New Books Network

View on AmazonWhen we consider the television, we think not only about how it's used, but also it's impact on culture. The television, tv, telly, or tube, became popular in the West in the late 1940s and early 1950s and was seen as a form of entertainment and enjoyment for the family. Other "technology" that assists with leisure include things like rubber-soled shoes, books, and other digital devices. In their new book, Enjoying Machines (MIT 2015), Barry Brown and Oskar Juhlin, both scholars in the Stockholm University Mobile Life VINN Excellence Center, the success of a particular technology can be measured by how well it creates pleasure. The authors argue that pleasure "is fundamentally social in nature," and that to understand how technology supports leisure it is important to "produce a more sophisticated definition" of enjoyment. To do this Brown and Juhlin embark on an ethnographic investigation of technology and enjoyment that combines the sociological study of activity and the study of human-machine interaction. Over the course of their examination, the authors are careful to consider both the positives – enjoyment – and negatives – addiction- in relation to devices. Ultimately, Enjoying Machines offers a model of enjoyment useful for better understanding how to design useful machines.

Sean McCloudView on AmazonExorcisms and demons. In his new book American Possessions: Fighting Demons in the Contemporary United States (Oxford University Press, 2015), Sean McCloud argues that not only have such phenomena been on the rise in the last 30 or so years, they also reveal prominent tropes within the contemporary American religious landscape. More precisely, readers are introduced to the first in-depth study of demon fighting in the so-called "spiritual warfare" of Third Wave evangelical and Pentecostal Christianity, a movement that has global ramifications. McCloud examines Third Wave practices such deliverance rituals, spiritual housekeeping, and spiritual mapping. In short, demons are a central fact of life in the imagination of millions of Christians around the globe. Sean McCloud is Associate Professor of Religion at University of North Carolina, Charlotte.

S. Matthew LiaoView on AmazonIt seems obvious that children need to be loved, that having a loving home and upbringing is essential to a child's emotional and cognitive development. It is also obvious that, under typical circumstances at least, for every child there are adults who should love them. It is perhaps not surprising, then, that many national and international charters and declarations specifically ascribe to children a right to be loved. But the idea that children have a right to be loved seems philosophically suspicious. Questions arise almost instantly: Could there be right to be loved? Could children hold such a right? To whom does the correlate duty to love a child fall? What would such a duty require? One might also begin to wonder: What are the implications of such a right for family, parenting, child-rearing, and adoption? In The Right to be Loved (Oxford University Press, 2015), S. Matthew Liao works carefully and systematically through all of these questions in providing a compelling defense of the idea that children indeed have a right to be loved. This is a fascinating book with a bold thesis.

Natasha MyersView on AmazonAfter reading Natasha Myers's new book, the world begins to dance in new ways. Rendering Life Molecular: Models, Modelers, and Excitable Matter (Duke University Press, 2015) is a sensory ethnography of protein crystallographers that is based on five years of fieldwork conducted between 2003-2008 at a research university on the East Coast of the US. "Protein modelers are the scientists to watch in order to see what forms of life and what materialities are coming to matter in the twenty-first-century life sciences," according to Myers, and the book bears out this statement. Those forms of life and materialities emerge from kinesthetic and affective entanglements created and navigated by the scientists in the course of their modeling work. Understanding that work – in part thanks to a thoughtful exploration of the notion of "rendering" that unfolds over the course of the book – helps us understand the ways that scientific knowledge is fundamentally embodied and gestural, and refigures scientific cultures as performance cultures. This is an exciting, inspiring book that is simultaneously a careful study of a particular local scientific culture, and a model for how to re-enchant our knowledge of the living world.

James FrancoView on AmazonEvery poet has their obsessions and for James Franco they are childhood, gender, sex, innocence, and the work place he knows best: the film industry. Within these poetic frames we're introduced to various voices, landscapes nearly worn out with elegy, and a repertoire of imagery that is both tender and violent. Franco is our poet of earnest grotesquerie, favoring clarity to vagueness as he depicts the bizarre zones of early experience that crash against poems of adulthood that occupy spaces most readers do not have access to: film and celebrity. However, Franco's poems seem to argue that a kinship exists between the world of the adolescent and the world of a movie set. In his poems, we see this energies intersect and the distinctions between sincerity and artifice are blurred and complicated by a speaker who seems simultaneously anchored in both of these perceptual districts. In addition to Franco's fidelity to the bramble of childhood memory and the glittering industrial complex of show business, his poems are deceptively musical, employing internal rhymes and capturing the tiny voltage of music inside every syllable, creating a sonic landscape one might miss if you don't read the poems aloud. When the book Directing Herbert White (Graywolf Press, 2014) was first published, it made a big splash in the otherwise small pond of the poetry world, and it reminded me of what Franco does best: challenges society's notions of the artist and the dynamic – and at times rigid – communities they inhabit. During out chat we talk about the relationship between childhood and violence, the creative writing workshop as a site of instruction, his various poetic influences, and so much more.

J. Robert LennonView on AmazonJ. Robert Lennon is a novelist, actually–better known for his longer work (Mailman, Familiar, Happyland). His most recent book, though, collects his short stories from the past 15 years: See You In Paradise (Graywolf Press, 2014): shorter glimpses into smaller headspaces, offshoots: sundries and etcetera from over a decade of writing fiction. This is sort of a long time, if you think about it. In point of fact, the oldest story in this collection was written circa '99, maybe 2000. It was typed in amber text on a machine running DOS, in the art museum where its author had been working his first job out of grad school. (It's "The Accursed Items," by the way, if you were wondering, like I was.) Of course, Lennon is a slightly different person from the person he was then. At the museum, he had been rethinking himself as a writer (and a student of writing) outside his big graduate workshop; he'd have to assign his own assignments (in "a school of one"). At the time of our interview, he was a tired professor after finals, with students and workshops of his own. But do the stories read like they were written by different people? Here's what I think I'll say: the stories and characters in this collection certainly exhibit variation (maybe from their longer history, and maybe not); and yet throughout, it feels like there's a substantial through-line in their tone and perspective and what-is-normal-to-us-as-we-share-this-experience. There is, put in another way, a sense of the same ubiety the jacket copy calls "Lennon's America" in his albeit varying characters, with their own, idiosyncratic movements through time. And if you were wondering what Lennon's America is like, I'll tell you: it's intriguing. And it's pretty funny, too.

John CaseyView on AmazonThe nonprofit sector is growing, not just in the United States, but globally. In The Nonprofit World: Civil Society and the Rise of the Nonprofit Sector (Kumarian Press, 2015), John Casey demonstrates the extent to which nonprofits, what are sometimes called civil society organizations, charities, or community groups, participate in all sectors of the economy in countries across the world. This broad focus allows Casey to show the commonalities and differences in which issues nonprofits pursue and how this increasingly internationalized sector affects national policy and politics.

Guntis SmidchensView on AmazonIn the late 1980s, the Baltic Soviet Social Republics seemed to explode into song as Estonian, Latvian and Lithuanian national movements challenged Soviet rule. The leaders of each of these movements espoused nonviolent principles, but the capacity for violence was always there – especially as Soviet authorities engaged in violent repression. In The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution (University of Washington Press, 2015), Guntis Smidchens tackles the question "of whether it is possible to reconcile nonviolent principles with a pursuit of nationalist power" and his answer is yes. As evidence, Smidchens presents the events of 1988 to 1991 in the Baltic countries and their national song cultures, considering them through the lens of principles of nonviolence. Smidchens analyzes the role of choral, folk and rock music in the national movements, demonstrating that choral music provided mass discipline, folk songs pulled in people not already involved in song culture, and rock music integrated ideology and responsiveness to rapidly changing events in the Baltic and the Soviet Union more broadly. He also provides English translations of over 100 Lithuanian, Latvian and Estonian songs, setting them in their historical, cultural and poetic contexts. The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution explains why Latvians, Estonians and Lithuanians chose music as their weapon of choice to regain independence from the Soviet Union.

Neil RobertsView on AmazonWhat does it mean to be free?  How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is "perpetual, unfinished, and rooted in acts of flight" (181)? In his book Freedom as Marronage (University of Chicago Press, 2015), Neil Roberts (Africana Studies, Religion, and Political Science, Williams College) explores this and many other questions. Proceeding from and working with the concept and practice of marronage – modes of escape from slavery emerging from the Caribbean – Roberts articulates a theory of freedom that is historically specific while having trans-historical reverberations, and that is attentive to lived experiences of freedom and slavery. In doing so, he engages histories of the transatlantic slave trade, colonialism, diaspora, the Haitian Revolution, and American slavery. Arguing for the need to creolize political theory and philosophy, Roberts also takes up the thought and practice of W.E.B. DuBois, Hannah Arendt, Philip Petit, Frederick Douglass, Angela Davis, Toussaint L'Ouverture, Jean-Jacques Dessalines, Edouard Glissant, Rastafari, and much more.

Michael KimmelView on AmazonMichael Kimmel is the Distinguished Professor of Sociology and Gender Studies at Stony Brook University. He is also executive director of the Center for the Study of Men and Masculinities. His book Angry White Men: American Masculinity at the End of an Era (Nation Books, 2013) is an engaging and eye-opening book about the lives and attitudes of white men who are expressing rage and feelings of "aggrieved entitlement" in a new age of gender relations. In the vast social, economy and political changes women have gained increased equality in the home, and the workplace, while many straight white males are experiencing a sense of loss. Having worked hard and fulfilled what they view as the requirements of masculinity, men now find that the economic rewards are slow in coming. Kimmel has spent hundreds of hours talking with men from different economic and social stations who blame women, blacks, and gays for their troubles. With a sympathetic ear, he examines the social construction of men's anger express in politicized anti-immigrant, anti-gay, and racist sentiment flamed by right-wing media. Feeling that the system is now stacked against them, we are seeing outbreaks of mass murder by young men at schools and workplaces and men's rights activism which seeks to restore male privilege and "stolen" fathers' rights to extreme cases of battering and murder of women. Through the political mobilization of the Extreme Right represented in the Tea Party, Neo-Nazi groups and religious fundamentalism, men are expressing despair over their perceived loss of status. White supremacist groups are drawing a growing number of women who are embracing old models of gender relations and the slogan of "taking our country back." The beginning of the end of patriarchy, Kimmel argues, is also the start of a better life for men. Gender and racial equality are good for white men and their children. What is needed is not only to turn down the volume of white male rage, but also to empower men to embrace a new definition of manhood that frees them from a sense of entitlement and opens up for them an equalitarian future.

Samantha NewberyView on AmazonInterrogation, Intelligence and Security: Controversial British Techniques (Manchester University Press, 2015) by Samantha Newbery examines issues of history, efficacy, and policy in her thorough examination of British authorities' use of the "Five Techniques" in Aden, Northern Ireland, and Iraq. Dr. Newbery carefully scrutinizes the historical record, and offers a balanced perspective on controversial interrogation activities throughout the monograph. I look forward to reading her most recent publication, Why Spy?, co-authored with the late, highly decorated former British intelligence officer Brian Stewart.

View on AmazonIn Lady of the Moon (Headmistress Press, 2015), the reader is graced not only with the poetry of Amy Lowell, but with sonnets in response and a scholarly essay on the poet's life, love, and work. Amy Lowell lived and wrote in a time when she could not be entirely herself, could not fully claim her rightful space among the great writers of love poetry and celebrations of the beloved. She had to reveal her truths by hiding them. As much as she cloaked her work, shifted genders of speaker and beloved, the truth of the poems resonate now as unabashed declarations of love and desire for her partner, Ada Russel. This collection places the relationship with Russel at the forefront in such a way that it honors what could not be honored before. But this is true of most of the work published by Headmistress Press: necessary voices are given the mic before it is too late, a safe space is offered for rumination on gender, sexuality, and all spectrums of identification, and the work of poets like Amy Lowell is given the truthful and critical analysis it deserved while the poet was living. We know that Amy Lowell wanted to be understood better as a poet. She did not want to hide her love, her body, or her desires but knew that it would only be safe to be fully realized after her death. She left the door open for us, as readers. You will sit here, some quiet Summer night, Listening to the puffing trains, But you will not be lonely, For these things are a part of me. And my love will go on speaking to you Through the chairs, and the tables, and the pictures, As it does now through my voice, And the quick, necessary touch of my hand. (From "Penumbra" by Amy Lowell) As scholars and poets, Mary and Lillian came together to create this homage not only to Amy Lowell but to her long-time relationship with Ada Russel. So much care was paid to this union that it is Ada's photo that graces the cover. In Mary's 27 response sonnets, the reader is offered an opportunity to have the veil lifted somewhat– maybe even to afford Lowell the transparency she craved. Who among us does not want to celebrate our love for another person? Who does not want to jump up, yell it from the rooftops? Maybe Lowell trusted that her poetry memorialized their relationship and that her declarations of love would truly be understood long after she and Russel were gone from the physical world. And even in the daylight sky, your streams Of light show through the ruling blue, and give, Making the world more hopeful than it seems. Inside my lines, your love and beauty live, Etched in my books, with nothing to forgive Or be forgiven for, an ancient light That lasts forever. You should know, I give My fortune, house, and heart, to keep you bright When I am gone. (From "Sonnet 27" by Mary Meriam) For any who wished to understand more about Amy Lowell and her work, who felt the gaping holes in the teaching of her writing and life, should pick up this collection. The poet is honored by showing plainly her reverence and desire for Ada Russel.

Peter ThorsheimView on AmazonIn Waste into Weapons: Recycling in Britain during the Second World War (Cambridge University Press 2015), Peter Thorsheim explores the role of waste and recycling in Britain under conditions of total war. Thorsheim argues wartime salvage efforts linked civilians socially as well as materially to the war. Salvage drives served to focus people's efforts and helped them make sense of the events around them and their role in the conflict. The ebb and flow of resource scarcity served as a metric in which to measure changing military and strategic concerns against the Axis, but also complicated the wartime alliance between the British Empire and the United States. Although essential for national survival, Thorsheim shows how wartime salvage tended to alienate as much as unite the British public. Vigorous, but often ill-conceived, salvage efforts led to infringements of civil liberties, destroyed historical artifacts, and damaged private property. Some materials were never recycled and left to languish in enormous dumps long after the end of the war. The national salvage effort angered thousands and left many without compensation for their losses, souring a generation on recycling. Unlike the environmental movement of the 1970s, Waste into Weapons shows recycling was a means to further destruction rather than conservation. Thorsheim's book sheds light on a little known episode in environmental history and provides alternative genealogy of recycling in the twentieth century.

Yael RavivView on AmazonIn the late nineteenth century, Jewish immigrants inspired by Zionism began to settle in Palestine. Their goal was not only to establish a politically sovereign state, but also to create a new, modern, Hebrew nation. With the establishment of the State of Israel in 1948, the Zionist movement realized its political goal. It then sought to acculturate the multitude of Jewish immigrant groups in the new state into a unified national culture. Yael Raviv highlights the role of food and cuisine in the construction of the Israeli nation. Raviv's book, Falafel Nation: Cuisine and the Making of National Identity in Israel (University of Nebraska Press, 2015) examines how national ideology impacted cuisine, and vice versa, during different periods of Jewish settlement in Palestine and Israel. Early settlers, inspired by socialist ideology and dedicated to agricultural work, viewed food as a necessity and treated culinary pleasure as a feature of bourgeois culture to be shunned. Working the land, and later buying "Hebrew" agricultural products, however, were patriotic performances of the nation. With increased Jewish migration, the situation changed. Cuisine emerged as an aspect of capitalist consumer culture, linked to individual choice and variety. As Israel became more cosmopolitan, its food scene grew. Israeli institutions professionalized cooking and emphasized ethnic diversity. Culinary pleasure, no longer shunned, even moved into the public sphere, as picnics and barbeques became a national obsession. Food Nation takes us on a historical journey through a century of Jewish foodways in Palestine and Israel, highlighting their essential role in creating an Israeli nation.

Daniel TortoraView on AmazonLong viewed conventionally through the lens of inter-European/colonist conflict, warfare in colonial era North America is currently experiencing a resurgence as a new generation of military historians employ a variety of tools and methods borrowed from other fields and disciplines. Our latest guest, Daniel Tortora, does so in his book Carolina in Crisis: Cherokees, Colonists, and Slaves in the American Southeast, 1756-1763 (University of North Carolina Press, 2015). By focusing on the French and Indian War's Southern theater, particularly in the two Carolinas and Virginia, Tortora crafts a unique account of an area generally overlooked in the face of the larger body of scholarship focused on events in the Northern Colonies and Canada. Carolina in Crisis employs a conceptual narrative and analytical framework often associated with Borderlands theory to craft an intricate account of conflict and how it was viewed across three different cultural boundaries: white European, native American, and enslaved Africans. The end product is a rich and rewarding addition to the historiography of early American warfare.