Doctor Who: Adventures in Time, Space and Music

In this segment we’ll be focusing on the music of the iconic time-travel film Back to the Future and film composer Alan Sivestri. Produced by Steven Spielberg’s Amblin Entertainment & distributed by Universal Pictures, Robert Zemekis’ Back to the Future debuted in the United States July 3, 1985. NOTE: This episode aired as a segment on the TRAVELING THE VORTEX PODCAST on November 26, 2012 – http://travelingthevortex.com/?p=341 _____________________________ If you would like to find out more about our other projects, specifically on viols, please visit violsinourschools.org. Podcast site is located at http://atsm.phillipwserna.com/ Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic To friend us on Google+, visit http://plus.google.com/106877584462894407680 Support the show by donating or by visiting http://zazzle.com/ATSMPodcast _____________________________ ‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended. This segment was created as a 1-off production for the Traveling the Vortex podcast, which is not endorsed by composer Alan Silvestri, Amblin Entertainment or Universal Pictures in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended. The Traveling the Vortex podcast can be found at http://travelingthevortex.com/. The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho. The Official Back to the Future site can be found at http://www.backtothefuture.com/. Back to the Future, all associated logos, names and references to characters, vehicles and any other Back to the Future related items are registered trademarks and/or copyrights of the Universal Pictures, or their respective trademark and copyright holders. All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2015

In this segment we’ll be focusing on the musical contributions of composers Fred Steiner, Joseph Mullendore, Gerald Fried and Alexander Courage in Star Trek the Original Series, episode 28, production number 28, “The City on the Edge of Forever,” the penultimate episode of the first season, first broadcast on April 6th 1967 on NBC in the United States. DEDICATION – Dr. Phill – I would like to dedicate this episode to my brother Paul Serna,  to whom I really owe a great deal for the enthusiasm for Star Trek that he has shared with me since our childhood. This is why I found this particular episode a labour of love, and a joy to research. Cheers to you on what seems an unorthodox love-letter to our youths and thank you for all the wonderful memories. NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on March 31, 2012 – http://hooonwho.libsyn.com/episode-52-city-on-the-edge-of-forever _____________________________ If you would like to find out more about our other projects, specifically on viols, please visit violsinourschools.org. Podcast site is located at http://atsm.phillipwserna.com/ Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic To friend us on Google+, visit http://plus.google.com/106877584462894407680 Support the show by donating or by visiting http://zazzle.com/ATSMPodcast _____________________________ ‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended. ‘Starfleet Archives’ was created as a 1-off April Fool’s production for the Hoo on Who podcast. ‘Starfleet Archives’ is not endorsed by the CBS in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended. The Hoo on Who podcast can be found at http://www.hooonwho.com/. The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho. The Official Star Trek site can be found at http://www.startrek.com/. Star Trek, all associated logos, names and references to characters, vehicles and any other Star Trek related items are registered trademarks and/or copyrights of the CBS, or their respective trademark and copyright holders. All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2014

In this episode, the Two Doctors, Dr. Lou and Dr. Phill, are joined by honorary ‘Doctor’ Mark Ayres looking at the important and controversial musical contributions of BBC Radiophonic Workshop composer Malcolm Clarke. In this episode we will look at his work on Doctor Who Serial LLL – Story 62 – The Sea Devils, a serial which originally aired between the 26th of February and the 1st of April 1972 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How ABOUT YOUR GUEST HOST – MARK AYRES: Mark Ayres was born in London and educated in Tunbridge Wells (where he spent most of his childhood) and at the University of Keele (studying Film Music, Composition, and Electronic Music with Peter Dickinson, Roger Marsh, and the late Tim Souster), from where he graduated with a BSc (Hons.) in Music and Electronics. While at school, Mark composed music for stage productions and amateur movies, formed a band with class-mates (“The Electric Ferrits” – sic!), and was an occasional flute player with the West Kent Youth Orchestra. At University he continued writing for theatrical productions and amateur film, and formed rock band Random Access. In 1982, Mark joined Britain’s fledgling independent Breakfast Television station TVam as a sound engineer. Over the subsequent 5 years he worked on a variety of programmes from Good Morning Britain to Roland Rat, as well as on secondment to companies such as Anglia Television, working as sound assistant on shows including Cover Her Face. He used the opportunity to make contacts and started writing jingles and idents for video productions and television programmes before finally going freelance as a composer and sound designer in 1987. Since then he has provided incidental music for some of the UK’s top drama shows including Rockcliffe’s Babies, Casualty, and three full scores for Doctor Who. His work has been heard on documentaries and magazine series, and provides the signature for Japanese Satellite Television. An ongoing collaboration with Computer Artist William Latham has produced a number of acclaimed short films and CD-ROM’s, and he has also contributed to the De Wolfe music library. In 1995 Mark was hired as composer on director Scott Michell’s first feature film, The Innocent Sleep (starring Michael Gambon, Rupert Graves, Annabella Sciorra, and Franco Nero), for which he provided a full orchestral score with solo voice performances by popular soprano Lesley Garrett. The soundtrack recording was recommended in the 1997 & 1998 editions of the Gramophone Film Music Good CD Guide. As a composer, arranger, producer, or performer, Mark’s name appears on over 100 Compact Disc releases, including many of Silva Screen Records’ “Digital Film Scores” series. Mark’s versatility lies in his being able to switch from full orchestral scoring through arrangement and production to innovative electronic music realisation, sound design, and multimedia programming. He has recently scored a short children’s film for Carlton Television and a satirical Current Affairs pilot for Channel Four. He is currently working on further albums for Silva Screen, various solo projects, and developing feature film and television ideas with Scott Michell. He is married with two sons. Mark Ayres is a member of the British Academy of Composers and Songwriters, serving on the Media Music Executive and New Technologies Committees. For more information on Mark Ayres and his work, visit http://www.markayres.co.uk/.

In this episode, guest hosts David and Elizabeth Keep will look at the music of new series composer Murray Gold focusing particular attention to the series 5 stories The Pandorica Opens and The Big Bang. The Pandorica Opens and The Big Bang (Stories 212a & 212b – Production 1.12 & 1.13) originally aired between the 19th and the 26th of June, 2010 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How ABOUT YOUR GUEST CO-HOSTS – DAVID AND ELIZABETH KEEP Dave and Elizabeth co-host (along with their partners in crime) the PDAIS podcast and the DWO: Whocast. Dave defined PDAIS as, “An off-beat look at various media. More fun than a barrel full of monkeys [monkeys not included].” Elizabeth says, “The Whocast explores the themes, stories, interviews, and inspirations of Doctor Who, both past and present, through a variety of fan perspectives.” Yup, that’s pretty much us. For more information on Elizabeth and Dave’s work on the widely popular podcasts DWO WhoCast and Professor Dave’s Ark in Space, visit http://www.dwowhocast.com/ & http://profdave.libsyn.com/. ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit 

  In this episode, guest hosts Matt Murdick, Adam and Andi from the Naked Scarf and Luke Harrison will look at the music of new series composer Murray Gold focusing particular attention to the series 5 stories the Beast Below, the Vampires of Venice & the Lodger. The Beast Below, the Vampires of Venice & the Lodger (Stories 204, 207 & 211 – Production 1.2, 1.6 & 1.11) originally aired on the 10th of April, 8th of May, & the 12th of June 2010, respectively, on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How ABOUT YOUR GUEST CO-HOSTS – MATT MURDICK (Musical Concepts Podcast & Formerly of the US WhoCast) – Matt Murdick is a keyboard player who is reknowned in the “blues circuit” throughout the United States. Matt has performed with country music recording artist Neal McCoy, blues legend Little Milton Campbell, Ernie Isley, Gina Sicillia, Oliver Sain, dueling piano shows with Rock and Roll Hall of Fame inductee Johnnie Johnson and Kenny “Blues Boss” Wayne, Blind Pig Recording Artist Hamilton Loomis, the legendary Bo Diddley, the iconic sax player “blue” Lou Marini, blues guitar legend Hubert Sumlin, and was a regular staple on the Saint Louis MO blues scene for 15 years, where he regularly performed with top Saint Louis Blues and Rhythm and Blues acts such as The Soulard Blues Band, Hudson and the Hoo Doo Cats, Kim Massie, Rene Smith, The Bottoms Up Blues Gang, and many more. Matt also has an extensive musical background in Jazz, having performed with Wynton Marsalis, Willie Akins, Treble Clef Palette, pop/jazz artist Dawn Weber, and his own fusion group, FM Records recording artists The BeBops. He has a degree in Jazz studies from Webster University which included performance on saxophone and piano, as well as instruction in composition, arranging, film scoring, synth programming and audio engineering. For more information on Matt’s work onthe Musical Concepts Podcast, visit http://www.musicalconceptspodcast.com/‎. ABOUT YOUR GUEST CO-HOSTS – Adam & Andi from THE NAKED SCARF – In each episode o the Naked Scarf, Adam, Andi and Stephen look at a different Doctor Who story and discuss its various glorious aspects in a sometimes overly intellectual, sometimes overly irreverent manner. Much like the Doctor we don’t follow stories chronologically or with much logic full stop. For more information on Adam, Andi and Stephen’s work on the widely popular Naked Scarf Podcast, visit http://www.nakedscarf.tumblr.com/‎. ABOUT YOUR GUEST CO-HOSTS – LUKE HARRISON: Born and raised in Sheffield, Luke went to uni in Sunderland before joining Agapé UK. Luke spent 3 years in Russia working for them before returning to England in the summer of 2008. He continued with his job for a couple more years, this time in Bristol. He now lives and works in Oxford as a freelance filmmaker and videographer. Luke started reading the Target books from our local library as a kid and then my brother and I started getting the videos for presents. Luke began the podcast in 2008 and episodes have appeared sporadically since then as and when he has had the time and inspiration for the next one. For more information on Luke’s work on the Minute Doctor Who Podcast, visit http://ljh.publication.org.uk/TMDWP. ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the U...

Doctor Who Podcaster Tim Drury of ‘Tim’s take On…’ was in attendance at Delia Derbyshire Day on Saturday, January 12th, 2013 in Manchester, UK. This is a shortened and revised version of his coverage, with the panel segment shortened to a segment featuring Doctor Who composer and BBC Radiophonic Workshop archivist Mark Ayres. Tim Drury’s coverage of Delia Derbyshire Day appears on Adventures in Time, Space and Music by kind permission. To follow Tim Drury’s ‘Tim’s Take On…’, please visit http://tto.libsyn.com/. TIM’S TAKE ON… IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ To view a video of Mark Ayres at Delia Derbyshire Day, please visit http://www.youtube.com/watch?v=CJWjoQtzWCk You can listen to the original post of this story at http://tto.libsyn.com/tim-s-take-on-episode-156-delia-derbyshire-day-revised-version   If you want to send me comments or feedback to Tim Drury, you can email Tim at tdrury2003 AT yahoo DOT co DOT uk or contact Tim on Twitter where he’s @tdrury or send a friend request and your comments to Facebook. _____________________________ ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org. Podcast site is located at http://atsm.phillipwserna.com/ Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic Support the show by donating or by visiting http://zazzle.com/ATSMPodcast _____________________________ ‘Tim’s Take On…’ and Adventures in Time Space and Music are not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended. The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho. Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders. All original content of this podcast, both musical and textual, is the intellectual property of Tim Drury – unless otherwise indicated. © Copyright 2013  

In this episode we’ll be looking at the musical contribution by one of Doctor Who’s more controversial musical figures – that of composer Carey Blyton. In this episode we will look at his work on Serial BBB – Story 52: Doctor Who and the Silurians , a 7-part story which originally aired between the 31st of January and the 14th of March 190 on BBC One. In addition to composer Carey Blyton, we will look at the contributions to his score by a group of musicians whose stories have often gone untold in Doctor Who history – the stories of musicians Paul Harvey, Michael Oxenham, Neil Sanders, Vivian Joseph, Gordon Kember, and Stephen Whittaker. NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Wednesday 19, December, 2012 – http://hooonwho.libsyn.com/episode-60-enhanced-the-silurians Doctor Who & The Silurians Carey Blyton, composer & conductor Paul Harvey, clarinets Michael Oxenham, clarinets, crumhorns & recorders Neil Sanders, horn Vivian Joseph, violoncello Gordon Kember, piano & prepared piano Stephen Whittaker, percussion DEDICATION – Dr. Phill – I would like to dedicate this episode to my brother Fred Serna, in honour of his birthday, to whom has had a great influence on my career in Early Music. Cheers to you on your birthday, and may you always enjoy this small gift each and every year on your birthday. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.

This is  coverage from the Chicago TARDIS having taken place November 23-25, 2012 at the Westin Lombard Hotel at Yorktown Center in Lombard, IL PODCAST BLASTBACK Featuring Steven Schapansky (Radio Free Skaro), Phillip “Dr. Phill” Serna (Adventures in Time, Space and Music), Michele Simmons (The Doctor Who Podcast), William “Chip” Sudderth (The Two-Minute Time Lord) & Lynne Thomas (SF SqueeCast) PODCAST BLASTBACK was recorded by William “Chip” Sudderth (The Two-Minute Time Lord) & Post-Production by Phillip “Dr. Phill” Serna (Adventures in Time, Space and Music) Adventures in Time, Space and Music – http://atsm.phillipwserna.com/ Radio Free Skaro – http://www.radiofreeskaro.com/ The SF SqueeCast – http://www.sfsqueecast.com/ The Doctor Who Podcast – http://www.thedoctorwhopodcast.com/ The 2-Minute Time Lord – http://www.twominutetimelord.com/ LINKS OF INTEREST: Doctor Who Podcast Alliance –  http://www.doctorwhopodcastalliance.org/ The Chicago TARDIS – http://www.chicagotardis.com/ The Chicago TARDIS on Facebook – http://www.facebook.com/ChicagoTARDIS The Chicago TARDIS on Twitter – http://www.twitter.com/chicagotardis For inquiries, please contact Alien Entertainment at http://www.alienentertainment.com/ or (888) 734-7386 DALEK VOICES BY SIOBHAN GALLICHAN OF THE FLASHING BLADE PODCAST: http://www.flashingblade.org.uk/ THE DOCTOR WHO PODCAST ALLIANCE What it is (from the The Doctor Who Podcast Alliance website): http://www.doctorwhopodcastalliance.org/ The DWPA does exist to provide a place where listeners can get an overview of the various Doctor Who podcasts they might be interested in. The DWPA is intended to be a place where the podcasters can virtually get together, hang out and plan any multi-lateral podcast events. The DWPA does provide a forum if you want a convenient way to talk with all the podcasts at once but feel free to use alternative means. The DWPA does exist to help new podcasters – if you are thinking of starting up a new podcast seek out our forum and we’ll be happy to help. _____________________________ If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org. Podcast site is located at http://atsm.phillipwserna.com/ Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic To friend us on Google+, visit http://plus.google.

In this episode, guest hosts Keith Miles, Glenn Bartlett & Shaun Collins will look at the music of new series composer Murray Gold focusing particular attention to the series 5 stories The Hungry Earth and Cold Blood. The Hungry Earth and Cold Blood (Stories 209a & 209b – Production 1.8 & 1.9) originally aired between the 22nd and the 29th of May, 2010 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How ABOUT YOUR GUEST CO-HOSTS – KEITH MILES, GLENN BARTLETT & SHAUN COLLINS: Traveling The Vortex is a weekly podcast that started kind of as an experiment to expose a complete newbie to Doctor Who. It worked out well, and the show continues with Shaun and Glenn introducing Keith (and sometimes themselves) to Classic Who, and New Who as it airs. After 90 plus episodes the show now has a vocal listening base, who often provide discussions and tangents, not that the Vortex Boys need any help with that. For more information on Keith, Glenn & Shaun’s work on the widely popular Traveling the Vortex, visit http://www.travelingthevortex.com/. ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit 

In this episode, the Two Doctors, Dr. Lou and Dr. Phill, will take a look at Murray Gold’s scores for Revival Series 5 which originally aired between the 3rd of April, 2010  and the 26th of June, 2010 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra,

In this episode, guest hosts Harry Medium & Leeson Fischer will look at the music of new series composer Murray Gold focusing particular attention to the series 5 stories The Time of Angels and Flesh and Stone. The Time of Angels and Flesh and Stone (Stories 206a & 206b – Production 1.4 & 1.5) originally aired between the 24th of April and the 1st of May, 2010 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How ABOUT YOUR GUEST CO-HOSTS – HARRY MEDIUM & LEESON FISCHER: Radio Rassilon is a British based Doctor Who podcast presented by Leeson Fischer and Harry Medium. Sardonic and irreverent, Radio Rassilon takes a light hearted and sideways look at all things Who related, and some more besides. Leeson is a frustrated nerd who wants to share his thoughts with the world, while Harry is a hardline geek who finds imperfection wherever he looks. Not least in his frustrated co-host. Join the boys as they tumble through the vortex, desperately trying to find something to cling onto. For more information on Harry & Leeson’s work on the widely popular Radio Rassilon Podcast, visit http://radiorassilon.podbean.com/. ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC...

In this episode we’ll be looking at the singular musical contribution to Doctor Who by composer Francis Chagrin focusing on his work on Serial K – Story 10 – The Dalek Invasion of Earth, a 6-part story comprising of World’s End, The Daleks, Day Of Reckoning, The End Of Tomorrow, The Waking Ally & Flashpoint. The Dalek Invasion of Earth originally aired between the 21st of November and the 26th of December 1964 on BBC One. NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Thursday, 13 July 2012 – http://hooonwho.libsyn.com/webpage/episode-53-enhanced-the-dalek-invasion-of-earth ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

In this minisode we’ll be looking at the music of BBC Radiophonic Workshop composers Jonathan Gibbs and Peter Howell and the lutanist Jakob Lindberg. Here we will examine Serial 6J – Story 128 – The Kings Demons, a 2-part serial originally broadcast between the 15th and 16th of March 1983 on BBC One. NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Wednesday, 17 January 2012 – http://krynoid.blog.co.uk/2012/01/17/klokleda-partha-menin-klatch-haroon-haroon-haroon-klokleda-sheenah-tierra-12473076/ ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass,

In this episode we’ll be looking at the music of Doctor’s composer Dudley Simpson focusing on his work on Serial GGG – Story 57 – The Claws of Axos, a 4-part story which originally aired between the 13th of March and the 3rd of April 1971 on BBC One. NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday, 11 June, 2012 – http://hooonwho.libsyn.com/webpage/episode-52-enhanced-the-claws-of-axos ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra,

In this episode we’ll be looking at the music of the Doctor’s composer Tristram Cary focusing on his work on Serial Z – Story 25 – The Gunfighters. The Gunfighters was a 4-part story comprising of A Holiday for the Doctor, Don’t Shoot the Pianist, Johnny Ringo and The OK Corral which originally aired between the 30th of October and the 20th of November 1976 on BBC One. NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Wednesday, 21 March, 2012 – http://hooonwho.libsyn.com/webpage/episode-51-enhanced-the-gunfighters   ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass,