a film that truly deserves its mark as one of the top films of the year and another definite high mark for Bigelow. We have a great time talking about it (and spoiling it heavily). Watch the movie then listen in!

 The Hurt Locker | File Type: audio/mpeg | Duration: 01:21:47

Kathryn Bigelow made a big change in her career direction as a film director when she made 2009's "The Hurt Locker." While it still had the adrenaline action sensibilities she displayed in her prior films, this film was less of a Hollywood action movie and more of an honest portrayal of soldiers in a war. This week on The Next Reel, join us — Pete Wright and Andy Nelson — as we delve into Bigelow's independent war film that made her the first woman to win a Best Director Oscar. We talk about how Mark Boal discovered the story while embedded as a journalist in the war and how well it works as a film, yet also is a script not structured in typical Hollywood fashion. We discuss the actors and what they bring to the table in what is ostensibly a psychological study of these characters. We chat about how the film was shot and what it does for the feel of the film. And we talk about the reception of the film and how disappointing it is that more people haven't seen it. Truly one of our favorites, we have a fantastic time talking about this film. Listen in!

 Strange Days | File Type: audio/mpeg | Duration: 01:02:26

Based on a dream James Cameron had in 1985, Strange Days came out in 1995 and strangely took place only 4 years in the future — during the 48 hours leading up to the year 2000. Cameron's ex-wife Kathryn Bigelow, helmed the film, bringing her skills at directing action to the forefront to create what at the time was a wild, mind-bending, noirish tale that looked at people in LA dealing with the latest "drug" craze — living other people's experiences through futuristic recording devices. Join us — Pete Wright and Andy Nelson — as we ring in the New Year with the first of our Kathryn Bigelow series on this week's episode of The Next Reel in which we talk about Strange Days. We talk about what we thought of the film at the time and compare that with how we feel about the film now, noting how much the film doesn't hold up and how many problems it really had. We chat about the script and the vast amounts of expository dialogue and how clunky Cameron can often be when writing scripts. We discuss the performances, particularly Ralph Fiennes, Angela Bassett, Tom Sizemore, Vincent D'Onofrio and William Fichtner, and whether they were used effectively or not. We discuss the story elements that worked for us, notably the rape scene, and how effective it is yet how unfortunate it is that the team didn't focus solely on that element rather than force it to tie into the New Year's party story. And we praise the outstanding achievements Bigelow, DP Matthew Leonetti and their team of camera operators, stuntmen, technicians, etc. who worked hard to create — pioneer, really — the stunning work done on the POV shots throughout the film. It's a bit of a disappointment returning to it for us, but we have a great time talking about it. Tune in!

 Christmas in July | File Type: audio/mpeg | Duration: 01:00:18

Happy holidays, everybody! It's time for our annual holiday episode here on The Next Reel. This year, we — Pete Wright and Andy Nelson — are talking about a film that doesn't actually take place at Christmas time. In fact, it's a movie that doesn't even really have anything to do with the holiday except that the name's in the title. It's Preston Sturges' 1940 forgotten gem, "Christmas in July." Okay, so it's full of the spirit of giving — therefore it still fits in our books as a holiday film. But it's also full of some of the best and zingiest dialogue that we've heard in ages. There's nothing like the crackling dialogue that Sturges writes, and he gets the right actors to deliver it. Join us this week as we talk about this wonderful (and brief) movie! We chat about the nature of satire in films of the time and how it came to be used, as well as who's writing the same biting satire today. We look at Preston Sturges and his wild up-and-down life. We discuss the themes of the film, from dealing with the poverty of the depression to the nature of belief in one's talent. And we enjoy laughing about the great and hilarious performances by the very talented cast. It's a simple, funny, earnest and joyous film that celebrates giving and believing in one self. We love it and know you will too. Listen in!

 The Film Board Presents: The Hobbit: An Unexpected Journey | File Type: audio/mpeg | Duration: 01:03:43

The Hobbit had landed in HFR 3D glory! Join us for this special episode of The Next Reel Film Board as we take on Peter Jackson's latest contribution to Middle Earth. This month's contributors Steve Sarmento and Chadd Stoops join Andy and Pete for a conversation on the tech, the tools, and the people that bring this beloved children's classic to life. Listen in!

 The Fifth Element | File Type: audio/mpeg | Duration: 01:10:42

There's something about the wacky sci-fi fantasy eye-gasm The Fifth Element that is very divisive. On one side, it's a bizarre, nonsensical, mess that hardly has a story worth talking about. On the other, it's groundbreaking in its visual effects, inventive in its production and costume design, and a romping, mind-numbing good time. While the characters who aren't weird muppet-y aliens would be better served by actually being cartoons, they're played by big-name actors who all get into their roles with undeniable fervor and relish. It's amazing how much of a mess the film is, yet a lot of people really dig it.

 Léon: The Professional | File Type: audio/mpeg | Duration: 00:54:28

It's the perfect description of the awkward yet touching relationship between a simple 40-something assassin and a wise-beyond-her-years pre-teen girl, and it's at the heart of our next pick in our Luc Besson series, his first foray into English-language cinema, 1994's Leon: the Professional, or more simply just Leon. Join us — Pete Wright and Andy Nelson — as we talk about this fascinating film that we both quite enjoy, a film that is possibly Besson's best. We discuss the fascinating hitman story and what Besson brings to the table, including his Besson-isms that aren't as prevalent as they were in Nikita but still show their face. We deliberate on the difficult waters the filmmakers were treading when telling this love-story-buried-within-a-crime-story between Natalie Portman's Mathilda (in her first movie role) and a much older hitman (the always awesome Jean Reno). We talk about the amazing talent — Reno, the amazing turn of 12-year-old Portman, and the ridiculously over the top and meme-inspiring performance of Gary Oldman as a corrupt and evil DEA agent. We chat about the powerful cinematographic moments that Besson and his DP Thierry Arbogast used to capture a few of the most powerful scenes in the film. And we again wonder why Besson feels it necessary to continue employing a composer as bad as Eric Serra. It's a film that Pete has always loved and Andy only just recently realized he likes it a lot more than he thought, and we have a great time talking about it. Listen in!

 Nikita | File Type: audio/mpeg | Duration: 01:06:48

We're starting off our Luc Besson series with a film that fascinates us, even if it sometimes devolves into a cartoonish atmosphere. This week, we chat about Besson's 1990 film Nikita, or La Femme Nikita if you're so inclined. Join us — Pete Wright and Andy Nelson — as we start off this series with this Pygmalion-like tale of a young woman trained to be a government assassin. We discuss what works and what doesn't in the performances, particularly focusing on Anne Parillaud's performance of the title character. We chat about Besson and what he brings to the table, for better or for worse. We talk about the nature of this French government assassin program and why it creates an interesting idea, though that is pretty ridiculous when you think about it too long. And we talk about the amazing visual style that Besson uses to tell this story, even if the script and the direction aren't always on par with it. He's a wild director and we have a wild romp in this, the first of our Luc Besson series. Listen in!

 Drive | File Type: audio/mpeg | Duration: 01:02:45

Ryan Gosling plays such a mysterious, quiet character in Nicolas Winding Refn's 2011 film, "Drive," that he's never even given a name — he's simply credited as Driver. The film has shades of noir and of 80s crime films, creating a dreamy neon quality interrupted by horribly violent outbursts that wake you up. It's a fascinating film that critics really took notice of when it was released. Join us — Pete Wright and Andy Nelson — as we talk about it in this week's episode of Movies We Like, wrapping up our Great Car Chase series. We talk about the car chases in this film and what they bring to the story. We chat about Gosling as well as all of the other great actors, particularly Albert Brooks who's darker than we've ever seen him before. We chat about the camera used to shoot the film and what that brings to the table. And we mull over the violence as it's depicted in the film, and question what Refn could be saying by making it so violent. It's a great finish to a fun series. Listen in!

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