Story Archaeology

Grianstad an Gheimhridh, the winter solstice is that special moment when the year turns and the hours of daylight, begin slowly to increase. This time of year has long been a cause for reflection and celebration. So, join Chris on yet another ramble, as she explores an Irish Winter Solstice journey. Links for this episode Links on Story Archaeology The Craneskin Bag A Christmas card from the Archaeologists. Extolling the Holly A Satirical Tale of Extreme Gastronomy Fair’s Fair The Dagda’s Cauldron The Dagda’s Cauldron ~ A home-brew supplemental Some Questions answered by the Story Archaeologists This one covers both a discussion of poets' grades and titles as well as , 'Who were the Celts?' A Conversation with Patrick Nunn Edge of Memory and Worlds in Shadow, (information On Patrick Nunn's books.) Read Candles in the Window an anthology of Longford Christmas memories An Archdruid in his Judicial Habit from Costume of the Original Inhabitants of the British Isles (1815) by Samuel Rush Meyrick and Charles Hamilton Smith. Useful External Links Images of Newgrange in the past, before the excavations Mythical Ireland website Newgrange: The Winter Solstice reports, image and videos of Winter Solstice sunrises over the last twenty years. Information about Iron age burials in earlier tomb structures.

Professor Ralph Kenna As many friends of Story Archaeology will now have heard, Professor Ralph Kenna passed away and left the world we know, last Thursday. I received the sad news from his wife, Claire, last Friday. It is so very sad that it has taken me a few days to feel ready to write this post. I will stay in touch with Claire, and have sent her my deepest condolences but if any of you wish to leave a message of sympathy below I will willingly forward it on to his family. You can also send messages of sympathy through the link below. It feels as though Ralph has been a friend and colleague for years, but in fact, he first contacted me in early 2020. The impact he has had on me, and the work of Story Archaeology. in that time. is considerable. He now leaves a creative, imaginative, enthusiastic 'Ralph-shaped-space' but in his support for Irish Mythology through the 'Art for Sinann' competition and the on-going ÉIRÍ project, he has passed us an important legacy. I am certainly not, in any way, qualified to speak to his work as a statistical physicist. I clearly recall his patience in our first, quite lengthy, online conversation, as he tried to explain the processes that lead to his ground-breaking paper Maths Meets Myths: Quantitative Approaches to Ancient Narratives. I did read it, or did my best to read it, but I did appreciate that this process represented a innovative method of comparing the characters and structures of myth from various places and times, gathering some illuminating and very useful data. It was an inspiring cross-discipline approach; a way of working I very much admire! I also discovered that this paper, first presented in Moscow, was one of the most downloaded papers of the year! And, of course I mustn't forget that about a year ago, November last year, I think it was, he also published a futher paper, based on a similar approach, on the Kyiv bylyny cycle, the East Slavic epic narratives originating in modern-day Ukraine. Impressive! But I want to talk about Ralph's impact on Irish Mythology. I was delighted when I received Ralph's email, especially when I discovered that he was a longtime listener to Story Archaeology and was more than happy to help when he told me about his plans for a new project based on the character of Sinann, who gave her name to the River Shannon. Ralph had followed our explorations on Sinann, supported by Isolde's own translations, since the first episode of Story Archaeology. He was more than irritated when plans were made to set up a male, 'river god' sculpture in his home town of Athlone. In 2020, Ralph created a well-funded competition to raise awareness of Sinann and together, in October, with the support of Daniel Curley from Rathcroghan and Mal Rivers from the Irish Post, we launched the Art for Sinann competition, offering three prizes of 1000 euros. Ralph was also very active in promoting events to raise awareness of Sinann in Athlone. But Ralph didn't want to stop there! Data he had gathered in his papers on quantative approaches to ancient narratives, including the new paper on the Irish hero Fráoch’, demonstrated strong evidence suggesting more active agency of women ,in Irish stories, than in story cycles from other countries. I must admit, I was delighted with this. I always felt that this was the case, but here was real supporting evidence. We talked this over in one of our lengthy online chats and launched a second even bigger and better project in 2021, Ralph came up with the acronym ÉIRÍ for the event. This arts and information project was not only intended to promote the centrality of women in early Irish stories but was also designed to resonate with the celebration of the position of women in Ireland in the recent past, now, and in the future. You can find out all about the ÉIRÍ. competition on Story Archaeology, of course, and there are also several podcast episodes that explore the journeys of a...

The Táin Bó Cúailnge is an dramatic epic well worth the telling but with some challenging themes including broken loyalties and friendships with destruction laid on the land, for the sake of status and honour. Join Chris as she explores the telling of the tales and encounters a fresh resonance for our times. Links for this episode For podcast episodes and related articles on The boyhood deeds of Cú Chulainn, his training with Scathach, the birthpangs of Ulster, and more. For the podcst episode on Macha For related articles and textual translations concerning Macha (episode 2) For podcast episodes and related material on The stoy of Medb and her sisters; Fled Bricrenn or The further adventures of Nera (Series 3, episodes 3 to 9) For the original story of Nera and his Samhain adventure in the Otherworld For information on the Roscommon schools projects including the on-line Oenachs

The The Lebor Gabála tells of a series of mythical Irish migration stories, which can be traced back to a very early date. Its history is somewhat complex and, although fascinating, it is not an 'easy read'. So, join Chris and Jamie as they share Jamie's new telling. 'The Writing of The Takings'. Jamie has created an entertaining and highly amusing interpretation, which gets to the heart of how and why these mythical migration stories were so valued. Read the full version of The Writing of the Takings. Highly recommended! Jamie is planning to record an audio version of 'The Writing of the Takings'. I will add a link to this as soon as it is available. Meanwhile, find out more about Jamie's writing on Jamiemadden.org About the Lebor Gabála / The Book of Invasions or the Book of the Taking of Ireland The ‘Book of Invasions’ (‘Leabhar Gabhála’ in modern Irish) is not the name of a specific manuscript. Rather it is an origin legend of the Irish people that exists in many variant versions, in poetry and prose. The origins of the tradition can be traced to the seventh century, although the earliest surviving manuscripts are much later. The story was extensively reworked in verse form in the eleventh and twelfth centuries. Over time, prose versions were derived from the poetry, and additional historical material was added. It was revised again in the seventeenth century by the team of historians known as the Four Masters. It continued to be accepted as a plausible story of the settlement of people on the island of Ireland long after that. The core of the story of the peopling of Ireland was built on top of biblical traditions. It begins with Noah and the Flood, and Noah’s granddaughter Cesair (she does not feature in the Bible), who was said to be the first to arrive in Ireland. The next wave involved the Parthalonians, descendants of Japhet, son of Noah, but they succumbed to plague. The third wave of settlers, descendants of Nemed, were vaguely related to the Parthalonians. The Nemedians were eventually defeated by the Formorians. Some Nemedians later returned from Greece as the Fir Bolg. They, in turn, were replaced by the Tuatha Dé Danann. A second strand traces other descendants of Japhet, including Fénius Farsaid and his grandson, Goídel Glas (the term ‘Gael’ is traced to him). Later, Breóghan, descended from Goídel Glas, viewed Ireland from a tower in Galicia on a clear night. His grandson, Míl Espáine, went to Ireland, where he defeated the Tuatha Dé Danann. The Clann Mhíleadh (‘sons of Míl’), Ír, Éibhear and Éireamhón and their descendants, became established in Ireland. From https://www.ria.ie/leabhar-gabhala-book-invasions

Culture heroes, ancestor figures, genii loci, gods and godesses ... Can all, or indeed, any of these terms be useful in defining some favourite characters in Irish mythology, Join Chris as she takes a walk throuh a forest of stories on a light hearted search for hidden identities. Links for this episode I have referenced a wide variety of stories over the route of this ramble. I would recommend exploring the Story Archaeology archive where you will find links to all these stories. However, I did specifically reference the episodes below. In Search of Manannan In Search of Midir The Writing of the Taking: A converstion with Jamie Madden (available very soon)

The Morrigan by Kate Lionis Meet Kate Lionis one of the seven adult winners of the ÉIRÍ art competition and project. So, join Chris and Kate as they discuss, the many creative possiblities of digitally enhanced photography, the enviromental relevance of Australian indigenous stories and share the colours, light, and scents of the Blue Mountains in New South Wales. This is one of a series of shorter ‘Stories in the Landscape’ conversations to celebrate the 2023 ÉIRÍ Evoking Irelands Resilient Female Icons competition and continuing project. Each of the winners takes a very different approach to the rich treasure of Irish mythology, particularly the strong and active women characters to be found in the stories. Each of the winners has a different and exciting story to share. Look out for more conversations very soon. Find out more about ÉIRÍ View all the winning adult entries View the winning Schools’ entries. Take a look at a Blue Mountain Gallery (including the Three Sisters) Take a look at a gallery of Kate's work. Links for this Episode Listen to the podcast episode on the Morrigan on Story Archaeology Meet the Morrigan in the Battle of Moytura: Amarc na Mór Rígna - The Morrigan's View (Part 1)Amarc na Mór Rígna - The Morrigan's View (Part 2)

Click to view the complete Immram Brig Bostúin What if Brigid had undertaken her own Immrám? Join Chris and Jamie as they explore James' Immrám Brig Bostún, an Irish Mythology Collage, in which he garners stories from Irish mtyhology and folklore, to curate a remarkable Immrám voyage for Brigid, taking her to the coastal islands of Boston and Cape Cod; a reflection on the more recent journies of the Diaspóra na nGael. Jamie, from Boston but now living in Seattle, is not only a story discoverer, a story teller, something of a genealogist and, oh yes, an affordable housing expert, but also a imaginative interpreter of Irish mythology. More information connected to this conversation Read the full Immrám Brig Bostúin Find out more about the history of Malaga Island The Island of the black and white sheep. Find out about The Graves and its lighthouses. The Isle of the guardian cat. Listen to the keening of Kitty Gallagher As a part of the ImmrámBrig, Jamie included a 'Dúchas' story. The Dúchas project was designed to digitize the Irish National Folklore Collection. This includes the Schools Collection. In 1937 and 38, children, in schools all over Ireland, were asked to collect stoeies from older neighbours and relatives. Now they have been transcribed, you can find them on duchas.ie . The story Jamie included concerning Saint Ruadhán's well came from a school in Kiladysert, County Clare. View it here. Holy Wells. Information on Ruadhán's well. The Clare Heritage site states that Saint Martin's Well, previously known as Saint Ruadhán's well, was said to lie in a grazing field in the old Paradise House Estate. However at the time of the research visit, the well could not be located. Go to the Gallery page for futher information and pictures including the hagiographical account of Brigid and Bishop Brón. Links for this episode View A tabulated Immrama Explore Series 4: Rowing Around Immráma episodes 1-6 Explore Series 4: Rowing Around Immráma: Episodes 7-14

Meet Louise Shine, one of the seven adult winners of the ÉIRÍ art competition and project. So, join Chris and Ruth as they discuss, the importance of creativity in art and education, explore art and technology as well as the way in which women from Irish mythology can still speak powerfully to current issues. This is one of a series of shorter ‘Stories in the Landscape’ conversations to celebrate the 2023 ÉIRÍ Evoking Irelands Resilient Female Icons competition and continuing project. Each of the winners takes a very different approach to the rich treasure of Irish mythology, particularly the strong and active women characters to be found in the stories. Each of the winners has a different and exciting story to share. Look out for more conversations very soon. Find out more about ÉIRÍ View all the winning adult entries View the winning Schools’ entries. View a gallery of Loiuse's work.

Bóand by Lee Fenlon Meet Lee Fenlon, one of the seven adult winners of the ÉIRÍ art competition and project. Now, join Chris and Lee as they discuss, what can be acheived in leaded glass and ceramic mosaic work , how Sinann has been treated in Athlone as well as stories of Boand and the Boyne. This is one of a series of shorter 'Stories in the Landscape' conversations to celebrate the 2023 ÉIRÍ Evoking Irelands Resilient Female Icons competition and continuing project. Each of the winners takes a very different approach to the rich treasure of Irish mythology, particularly the strong and active women characters to be found in the stories. Each of the winners has a different and exciting story to share. Look out for more conversations very soon. View a gallery of Lee's brilliant glass work, Find out more about ÉIRÍ View all the winning adult entries View the winning Schools' entries

Ruth Egan Meet Ruth Egan, one of the seven adult winners of the ÉIRÍ art competition and project. So, join Chris and Ruth as they discuss, art, mthology and the importance of listening to the stories told by your grandmothers. This is one of a series of shorter 'Stories in the Landscape' conversations to celebrate the 2023 ÉIRÍ Evoking Irelands Resilient Female Icons competition and continuing project. Each of the winners takes a very different approach to the rich treasure of Irish mythology, particularly the strong and active women characters to be found in the stories. Each of the winners has a different and exciting story to share. Look out for more conversations very soon. Find out more about ÉIRÍ View all the winning adult entries View the winning Schools' entries.

So how old are the Irish stories? Come to think of it what exactly is meant by old, or medieval or any of the other terms so frequently used to describe mythological stories, and... does it matter? Join Chris as she follows a familiar route and sets up a few indicative, and hopefully useful, signposts along the way. Links for this episode These rambles are not intended as fully footnoted articles. They are intended more as observations, thoughts while out walking, if I attach my favourite metaphor. However, in this ramble I have made reference to the Justinian plague and its effects, as observed by early recorders, as well as modern archaeologists, botanists and dendrochronologists. If anyone is interested, I am happy to provide links to supporting sources. The whole of the Cath Maige Tuired is covered in series 2 , episodes 1-6 , or episodes 6 - 12 Here are Isolde's translations of the Morrigan's final prophecies a. Poems of the Morrigan and b. Declaration of Peace Series 6 covers The Táin Bó Cuailnge You will find links to all of Tocmarc Étaíne on this page Here is a link to the folktale The Giants of Knockmany Hill Goibniu and the Gobbán Sáor

Nicola and Rosemary are both gifted artists from the Celtic Eye artists group who have all come together to draw on their talents to create some inspiring and innovative landscape and environmental projects. Join Chris, Nicola, and Rosemary as they talk about about the wide scope of some of Celtic Eye's impressive and on-going, still growing, projects as well as getting to discuss 'art in the landscape'. Links for this episode Introducing Celtic Eye Celebrating A Very Special Landscape Find out about Celtic Eye's recent visit to the the Seanad at Leinster House to acknowledge and celebrate the work undertaken by the community groups involved in the Karst Landscape project. View some of Celtic Eye’s recent and up-coming events News of a forthcoming Celtic Eye exhibition I will be adding more images and information about Celtic Eye projects very soon.

This ramble, begun in Queensland, Australia and completed in Leitrim, Ireland. begins to explore the ways in which the environment in which the stories were told may change elements creating the tale. And, no, I didn't walk all the way! Loughnashade trumpet This ramble was a long time in the making, begun in late January in Brisbane and picked up again at the start of April. It is a big topic and I am very aware that I have hardly scratched the surface. I would be interested in your views. How much does climate and the local landscape influence stories from where you live? Just before the pandemic, I was working on a project in Longford called 'A Story to Share'. One focus was that of folk stories coming from all the diverse heritages shared by the class, particularly eastern European, in this case. Parents, and a few grandarents, had joined the class and we were happily exploring Baba Yaga stories. They all knew one or two but one mother said 'Those are of Russian origin'. 'How do you know that', I asked her? 'Too many gloomy birch forests' she replied. Links for this episode Listen to 'Tales of Sheebeg' The story of the excavations on Sheebeg About the Glasshouse Mountains The Gilla Decair

Shona is a talented artist and illustrator who tells stories through images. Join Chris and Shona as they explore some of the wonderful women characters to be found in the world of Irish story, and even try out a path to a most perplexing library. https://youtu.be/KM-v6StvTc4 Watch Shona's animation- The Forest of Cake. Brig Fand The Library of Perplexing Perplexities A Game for Etain. View more of Shona's work on her own website.

SacrumProfanum by Benjamin Dwyer is an exploration of the Sheela-Na-gig through music. Join Chris as she encounters this profound and poetic experience out walking her local landscape accompanied by Sheela-na- gigs. Music for this episode: Lamentum from SacrumProfanum by kind permision of Benjamin Dwyer https://www.farpointrecordings.com/product-page/benjamin-dwyer-sacrumprofanum https://benjamindwyer.bandcamp.com/album/sacrumprofanum Listen to the podcast episode 'A Conversation with Professor Ben Dwyer' SacrumProfanum is the second release from composer Benjamin Dwyer on Farpoint Recordings. SacrumProfanum features music by Benjamin Dwyer based on his personal engagement with Sheela-na-gigs. These richly detailed and adventurous compositions feature Garth Knox (viola), Siobhán Armstrong (late-medieval Irish harp, sean-nós singer, narrator), Emma Coulthard (piccolo, flute, alto flute), Donnacha Dwyer (uillean pipes), Jona Xhepa and Benjamin Dwyer on bowed guitar. Dwyer also contributes a fascinating essay about Sheela-na-gigs and the background development of this project. released February 22, 2022