Producing Unscripted: Make Reality TV Shows and Documentary Series with Joke and Biagio

Are you ever too young — or too old — to chase a dream? Is success in the entertainment industry possible when you don’t know anyone? Can there be one setback that’s just too daunting to get past? Today, prolific composer and all around great person Todd C. Burns is here to share hard-earned advice on overcoming adversity to be successful in the entertainment industry. Like us, Todd came into this crazy business not knowing anyone, hustling to make things happen, and facing some obstacles so big they could have seemed impossible to overcome. Today we talk with Todd about the courage to chase your dreams, how to define your own success, and standing tall and proud when fate tosses you the ultimate curve ball. If you’re a creative person chasing a dream on any level, today’s episode is for you. Todd’s not only successful, he’s a great guy with a big heart, and very open and honest when it comes to giving advice. You’re gonna love him! Todd C. Burns – Music To Our Ears Like some of you listening to this podcast, Todd C. Burns is a working professional in the entertainment industry. And, like many others listening, Todd, like you, was once a young, aspiring creative who knew no one in Hollywood. On today’s podcast episode we have a wide-ranging conversation with Todd about the journey we all go through. From just starting out, to becoming a pro, to becoming the “wise old wizard” who pays forward what they’ve been taught in life. It’s a ride every single one of us probably wants to take, and we’re all at our own pit stop on that wild adventure. Just some of what we discuss today: * Getting started when you don’t know anyone in Hollywood * Overcoming inevitable setbacks * Reframing “luck” and making your own * Defining your own success and happiness * Facing imposter syndrome – and why it’s not a bad thing * Embracing mentorship – from both sides * Turning what is terrifying into pure motivation * Why the biggest obstacle in Todd’s life gave him new perspective * How Joke landed an early internship with Hollywood’s biggest female producer * And…what it means to be “THE DUDE” – and that is NOT gender specific! Hit that giant play button at the top of this page to listen now! Filmmaking Chops – Sound Design On a more hands-on, practical note, Biagio discovered Todd’s YouTube channel when looking for inspiring sound design tutorials in prep for our new series Unraveled. Todd has a great channel packed full of tutorials on creating sound design and composing music for TV and film. One of the cool things Todd does is turn every day items into crazy sound effects that are very useful to filmmakers. He does the same with sound effects of wolves and other recordings your probably already have access to. While Todd uses music software to get this done, many of these same effects can be achieved right in Adobe Premiere or Final Cut Pro, so no filmmaker should shy away from trying to create a few unique, signature sounds for their projects. Here’s one to get you thinking: Production Music Club – Make Your Own Music? Now, most of you probably don’t know that Biagio writes a lot of the music for our shows, and loves brushing up on his composing skills with online tutorials. So another reason we were so into what Todd was doing is that he’s also teaching how to write music for film and TV, both on his free YouTube channel, and also in his great online course at Production Music Club (more below, NOT an affiliate link).

Jon Kroll is the man behind some the biggest unscripted TV shows of all time. From Big Brother to The Amazing Race, he’s been in the industry for close to 30 years. (Not to mention he is a mentor to the two of us, and one of the first industry people we ever met. Plus a super nice guy!) Now, he’s here to share his incredible experience producing UNCHARTED. It stars one of the greatest reality TV personalities of all time, famous chef Gordon Ramsay. Oh…and this globe-trotting action adventure cooking show filmed…during a world-wide pandemic. Learn how Jon takes on the impossible, makes shows look larger than life, and works with Gordon Ramsay. Plus a deep dive into his production process, and more. Get ready to have your mind blown. Uncharted: Epic TV from Nat Geo If you haven’t seen Uncharted from National Geographic, you are missing out. This incredible series stars Biagio’s favorite reality personality of all time – Gordon Ramsay. Every episode, Gordon journeys to some of the most incredible and remote locations on Earth. Why? Well, of course, in search of culinary inspiration! Epic adventures and unique cultural experiences. Plus, you know, Gordon hangs off cliffs and jumps out of planes and stuff. It’s pretty great. New episodes premiere Sundays at 9/8c on Nat Geo, and play five days later on Disney+. (By the way, a treasure trove of past episodes are waiting for you on Disney+ if you want to binge.) Oh, and the last two seasons of Uncharted filmed during Covid-19! As if the show wasn’t difficult enough to make already! Luckily, this show had one of our favorite producers and personal mentors at the helm…Jon Kroll. Uncharted: How the Heck did Jon Do It? Jon Kroll has executive produced three seasons of Uncharted. He never guessed when he started season two that things would get so…complicated. World-wide pandemic complicated. So picture this. You’re traveling the globe with one of the most recognizable celebrities on earth. There’s action, sweating, travel, and COOKING? Could there be a crazier combination of TV to produce during Covid-19? Today Jon shares amazing inside info about how he did it, did it safely, and still delivered every episode of this challenging show. Uncharted: Small Crew, Huge Show Uncharted feels epic, yet Jon manages to produce the show with just a few cameras. His crew is tiny compared to what he had on Amazing Race. Schedule is tight. And backup plans are a must. After all, on a world-wide jaunt with unpredictable weather, and a killer virus, you never know what will happen. Jon goes into some of his tricks for super-sizing Uncharted despite these obstacles. Action, Adventure, and…Menudo? Well, if you want to know what ‘s all about, you’ll just have to listen to today’s episode! Just some of what Jon discusses today: * Working hand in hand with Gordon Ramsay to make TV magic * Making a show with a small crew feel larger than life * Rethinking an entire show’s schedule when disaster hits * Safely planning and filming spine-tingling stunts * Placing cameras when you want to shoot 360 degrees of action (but not the cameras!) * And…who gets to eat all those amazing leftovers? This episode goes deep. Today you’ll get some advanced producing tips you’re not likely to hear anywhere else. Plus lots of laughs, a few secrets, and the greatest story you’ll ever hear about getting through customs. So sit back and let Jon’s deep, wisdom-filled voice teach and inspire. Hit that giant play button now! Helpful and Related Links

It’s an exciting time to be a content creator – for all of us! Not long ago, documentaries were gloomily known as the “D” word…since no one wanted to buy them. Now they’re hot as ever thanks to streamers like Netflix and cable networks who’ve followed suit. On the flip side, podcasting was once thought of as a geeky pass time (hello, Biagio!) It’s now exploded in popularity. In some cases podcasts have even beaten TV at the game of winning pop culture buzz. Being TV producers and filmmakers, networks have begun asking us to find ways to marry the two worlds. Along the way we’ve learned a bunch, and today we’re sharing 3 ways we see podcasting changing how television is developed and made. We’ve got the answers you need, some landmines to look out for, and real-world advice for this new frontier where TV gets married to podcasting. Knee Deep in TV and Podcasts We’ve been doing this podcast, Producing Unscripted, for a long time now (since 2013!) It’s a small little thing we record on Biagio’s iPhone and put up when we can during production “breaks.” (Which have been less and less lately – thankfully we’ve been in production non-stop, but we miss you all!) This is a really a personal endeavor. It’s something we do for fun and to meet new people. For the most part, it’s been a really positive experience. Plus a way for us to talk about what we do at our company Joke Productions. But we never considered ourselves “pro podcasters.” Then, to our surprise, podcasting would suddenly become a much bigger part of our career. Unmasking Podcasting & TV Several years ago, we were making a series for CNN and HLN called Unmasking a Killer. They approached us about producing and hosting an Unmasking a Killer Podcast with the series. It was an eye-opening experience, and we learned some valuable lessons we discuss on today’s episode. And if you want to hear the two of us doing material that’s far more serious, you can check out the Unmasking a Killer podcast. That was our first glimpse into where it looks like the worlds of TV and podcasting are heading. Networks everywhere were exploring how they could participate in the podcasting space. Unraveling Podcasting & TV On our current series, Unraveled, podcasting has become even more crucial. We developed the series itself as a hybrid. Rather than making a TV show and producing a podcast “on the side” we’re filming a TV series about podcasters who are investigative journalists. The project captures them actively tracking down leads and interviewing people, all while making a podcast. Each two hour TV episode has an accompanying seven hours of podcast eps. That’s a lot of content! To get an idea of how deep the it goes, check out the Unraveled Podcast. For you editors and techie-types, Adobe wrote a story about Joke Productions and how we edited the podcast in conjunction with the TV series. The Future of Podcasting and TV It’s become clear that if you’re a st...

The lure of the entertainment industry, and of course, Los Angeles. It’s something many of us dream about. If you’re a kid from Cleveland like me (Biagio) or a girl from Belgium like Joke, it can seem larger than life, like a fantasy world that’s a million miles away. Many of us come. Some stay. Some move on. But one thing is for sure – L.A. has its own special kind of magic. Now, TV Producer extraordinaire and best-selling author Troy DeVolld has taken the time to really explore why so many of us belong nowhere else but the city of Angels – and he’s done it in the most surprising way! Get ready for a completely unique discussion about life, dreams, work, and the reality that is showbiz and Los Angeles. There are valuable tips and insights here for you that will help you not only chase success, but frame it in a healthy way. What Troy has to say honestly just might change your life for the better, so read on! Troy DeVolld: Loving Life If you’ve been around the unscripted television world at all, you’ve heard of Troy DeVolld, including on this podcast. He literally wrote the book on Reality TV (literally.) Try not to stare too hard at the amazing IMDB page for Troy DeVolld. He’s not only a best-selling author. He’s also a prolific TV producer, and has helped guide some of the biggest unscripted TV shows in history (The Bachelor, Dancing with the Stars, Basketball Wives, and The Surreal Life just to name a few.) Last time Troy was on this podcast, we discussed the notes process (a must listen if you ever plan to work in this industry.) But recently, Troy went through a life event that affected him deeply… Reframing Life On today’s podcast, Troy talks about why 2020 changed his life (and it’s not because of Covid.) He went though something scary, but as he says, if you’re gonna live in Los Angeles, “you have to learn to turn lemons into steak.” This turn of events inspired Troy to really think through his time living, working in, and loving the city of Angels. He took pearls of wisdom and great advice and wove them into two…POETRY books! Now, we know some people are like, “Poetry? Uhhh…” But if you have an affinity for L.A., showbiz, or just chasing dreams in general, this is some of the most fun, rewarding, and insightful reading you’ll do…as evidenced by Joke’s copies of the books. She’s marked up a favorite poem or two: The poems are short, inspirational, funny, and manage to say so much in so little space – kind of amazing, honestly. If you’d like to pick them up, they’re available on Amazon…and somewhere else very special… 100 Poems about Los Angeles Another 100 Poems About Los Angeles For the persnickety among you, those are NOT affiliate links. But we hope you’ll pick them up, they’re great! And Troy DeVolld is just awesome. Now, as for the other very special place you can get these inspiring books – Troy says if you track him down on his Instagram account

It’s 2021, and we all know it can be near-impossible to stay motivated in this most challenging of times. If you’re anything like us, things like quarantine, no social interaction, and global pandemics tend to slow down the old creative juices. It’s been hard for us, and probably for a lot of you, too. So today we’re breaking down how we’ve managed to stay at least semi-productive and almost sane. Plus, the four-and-a-half year journey to our new 10-hour anthology TV series…which, or course, we’re producing from home! Join us in taking on 2021 with gusto—or at least breathing deeply all the way through it. Throw the Rules Out the Window We’d be lying if we told you we had a roadmap for navigating the entertainment industry in today’s world. Does’t matter if you’re a top studio executive or an aspiring filmmaker. There are question marks everywhere, and it’s easy to get overwhelmed. In today’s episode, we discuss how we’ve stumbled our way through it so far. That includes producing our new 10-hour anthology TV series Unraveled with a host of people working from their homes…including us. Hopefully we offer some thoughts you’ll find useful, or at least supportive as you continue on your creative endeavors while staying safe and healthy. Unraveled: Our New TV Series Unraveled is our latest TV series, which also includes seven 1-hour companion podcast episodes for each 2-hour TV installment. It’s hosted by investigative journalists Alexis Linkletter and Billy Jensen. Listeners will remember Alexis Linkletter as a long time collaborator with us over at Joke Productions. She’s been on this podcast several times, and we’re thrilled to give her the opportunity to appear in front of the camera on this new series. We still can’t say a lot about the show, other than our first episode is about the Long Island Serial Killer, and a revealing deep dive into the investigation behind it. However, the podcast is already live! Listen to the Unraveled Podcast Now The Unraveled podcast with Billy and Alexis is available now on Apple Podcasts, Spotify, or wherever you stream your podcasts. It would mean a lot if you could rate, review, and subscribe! See the TV Show Soon The first televised episode of Unraveled premieres on Discovery+, the new streaming platform, March 9. It will then play on Investigation Discovery later in the year. We hope you get to check it out. It’s the most in-depth, explosive series we’ve ever made. Helpful and Related Links As we all work to stay calm and creative, we think this episode about Showbiz and Your Mental Well-Being feels appropriate! What a difference a year makes. Here was our Welcome to 2020 episode for filmmakers pre-pandemic. Ah, we were so excited for the new decade! A lot of the advice still stands, however. Our previous look at Making TV in Quarantine – seems like forever ago! And of course, our kids commented on the whole situation. We did a whole podcast episode on our new favorite TV show – and how it relates ...

It’s Halloween time and episode 128 is our annual “spooky” take on the unscripted film and television business. This episode’s question was inspired by a Producing Unscripted podcast listener named Justin, who wrote in with a question about editing. We’re just beginning post-production on our brand new TV series (more coming soon!) and facing a TERRIFYING amount of footage. So we decided to focus today’s episode on three spine-tingling things that can haunt you in post-production. Now…curl up under your blanket, embrace the horror, and listen…IF YOU DARE! Post-Production: Full of Terrors… Truth be told, there is so much about post production that can make your hair stand on end. Just some of what we talk about today: * Fighting the “ghost in the machine” * Protecting your work…especially when thing get scary! * Avoiding horrifying mistakes – and fixing them when they inevitably happen * Facing nightmarish deadlines while staying sane and doing good work * The spooky truth about style – what it does for production, and what inspires it * And…the two of us make way too many Halloween puns! So be brave and hit that giant play button at the top of this page! A Spooky Question from Justin… Again, special thanks to Producing Unscripted podcast listener Justin, who wrote in with the question that reminded us just how scary it is to take hundreds – or thousands – of hours of footage, and start to put it together. Justin had this question: Can you talk more about string-out edits? Specifically, I’m wondering where you put B-Roll…if it’s a linear edit… or do you have the B-Roll in parallel video tracks, in the approximate place they are slated to go? How does that work in your production pipeline at the string-out stage? Great question, Justin! We answer that on today’s podcast, too! A Quick Announcement… We told you in our last episode that we’re working on a top-secret new TV series. We STILL can’t tell you what that is, but…thanks to this Deadline Hollywood article, we can tell you about ANOTHER project and that our next major Joke Productions release…is a podcast! A true crime podcast named Unraveled for Investigation Discovery. The podcast is hosted by true crime investigators, producers, and podcasters Billy Jensen and Alexis Linkletter. Alexis, you’ll remember, has worked with us for years and gave GREAT advice about casting true crime series when she was on this podcast. From the Deadline Hollywood article: Unraveled will launch in early 2021 and will be hosted by investigative journalists Billy Jensen (Murder Squad) and Alexis Linkletter (The First Degree). With a series of episodes dedicated to one captivating true crime topic, Unraveled will kick off with a seven-episode arc surrounding the Long Island Serial Killer. Since 2010, this unsolved mystery has become one of the most infamous cold cases in U.S. history, and the podcast takes a deep dive into new evidence and uncovers new revelations, rocking everything true crime aficionados thought they knew.

For episode 127 we’re mining great advice from an unlikely place…the new Apple TV series Ted Lasso. What on earth does a fish-out-of-water sports sitcom have to do with making unscripted film and television? Quite a lot, actually! We’ve been inspired by this show, and we’re using the great advice delivered by the unsinkable, everyman coach at its center to reveal truths about working in the entertainment industry. In a time when we can all use a pick me up, this show fits the bill. Get ready for some uplifting advice about showbiz you never thought you’d get from a fictional football coach. And remember…”be the goldfish.” Ted Lasso? You’re probably wondering what the heck a sports sitcom about an American football coach in England has to do with the Producing Unscripted blog and podcast. Ted Lasso, which has been praised by numerous critics including the Hollywood Reporter, was a huge surprise for us. If you have Apple TV or are thinking about getting it, this show is pretty darn wonderful. And today, we’re using it to highlight important truths and poignant advice for working in the entertainment industry. If you don’t know much about the show, Ted Lasso stars Jason Sudeikis as an uber-optimistic college football coach who is tapped to take over coaching of a flailing British football team – that would be known as a “soccer team” to many of you. It of course is completely different from coaching American football, and it’s something Ted Lasso has never done before. On top of that, for various reasons he doesn’t even know about, he’s set up to fail. The surprise Apple hit actually started out as an NBC Sports comedy sketch over five years ago. Impressively. with the help of Scrubs creator Bill Lawrence, the show is deeply layered and far better than most people could’ve imagined. The journey of how Ted Lasso made that transition is pretty interesting. If you haven’t seen anything yet, here’s the trailer: Ted Lesso and Documentary / Unscripted Television? One of the great things about Ted Lasso is the wisdom the titular character drops upon the way. While watching, the two of us couldn’t help but notice how much of it applied to working in showbiz – so much so that it inspired today’s podcast episode. Just some of what we discuss today… * How horseback riding and filmmaking have similar gotchas * The reason feeling comfortable is WAY overrated * Why you might want to “be the goldfish” * Why curiosity is more important than you think – and evaporates at the worst possible time * What tip might help you turn an average story into a great one * How coaching a British football team is actually a lot like being a filmmaker or producer * The new secret TV series we’ll be working on for the next year * And…here’s to hoping our kids go back to school someday! Let’s Make Some TV Together (Remotely, Anyway!) Have a great concept and package for an unscripted TV or film project? Looking to team up with us at our company Joke Productions? Here’s everything you need to know:

For episode 126 we, like you, are stuck in quarantine. It’s turned into a long, hot, “can’t go anywhere” summer. We thought it was time for a little popsicle. One of the questions we get from friends and family members who aren’t in the business is “what does a producer do, anyway?” So we thought we’d ask some special people to give us their opinion…our kids! Meet Our Kids With school cancelled and kids working from home with “online” learning, we’ve been lucky enough to spend more time with our children than ever before. Since we, too, are working from home, our kids are getting a little glimpse of what we do all day long. Today we ask our daughter and son, “what do Mommy and Daddy do?” Their answers surprised us, and the whole thing turned into a fun family project we could do while quarantined. Warning: this is a short, fun and light podcast ep, just 7 minutes. You probably won’t learn how to succeed in Hollywood from this one! Want Something More In-Depth? If you’re craving some more “in-depth” industry podcast eps, we will be back sometime towards September (we’re waiting to see what happens with the kids’ schooling). In the mean time, if you missed it, here are a few industry-centered podcast eps we did recently that have more practical information: * 2020 Perspective for Filmmakers, Producers, and Creatives * Hiring in Hollywood: The Flipside * Producing Personal Projects with Emmy Winner Steve Mazan * Making TV In Quarantine Let’s Make Some TV Together (Remotely, Anyway!) As you can imagine, at the moment it’s taking a long time for us to review submissions due to the current Covid situation. But you can still learn how to pitch your packaged concepts to us, and use this time in quarantine to really hone your concepts. We hope at some point you get to work with our company Joke Productions. Here’s everything you need to know:

First of all, we hope you’re doing okay – we know it’s a very strange, sometimes scary and confusing time. It has certainly scared us – especially because we were smack-dab in the middle of finishing a TV series when the shut down happened. We had to figure out how we and a smattering of team members could finish the show…from home. Not as easy as it sounds. Today we take you through the process of making cable TV from your spare bedroom, share how the day to day of the entertainment business is changing, and share what we’ve learned from TV network executives during this time. And, as you know…we always try to look on the bright side of life – even when it’s hard. So we came up with three good things that have come out of this whole mess, and how those might affect you, too. From our quarantine to yours, we hope you enjoy today’s ep. Even if you don’t get to listen, we wish you well and hope you stay safe out there. Going Remote in an Emergency Situation… Nobody in any business thinks they’ll be dealing with a world-wide pandemic. That doesn’t factor into budgets and day-to-day plans. We were in the middle of delivering season 2 of Deadly Recall (now airing on Investigation Discovery Wednesdays at 10pm) when California’s “Safer at Home” policy hit. While entertainment companies were deemed “essential businesses” we didn’t feel right staying open and asking our team to come in. So we had to figure out how to take hundreds of hours of footage, and transform our entire post process, to be based around working from home. It’s been an experience. In Today’s Episode: We share it all. Just some of what we cover: * What we’ve learned from TV networks during this time * How we moved our production from centralized office to the hodge-podge of working from home * What’s “quality control” and how is it impacted when you’re working remotely * The three things we’re looking at as positives * And, Biagio’s futile attempts to use Duolingo to sound French! Press that giant “play” button on the top of this page and listen now! Helpful and Related Links Find us on Instagram and Twitter This post on Hands-On Producing. This philosophy saved our bacon this time, and it can save yours, too! All about Showbiz and your mental-well being – we hope it helps some of you right now. Let’s Make Some TV Together Well, when the world opens back up, anyway. As you can imagine, at the moment it’s taking a long time for us to review submissions due to the current Covid situation. But you can still learn how to pitch to us, and use this time in quarantine to really hone your concepts. We hope at some point you get to work with our company Joke Productions. Here’s everything you need to know:

The world’s a little crazy at the moment – so we thought this would be a good time to bring you a truly inspirational tale. Emmy winner Steve Mazan, subject of our theatrically released feature documentary Dying to do Letterman, is here today to make you laugh, appreciate life, and believe in the impossible. See, doctors told Steve he might only have five years to live. A stand-up comedian, Steve decided to dedicate whatever was left of his life to living his dream: performing on David Letterman’s show. (Spoiler alert: it’s now fifteen years since his diagnosis, he’s surviving the heck out of cancer, and doctors feel he’s beat it completely.) We documented Steve’s incredible journey over many years. What was it like for Steve to open up to cameras at his most vulnerable? Why did he want to? And how did we, as friends, handle the pressure of making the film? What are the real costs and rewards of producing personal projects in Hollywood? After a theatrical release and being named New and Noteworthy on iTunes, how much money did we all make? What should you think about if you’re going to make your own personal project? Today we discuss all that and more. Buckle in and get ready to laugh a lot, cry a little, and celebrate the human spirit. If You Haven’t Seen Dying to do Letterman… We give away a lot in today’s episode, but not so much that all the surprises of Dying to do Letterman are revealed. That said, if you’d like to see the film first (or after listening) it’s available on Amazon as well as iTunes. Here’s the trailer: Steve Mazan: Incredible Person, Unbelievable Journey As we discuss today, we first met Steve Mazan when we were just starting out – still working out of a one-bedroom apartment in Hollywood, and cutting actors’ demo reels for a living. Steve was a stand-up comic who needed a new reel, and he hired us to do it. After that, we became friends. A few years later, he received the astounding news: doctors told Steve he had twelve inoperable tumors around his liver, and that he might only have five years to live, or best case scenario, ten years. That was fifteen years ago. A Ticking Clock? At the time, Steve had no idea he would be a “miracle” case. He felt precious moments were ticking away. There was one dream he’d chased his whole life: performing stand-up comedy on The Late Show with David Letterman. So the amazing Steve dedicated whatever was left of his life to chasing his dream. And he asked us to make a documentary about it. Producing Personal Projects: Costs and Rewards We’re not gonna lie: taking on this project scared the heck out of us. How could we make a documentary about our sick friend and still keep it real and honest, without our feelings affecting the film? Was it even possible? And was it necessary? Plus, we were good friends with Steve. If there’s one thing many of us have learned the hard way, it can be a very bad idea to team up with friends on any kind of business endeavor. Especially one as intense and taxing as making a documentary. Defining Success When Producing Personal Projects When you take on personal project, you simply can’t do it for the money. As you’ll hear in today’s episode, Dying to Do Letterman did well: * Had a very successful Kickstarter campaign cover...

Want to work in Hollywood? Want to make something in Hollywood? Then one way or the other, you’ll be dealing with the process of hiring in Hollywood. Today we share our hiring philosophy, helpful anecdotes, and straight talk on the challenges of interviewing and hiring. We even share what we ourselves need to do better. Applying for jobs in the entertainment industry? Interviewing potential candidates for your next TV or film project? Here’s everything you need to know about hiring, firing, recruiting, interviewing, and more. Listen now and find your perfect job match – no matter which side of the table you’re on! Finding the Right Fit Finding the right person for the job. This is the goal, the most important thing…and the hardest part of hiring in Hollywood. There are a lot of talented  people who, for whatever reason, might not be the best fit for your production. How do you get to a place where you can make smart decisions? Hiring in Hollywood? Be Clear First of all, it begins with communication. What, exactly, does the job entail? It sounds simple, but it’s not. Credits almost never translate perfectly from one gig to the next.  For instance, at some companies Story Producers run interviews, while at others they spend their time stringing out stories in an edit bay. Some do both. What does your project need? Be clear in the job posting, be clear in the interview, and be clear when you actually want to hire someone. Do they truly understand the job they’re about to take on? Applying for the Gig? If you’re the one applying for a gig, make sure your resume details your exact responsibilities. We often receive resumes that read more like credit lists. As you now know,  seeing someone’s title alone isn’t helpful when hiring in Hollywood. How Big Is Your Production?  What was the size of the company the person previously worked at, and how does that match up with your workplace? For instance, there are large production companies with hundreds of employees. They have multiple levels of bureaucracy. It can provide a level of “cover” and anonymity that doesn’t exist on smaller productions.  Don’t get us wrong…there are plenty of good people working at big production companies. However, there are also some who are used to letting others carry a lot of the weight, and prefer “blending” in to the background. On a smaller production or at a smaller company there is no place to hide. These people can become overwhelmed fast. Some people thrive on the responsibility that comes with a more hands-on position. Others are perfectly happy staying out of the spotlight. They prefer a job with multiple levels of management and less intense scrutiny. Make sure whoever you hire is ready for the work environment they’re entering into. Be honest about how much will be on their shoulders. Do they still want the job? References – Necessary, but Usually Useless Get references, but don’t rely on them. References are necessary, but they’re notoriously unreliable, when hiring in Hollywood. And one, solitary reference can be as useless as credit lists themselves. You have to do your level best to get more than one reference on anyone you consider hiring. The more the better. Why is this so important? A person might want to give a friend a good reference (even if they’re not really sure the person is right for the gig). Or, someone may have a personal issue with the applicant in question and provide an unfair review. So you have to get an aggregate of opinions and interpret them as best you can.  Don’t Discard Someone with One Poor Reference

Holy cow, it’s 2020! As we enter our seventh year (!) of the Producing Unscripted podcast, we’re so grateful to all of you who’ve supported us on this journey. With a New Year comes new podcast episodes, beginning with today’s. We’re discussing the big picture of working in the entertainment industry in 2020. Our goal is to help you get to a place where you can balance your life with your work…and figure out how to stay happy all the while. (No, not easy!) We also share our own struggles, explain why we’re taking a new look at what it means to work in this business, offer what we think is your most important key to happiness in this industry, and share the theme that will shape the podcasts we bring you this year.  Happy Belated New Year! As long time listeners have probably realized, this is our first podcast ep since October 2019. We’ve missed you! We’re happy to tell you that our absence is due to our current TV production (can’t say what, but it will air later this year.) So making TV has pretty much swallowed us whole these past few months. Now that we can see the light at the end of the tunnel, we’ll be back to podcasting regularly. An Emotional Start to the Year In today’s episode we briefly mention the big “hits” we took to start the year out. We lost two peers within 30 days of each other, both our age, and both dying far too young. The loss affected us (it’s still affecting us). It’s a huge reminder no matter what your business is, nothing can replace your loved ones. Like we’ve said before, it’s just TV. Dealing with Other Producers and Filmmakers The back-half of today’s episode discusses the two types of producers/filmmakers you’re likely to run into. At some point, you’ll fall into one of these two categories. We have an opinion about which is better, and share which camp is right for us. It might be right for you, too. Chasing Dreams Should Make You Happy We want you to know we wish you success in all your endeavors. Even more so, we wish you happiness. Life is too short to let the rigors of the entertainment industry wreck you. Instead, let’s all work towards making our business a better place to be. Ready to enjoy the chase more than you do now? Hit that giant PLAY button at the top of the screen…and Happy New Year! Helpful and Related Links Showbiz and Your Mental Well-Being: It’s Just TV… The entertainment industry has a way of knocking you down time and time again. But you know what? We’re all just telling stories. It’s not brain surgery. Here are some thoughts on taking care of your mental health and remembering what’s truly important. Success & Happiness in the Entertainment Industry with Daniel Strange Dan Strange is a commercial director and unscripted TV producer and editor. He discusses finding true success and happiness in this industry. It’s a no-holds-barred discussion of day-to-day working life in the entertainment industry. It’s also chock-full of useful tips. Plus, the ep includes an AMAZING Richard Marx story you won’t want to miss… Production Hangovers: How To Survive, Recharge, & Move On Production can wreck you! At the end of a grueling calendar you will be fried.

It’s Halloween, so pull out your sage, salt, and white candles! Today we’re talking about something truly spooky…our top 3 scariest moments on set! If you’ve been around production of any kind, you know things pretty much never go as planned. And sometimes, those “fun developments” can scare the pants off of you. Here are three very different kinds of “scary” that struck our sets like a witch’s evil spell. How did we survive? Listen now…if you dare! Production Can Be a Nightmare There are very few endeavors that have as many moving parts as producing a TV or film project. Working with a crew of 20 or 200? Either way, you’re trying to manage very different personalities, share a creative vision, keep on schedule, and above all, avoid disaster. But sometimes, no matter what you do, you end up in a living nightmare. One day you’ll laugh about it (maybe.) As we’ve learned over the years running Joke Productions together, there’s no telling what evil may lurk just around the corner! Just some of the “spooky” we’re sharing today: * Demon dogs in the workplace* Using your crew as a blockade in the middle of downtown L.A.* Trying to stay calm while hanging up on network executives* Freaking out when lawyers tell you to ignore your basic human instincts* How to create a homemade sauna that probably won’t kill you* And…what to do if a practicing witch claims you’ve been paralyzed by a ghost (happened to Biagio!) So perform a little spell of protection, toss that salt over your shoulder, and listen now! Happy Halloween! Helpful and Related Links One spooky fact? Breaking into Hollywood takes some of this… What could be scarier than… actively developing and pitching paranormal shows? Thinking about working in this business? Here’s 5 scary things about producing TV shows. Want to survive the living nightmare when it strikes your set? Here’s 7 weird tips to survive production and save your sanity. Our very scary time making the pilot Sister Witches with Joey and Natalie. Follow us on Twitter – @JokeAndBiagio – we try to respond to all tweets, though it can take a few days (or weeks!) if we’re in production. Let’s Make Some TV Together! Are you ready to take on the horror flick that is working in unscripted TV and film? Brave enough to face off with intimidating network execs? Not too scared to team up with us? Here’s what you need to do next:

Get out the Tim Tams and the Vegemite…cause we’re going down under! Well, actually, the “down under” came to visit us, so we could give you an episode all about working with Netflix. We’re talking with PJ Madam and Tim Noonan (who speak with amazing Australian accents!) They deep dive into the making of their current Netflix series Extreme Engagement, which they created, produce, and star in. How did they sell it? What was it like working with Netflix? What advice do they have for both new and experienced producers? What’s it like to put your relationship up for the world to see…while living in remote villages with indigenous tribes? (Whaaaat????!!!) Plus, we swap some stories about being a couple working together in the industry. Get ready for a jam-packed episode filled with fun, advice, Netflix insights… and an unusual amount of active yeast! The Netflix Dream? Let’s call it like it is: a lot of people would trip over themselves to produce and star in their own Netflix show. That is a dream that came true for Tim Noonan and PJ Madam. They’re making Extreme Engagement for the behemoth streamer. In the series, they put their relationship through extreme love rituals…in remote villages…with indigenous tribes! Netflix airs the unscripted experiment around the globe, and Tim and PJ are now known world-wide. Tim and PJ unpack a lot, from the struggles of developing new projects to the pressures of suddenly being in the eye of every Netflix subscriber on earth. Some of what we discuss today: * The development process at Netflix, and what it’s like getting notes from the streaming giant* The surprising length of the pitch tape that sold the Netflix series* Creating content with no commercials on streaming platforms vs multiple act breaks on network and cable television* Filming in remote villages where cameras rarely visit…if ever* Being vulnerable on camera, even when you feel like it makes you look bad* Receiving world-wide praise…and criticism* The problems with “fake it till you make it”* Working closely with someone you know well – whether in romance or friendship* Tim’s take on the difference between shows that make it and shows that don’t* Pressures of doing “free work” when developing a new series* Huge financial risks when running a production company* Why we switched from theater to television* The hardest three months of Joke’s life (by far!)* The strangest thing we’ve ever tasted* And…why do we keep hitting ourselves in the head with a hammer? It’s Netflix Plus! If, like most filmmakers and artists, the idea of having your own show on Netflix is appealing, this episode is for you. Get the inside scoop on the process Tim and PJ went through, and pick up tons of tips from their spot-on advice. They’re very open about everything, talk straight, and share some brutally honest stories. Hit that giant “PLAY” button at the top of the page to listen now – maybe your Netflix series will be next. Helpful and Related Links Make sure when you develop shows you don’t go broke! And be sure you develop wisely. The stresses of making a film or TV show can be a huge burden (as Tim and PJ point out!) Check out these weird tips about surviving production, and this episode about taking care of your mental health.

It sounds like a myth, or some kind of Hollywood urban legend, but some people actually put their own shows on television by buying airtime and selling ads themselves. They make truly independent TV. How does it work? How much do you have to pay for he airtime? Is it easy to get sponsors for your indie TV show? And of course, is it worth it? Producer Brian Speciale shares his insider information on the process…plus, some great tips for producers. Let’s Be Honest: The TV Business is Hard Whether you’re a brand new producer/filmmaker or an experienced pro, by now you know just hard it is to break into unscripted television. When you’re just starting out, you need more than ideas, you have to have put together attractive pitch packages with a real person, place, or thing attached. Then what? You either need to attend pitch fests, cold call TV networks (good luck), or (hopefully!) team up with a production company like our own Joke Productions. It’s not easy to get started. When you do get interest from a production company, you now become one of hundreds – may thousands – of potential shows networks are considering. Even if you get lucky and a network orders a pilot, the odds are still against you that you’ll make it to air. This means that being successful by taking the traditional “break into showbiz” route requires persistence, luck, and playing the Hollywood numbers game. Personally, it’s a journey we’ve loved, even though it’s been and continues to be challenging. But is there another way to get your show on TV? Going Totally Indie: Like Brian Speciale Last month we introduced you to Brian Speciale, and he shared his amazing Shark Tank story. (He won…and his company is on track to do 70 MILLION dollars in revenue this year, selling a product called the COMFY.) Brian is someone we first met through this podcast and submission portal. He’s done it all, from shooting, to editing, to producing and sound mixing. And he found another way to put his show on TV: Buying airtime from networks, and selling ads himself. Brian’s independent TV show, HOT SHOTS. On the up side, he didn’t have to worry about endless pitches to network execs who may or may not get the show, he had total creative freedom, and he was author of his series in every way. Sounds great, right? But…what are the downsides? Indie TV Means It’s All On You Everything is on your shoulders. First, you have to pay up front for the airtime (Brian says once it was $143,000 up front before he had a single sponsor.) Then you have to sell advertising yourself. If you don’t sell the ads, you don’t get your money back, and might even face financial disaster. Oh, and you still have to produce an engaging television show to broadcast standards along the way…and you have to pay for that, too. So you sell ads not just to pay for the airtime, but to pay for your actual production, which will likely be five to six figures an episode. But, as Brian says, it IS possible to make incredible money this way. So how’s it all work? From Brian you’ll learn about: * The plusses and minuses of making independent television