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Summary: Tech Podcast a Hybrid Podcast Directory of the Top Tech Podcasters in the world

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 Fujifilm's flagship X-H2S camera offers 6.2K video and 40 fps burst shooting | File Type: audio/mpeg | Duration: Unknown

Fujifilm has launched its new flagship APS-C mirrorless camera, the $2,500 X-H2S, with an all-new 26.2-megapixel (MP) stacked BSI CMOS sensor and a raft of impressive features. Some of the key highlights include 40 fps blackout-free burst shooting, 6.2K 30fps video and 7-stop in-body stabilization. The X-H2S is the long-rumored successor to the X-H1, released over four years ago. However, it bears little resemblance to that model (apart from the top LCD display) with a substantially different grip and button layout. It's also lighter at 660 grams compared to 673 grams. Unlike the tilt-only display on the X-H1, the X-H2S has a fully articulating 1.62-million dot rear display, making it far better for vloggers and solo video shooters. The 5.76-million-dot 120Hz EVF outclasses other APS-C cameras and hopefully addresses EVF performance issues on the X-T4.It's the first Fujifilm camera with a stacked, backside illuminated sensor (the X-Trans 5HS) and new X-Processor image processor — though the 26.2-MP resolution sensor is the same we've seen on models as far back as the X-T3. By contrast, Canon's new EOS R7 APS-C camera has a 32-megapixel sensor, but it's neither backside illuminated nor stacked. Fujifilm The stacked sensor allows for some impressive shooting speeds. It can hit up to 40 fps in silent electronic shutter mode with no blackout, or 15fps in mechanical shutter mode (at 1/8000th maximum), both with autofocus and auto-exposure enabled. It comes with a high-capacity buffer, allowing you to capture 175 compressed RAW frames in 40fps ES mode (4.4 seconds worth) and 400 compressed RAW frames in mechanical shutter mode. Fujifilm promises much-improved phase-detect autofocus (AF) performance over the X-T4, with three times the speed and improved accuracy. Meanwhile, the AF algorithms can do prediction for moving subjects, while allowing for zone AF subject detection and low-contrast situations. On top of recognizing humans (face/eye), it can also detect animals, birds, cars, bikes, airplanes and trains. Also enabled by the faster sensor/processor is a big jump in video specs over the X-T4. The X-H2S supports 6.2K video at 30 fps, DCI 4K (4,096 x 2,160 pixels) at 120 fps and Full HD at 240 fps, with no cropping or sub-sampling on all video modes up to 60 fps. 4K at 120p is mildly cropped at 1.29x, but it's still oversampled with no pixel binning or line skipping. Fujifilm It's also the first Fujifilm APS-C camera to support ProRes (ProRes422, ProResHQ, ProResLT and ProResProxy), along with H.264 and H.265 video. All of those resolutions can be recorded at 4:2:2 10-bit quality, and Fujifilm has introduced F-Log2 recording that allows for 14+ stops of dynamic range below 30 fps and 13+ stops at higher frame rates (with settings at or above ISO1250) — impressive, if accurate.External recording via the full-sized HDMI 2.1 port is equally impressive. On top of all of the above settings (6.2K/29.97P, 4K/120P 4:2:2 10bit), you can record ProRes RAW at 6.2K/29.97P and 4.8K/59.94P, both at 4:2:2 12bit with 13 stops of dynamic range. External recording with ProRes RAW means that Fujifilm won't need to deal with RED RAW patent lawsuits, like the one recently slapped on Nikon's Z9. Like other stacked sensor cameras, the X-H2S promises well-controlled rolling shutter at 1/90th of a second (11 ms) for video under 30fps and 1/180th of a second (5.6 ms) for higher framerates. That's right up there with other stacked sensor cameras like Sony's A1 or the Canon R3, meaning you should see minimal jello or wobble in video, particularly at higher framerates. Fujifilm Overheating doesn't appear to be much of an issue at normal temperatures, with a promised four hours of 4K60p shooting at 25 degrees C (77 degrees F). That drops to 20 minutes at 40 C (104 F), but you can boost that to 50 minutes with an optional $199 cooling fan. The X-H2S has improved in-body stabilization over past Fujifilm cameras, as well. It

 What we bought: My first tube amp… about 20 years late | File Type: audio/mpeg | Duration: Unknown

I got my first guitar in the seventh grade. Had a couple of bands in high school and college. And I still play regularly. But, I’m somewhat embarrassed to admit that I only just bought my first tube amp in April of last year. That’s right, I played guitar somewhat seriously for around 25 years before I went and bought what is considered by many (mostly obnoxious purists) the only kind of amp worth playing.Eventually, I set my sights on a Fender Blues Jr, a simple 15-watt, 1x12 amp. Specifically, I managed to snag a gorgeous Tweed model used for $400. It was too good of a deal to pass up (even if I did have to drive into New Jersey to pick it up).Now, before you all freak out, it’s not that I’ve never played a tube amp before. My bands often rented a rehearsal space where I was usually playing through Marshall half stack. A JCM800 if I remember correctly, but I’d be lying if I said I cared about anything other than the fact that it was a Marshall half stack at the age of 18.In addition to sounding great, glowing vacuum tubes look great.Terrence O'Brien / EngadgetWhen it was time for me to go out and upgrade from my tiny Yamaha practice amp, I just got the loudest thing I could afford at the time: a 2x12 120-watt Crate solid state amp. I needed something that could be heard over a drummer in my basement or in a small club. It did exactly what I expected it to: It was delightfully crisp and clean, took pedals well and it was loud.That was my only amp for many years. But, being 120w it didn’t really do “quiet.” Even with the volume at one it was enough to piss off the neighbors. So when I had my first child I knew I needed to get something else. Again, budget and volume were important (turns out kids are expensive). But instead of being loud, this time I needed something that would sound good at levels that wouldn’t disturb a sleeping baby. So I snagged a Yamaha THR10 on sale.But over the last few years I’d started getting serious about music again. And, in particular over the last two years, I’d rekindled my love of guitar. Between that, and what I’m going to chalk up to pandemic restlessness, I started looking to upgrade to an actual tube amp. I ended up settling on the Blues Jr in part because I still needed something that didn’t get too loud. But I also didn’t need anything terribly fancy. I wanted tube warmth and crunch at a reasonable price and without too many bells and whistles.While it took me a while to find the amp’s sweet spots, I’m a convert. I now primarily use my THR10 late at night or if I need to be mobile – say, shooting a review in my dining room. But otherwise, I’m firing up the Blues Jr everytime. It can do the jangly clean tones often associated with Fender at lower volumes, and get an almost Vox-ish crunch when cranked. I rarely use the “Fat” switch, which boosts the mids, but I could see it being handy if you’re relying entirely on the internal drive and need to take a solo.Terrence O'Brien / EngadgetThe only real amenity you get is a spring reverb, which sounds pretty great. Cranking it introduces a decent amount of noise to your signal, but it really nails those drippy surf tones.Importantly for me, it has a master volume knob (which not all amps do). That allows you to push the preamp until you start to get some delicious breakup, while keeping things at a level that won’t get the cops involved. But it gets loud enough for gigging too, in case I ever decide to play music in front of other humans again (highly unlikely).The biggest selling point, though, was that it’s also a pretty solid pedal platform. As a guitarist with more effects than talent, I needed something that wasn’t going to get too muddy or noisy as I started stacking multiple delays and reverbs with fuzz.The Fender Blues Jr has been around since about 1995. And, while it has undergone multiple revi

 Watch NASA's Mars helicopter complete a record-setting flight | File Type: audio/mpeg | Duration: Unknown

NASA's Ingenuity helicopter is still pushing boundaries long after its first Mars liftoff. As CNETnotes, the space agency has shared video of Ingenuity's milestone 25th flight on April 8th, when it broke duration and speed records. The robotic helicopter flew at 12MPH for just over two minutes and 41 seconds, providing footage of the Red Planet's rippling sands and rock fields as part of the 2,310-foot journey. The footage you see below was sped up to cut the viewing time to 35 seconds.The video doesn't include the very start and end of the trip, but for good reason. The navigation camera switches off whenever Ingenuity is within three feet of the Martian surface to prevent dust from interfering with the navigation system. The autonomous flier receives flight plans from JPL, but it uses a combination of the camera, a laser rangefinder and an inertial measurement unit to adapt to real-life conditions.Ingenuity has flown three times since. It's currently preparing for a 29th flight following a brief scare in early May, when the mission team lost communication after the helicopter switched to a low-power state. NASA isn't easily deterred, then — expect the aircraft to keep flying for a while to come.

 West Pest is an affordable and experimental semimodular synth | File Type: audio/mpeg | Duration: Unknown

It's only been a couple of weeks since Cre8Audio unveiled its first self-contained synth. But the company is back already with a companion to the East Beast, called the West Pest. As the name implies this is a West Coast style synth, made to complement the Beast's east coast flavor. Just like the Beast this is an analog semi-modular synth built in collaboration with Pittsburg Modular. It has a 20-point patch bay, a one octave keyboard, a 32-step sequencer, an arpeggiator and a "digital multi-function tool" that can be an extra envelope, LFO or a random generator. In fact the two have more in common than not. Physically they're nearly identical, but with slightly different control layouts and graphics. And they're both just $250, which is stunningly affordable for an analog modular synth. Of course what separates the West Pest from its sibling is its core sound and design features. Its main oscillator is described as "buzzy" and instead of a filter to shave off harmonics, it has a wave folder to add more. Rather than a traditional envelope and filter combo, the Pest has a Dynamics Controller module, that combines the functions of an envelope generator, VCA, and a low pass filter, which sounds more-or-less like a low pass gate. And there's a generative sequencing function for getting truly unpredictable with your bleeps and bloops. West Coast style synthesis has enjoyed something of a resurgence these last few years. Small companies like Erica Synths and big players like Korg have dabbled recently. And the OG of the form, Buchla, came roaring back in 2020 with an updated take on the iconic Music Easel. So it would make sense for a company like Cre8Audio looking to make a splash with it's first couple of synths to give it a try too.The West Pest is available to preorder now for $250 and should be shipping "imminently." 

 The Monument Valley games are coming to PC on July 12th | File Type: audio/mpeg | Duration: Unknown

Classic mobile games Monument Valley and Monument Valley 2 are getting a new lease of life. They're coming to PC on July 12th, meaning they'll be playable outside of the iOS, Android and Windows Phone (remember that?) ecosystems for the first time.A vertical phone-style format wouldn't quite cut the mustard for PC players, though. As such, Ustwo Games has upgraded the already-gorgeous visuals with an ultra-wide 21:9 aspect ratio. The expanded view could help you solve the mind-bending puzzles and find the right paths. With that in mind, the developer is calling these the "panoramic editions."The games are coming to Steam and they'll each cost $8. Scoop up a bundle of both titles (which includes all of the expansions) and you'll get a 15 percent discount.As part of the announcement, Ustwo Games released a behind-the-scenes video in which developers talk about porting the games to PC:

 Sonos Ray review: A soundbar that nails the basics | File Type: audio/mpeg | Duration: Unknown

With the $279 Ray soundbar, Sonos is going after a new market. The company’s previous home theater products have all been $400 or more and have primarily been geared toward people intent on getting the best sound possible. The Ray, meanwhile, is more accessible for people who want better sound than their TV speakers can provide, but don’t necessarily care about things like Dolby Atmos support or room-shaking bass. The Ray isn’t exactly a budget speaker, though, so I set out to discover if Sonos made the right compromises here in its effort to make a more mainstream soundbar.Hardware and setupPhysically, the Ray is smaller than the already-compact Beam, with a tapered design that’s wider in the front than it is in the back. Unlike other Sonos soundbars, though, the Ray’s speakers are all forward-facing; in this way, it reminds me a bit of a wider and flatter version of the Sonos Five speaker. This design means you can tuck the Ray into a media stand and not have to worry about the sound bouncing off of nearby surfaces. Since the Ray doesn’t have a mic for voice assistants, you don’t need to worry about whether it can hear you if you place it in a media stand, either.As with just about every other Sonos product, the Ray has touch-sensitive buttons on top to start and pause music and adjust the volume. There’s also an LED status light on the front, rather than on the top as it is on most Sonos speakers. Again, this is in case you put it on a shelf that would otherwise hide the light if it was on the top. On the back, there’s a power jack, setup button, ethernet port and optical audio jack; Sonos left out HDMI support to cut costs, and since the Ray doesn’t support more advanced audio formats like Dolby Atmos, the additional bandwidth HDMI allows wasn’t needed here. The Sonos Beam (in black) pictured in front of the new Sonos Ray (in white). Nathan Ingraham / Engadget The setup process was simple: I just plugged the Ray into the wall and connected it to my TV with the included optical audio cable. From there, I finished setting it up in the Sonos app on my phone. The process will take a bit longer if you’ve never set up a Sonos speaker in your home before, because you’ll need to do things like authorize the various streaming music services you want to use. But I simply needed to wait for the app to recognize there was a new speaker to set up, tell it which room the Ray was in and then wait for it to get connected to my wireless network.Once that’s done, you have the option of tuning the Ray using what Sonos calls Trueplay. This uses the microphone on an iPhone or iPad to balance the speaker’s audio based on how your room sounds. It’s a bit of a weird process, walking around your space slowly raising and lowering your phone, but I’ve found it always makes my Sonos speakers sound better, so it's worth the five minutes it takes to set it up if you have a compatible device on hand.How do movies sound? Nathan Ingraham / Engadget I’ve spent the last week or so watching movies and shows with the Ray and it’s an obvious improvement over my TV’s built-in speakers. Sonos said it focused on dialogue quality, bass response and a wide soundstage, and it definitely succeeded on two of those fronts. Dialogue sounds extremely clear, whether I was watching a drama like HBO’s The Staircase or enjoying Galadriel’s narration at the beginning of Lord of the Rings: The Fellowship of the Ring. The latter also provided a great chance to hear how the Ray performed in more intense, action-filled sequences. As the prologue of Fellowship continued to its massive battle against the forces of Sauron, swordplay and arrows flying filled the space around the narration in a well-balanced mix. And the rumbling explosion and massive thud of Sauron’s helmet hitting the ground after his defeat were a good opportunity to hear the Ra

 Orba 2 adds a sampler and more to an excellent musical fidget toy | File Type: audio/mpeg | Duration: Unknown

The Orba is mostly a musical curiosity, but a compelling one especially at the reasonable price of $100. But for its next version Artiphon is hoping to go beyond fidget toy and turn its little MPE grapefruit into a legit groovebox. Physically almost nothing has change about the Orba 2. It's till the same black half orb with eight touchpads across the top. It still has a builtin speaker and synth engine, the latter of which was recently opened up for anyone to design their own patches. It's still a capable MIDI controller with support for multiple gestures including shake, tilt and spin. What makes the new version immediately more impressive, is that it now supports sample playback. You can even record your own samples using the Orba app on your phone and then turn that into a preset that can be played. So you could record a bird call, a car horn or just another instrument and play that melodically. But that's not all, Orba 2 can also quantize your playing, which is extremely helpful if your rhythm is lacking. Lastly, where the original was limited to an eight bar loop, the sequel can handle up a 128 bar loop — or about five minutes of music. All of that additional power comes at a bit of a premium. But even at the new price of $150, it's still one of the most affordable MPE controllers out there and no doubt still a great fidget toy. But perhaps it will also now be a great groovebox too. 

 Panasonic and Leica unveil 'L squared' project to jointly develop cameras and lenses | File Type: audio/mpeg | Duration: Unknown

Panasonic and Leica have formed a new collaboration called L² (L squared) that will see them jointly develop cameras, lenses and imaging technology, they announced. Both companies are already part of the L-Mount mirrorless alliance (along with Sigma and Leitz) and Panasonic has loaned its camera tech to Leica. However, the new partnership goes deeper, as they'll use "jointly developed technologies" in their respective lens and camera products, while the L² branding will feature in future marketing activities. "Through this collaboration, the two companies will jointly invest in new technologies that can be incorporated into camera and lens products, and will incorporate jointly developed technologies into each other's Leica and Lumix products to further enhance their product capabilities," the press release states. "Going forward, Leica and Lumix will utilize L² Technology, which will open up new possibilities for creative camera users, in their marketing activities in order to develop a collaborative system over the long term."Panasonic told Engadget that the partnership will apply not just to full-frame L-Mount cameras, but also to Micro Four Thirds models. Hopefully, that means we'll see Leica-branded lenses with fully compatible image stabilization and AF across camera lineups. There's no word on when we'll see the fruit of this collaboration. It does make some sense, though, as Panasonic tends to get overshadowed by Canon, Sony and Nikon, despite producing good cameras — especially for video. Meanwhile, Leica has a sterling reputation for lens quality, but gets far less respect for its mirrorless cameras because they're mostly rebadged, overpriced Panasonic models. By collaborating, Panasonic could gain some prestige off Leica's iconic reputation and lens quality, while Leica will get access to Panasonic's technological chops. 

 The Morning After: A first look at the DeLorean EV | File Type: audio/mpeg | Duration: Unknown

Good morning and welcome back! If you had time off yesterday, I hope you enjoyed it. And if you didn’t, I hope you survived your Monday. DeLorean Due to Memorial Day, it was a relatively quiet tech news day, but we did get a glimpse at a new DeLorean. Yes, DeLorean Motor Company is making an EV. The four-seater Alpha5 should arrive with a 100kWh battery pack, capable of 0 to 60MPH in 2.99 seconds, and a heady $175,000 price.It won't be built by the original DeLorean people but by a Texas company that purchased the rights to the DeLorean name and spare parts. Expect gullwing doors, a futuristic profile and an overall design from the same studio that sketched the original DeLorean. Expect more details later today.— Mat Smith The biggest stories you might have missed'Star Wars: Knights of the Old Republic II' heads to Nintendo Switch on June 8thValve's latest Steam Deck update promises less fan noiseRecommended Reading: How 'Top Gun: Maverick' puts you inside an F-18Hitting the Books: What the Work from Home revolution means for those who can'tApple trademarks 'realityOS'Are we getting closer to an AR/VR headset announcement?At the start of the year, developers spotted some references to “realityOS,” the operating system for Apple’s long-rumored virtual and augmented reality headset. Now, just before the start of WWDC 2022 on June 6th, the name has resurfaced in trademark filings seemingly linked to the company.Continue reading.Acer Predator Triton 500 SE reviewA laptop powerhouse for work and play. Engadget The Triton 500 SE proves Acer can make a truly refined gaming laptop without gimmicks. No extra screens, no hybrid nonsense, no crazy design choices. It has a gorgeous 16-inch screen, and you can add to it the latest and greatest Intel and NVIDIA hardware. Prices, however, start at $2,300 but be prepared to shell out $3,000 if you want all the hardware from our review unit. Devindra Hardawar put the Triton 500 SE through its paces.Continue reading.Google Pixel 7 prototype reputedly shows up on eBayAnother major Google device leak. meetveeru/eBay Weeks after a Pixel Watch prototype was left at a restaurant, it appears someone tried to sell a Pixel 7 on eBay. The eBay listing for what looked like a prototype Pixel 7 popped up on the Pixel subreddit, but now it’s gone.The images don’t reveal much more than we didn’t already know — or suspect. The front looks similar to the Pixel 6, hole-punch camera and all. The camera bar on the rear has two lenses as well. Although Google already announced the Pixel 7 and its Pro sibling at I/O, it'll be a while before the phones go on sale.Continue reading.iOS 16 will reportedly include always-on display featuresBut only for future iPhones.In his latest Power On newsletter, Bloomberg’s Mark Gurman suggests the company will have a fair amount to share about iOS 16 at the forthcoming WWDC, including enhancements to the lock screen. Gurman says the next version of Apple’s mobile operating system will include support for an always-on display initially exclusive to the company’s next iPhone Pro models. Devices could show notifications and other glanceable information without you needing to fully wake the iPhone’s display.Continue reading.

 A shortage of helium is causing delays in scientific research | File Type: audio/mpeg | Duration: Unknown

There’s at least one natural resource out there that’s completely finite on Earth: helium. And once we use it up, it’s gone for good. The lighter-than-air gas is in especially short supply right now, thanks to the closure of a major domestic processing facility and disruptions at a couple of plants overseas. That’s not just a problem for birthday balloons — a number of industries compete for the limited supply of helium: health care, manufacturing, the tech sector and scientific research. But those researchers are often at the back of the helium line.

 France officially bans English gaming terms like 'eSports' and 'streaming' | File Type: audio/mpeg | Duration: Unknown

English jargon has invaded every corner of France, causing consternation among language purists — a trade fair popular with politicians during election season is called "Made in France," for example. Despite widespread usage in business and elsewhere, the government has decided to pick on gaming, officially banning terms like "streamer" and "cloud gaming," according to AFP. Going forward, the far more convoluted terms joueur-animateur en direct and jeu video en nuage must be used for any government communications.The changes were made in consultation with France's Ministry of Culture, which has in the past touted the gaming industry as a French economic success story. However, it told the AFP it's concerned that English terms could become a "barrier to understanding" for non-gamers. (That's a solid point, as I can attest that many French non-gamers wouldn't have a clue what a term like "streaming" means.) France's language keepers, l'Académie française, has also expressed concern about English jargon in gaming, having published a lexicon of alternate French terms back in 2017. The changes were issued in the government's official journal, meaning they're binding on all government workers. However, it's hard to see them catching on in daily use or even on French websites or newspapers. Previous efforts by l'Académie française to replace anglicisms have not gone well — its attempt to get people to use l’access sans fil à internet instead of le wifi failed completely, as The Local France points out. 

 Cult Documentaries and Shelley McLendon – EP 675 | File Type: audio/mpeg | Duration: Unknown

Shelley McLendon (@shellsbells and owner of sirentheater.com) loves documentaries and she picked some faves and they were ALL CULT documentaries! Ha! You can find her work at smoothjazzinferno.com Enjoy. Donate to The Dork Forest if you like the show. There’s paypal links is my email and venmo is jackiekashian. Links to everything is at www.dorkforest.com or . New album -STAY-KASHIAN is out NOW. Merch: TDF tshirts, standup shirts and other CDs and just videos of my comedy. Touring Info. All the things. jackiekashian.com Premium eps of TDF are taped live and available here: https://thedorkforest.bandcamp.com/ Youtube has everything too. It's @jackiekashian on all the social mediaz. Audio and Video by Patrick Brady Music is by Mike Ruekberg Website design by Vilmos #applepodcasts #spotify #pandora #youtube #tiktok  

 Playtime Engineering debuts two new music makers for kids | File Type: audio/mpeg | Duration: Unknown

Ahead of the NAMM 2022 trade show being held in Anaheim next weekend, San Francisco's Playtime Engineering has unveiled a pair of toys, the Blipbox SK2 synthesizer and the Blipbox myTrack groovebox, designed to help even the youngest musically-inclined minds produce, record, save and share electronic beats and melodies.  Playtime Engineering The SK2's spacey surface detailing belies its ability to generate more than 400 pre-recorded melodies ranging from chiptunes to orchestral, as well as multi-mode filters, 16 oscillator schemes and stereo multi-tap delay functions. A signal flow diagram is printed on the unit's front face and all of the controls are labelled so that even basement-level beginners can easily learn and discover new synth sounds. Users will be able to export their tracks through a 1⁄4-inch audio out and import new sounds through the MIDI In.The myTRACK, conversely, is a kid-sized multi-track sampling device that uses a 5x5 grid of playpads to trigger beats and sequences (think, a toned down Ableton Push 2). Each of the 48 pre-included instruments can be applied to any, or all five, of the available tracks as can the process effects controlled by the device's physical levers. In fact, many of the myTRACK's more advanced features are presented as dedicated, physical buttons rather than as buried submenu options. Additionally, those pre-packed sounds and sequences can be updated via USB-C to include new sets such as orchestra, hip-hop, jazz, rock and EDM. An incorporated microphone allows your future Grandmaster Flash to explore the outside world in search of new sounds to capture and modulate. The myTRACK offers a 5-pin MIDI OUT port so that the device can connect to and control an SK2 while its USB-C port is class-compliant USB MIDI in and out, so you'll be able to use it with any Mac or Windows DAW. Playtime Engineering The SK2 will retail for $199 and be available in November 2022. The myTRACK will follow in Q1 2023 for $249

 Amazon will give Cloud Cam owners a free camera when service shuts down | File Type: audio/mpeg | Duration: Unknown

Amazon is shutting down service for the Cloud Cam, but you may not mind if you're reluctant to buy a replacement. MacRumors and The Verge have learned Amazon will offer owners a free Blink Mini security camera and a one-year subscription to the higher-end Blink Subscription Plus service (normally $100 per year) before Cloud Cam functionality ends on December 2nd. Key Edition owners will also get a fourth-generation Echo speaker to serve as a replacement smart home hub. Ideally, you won't have to pay a cent more to keep your home supervised in the near future.In an email to customers, Amazon said it was shutting down Cloud Cam service to focus on Blink, Ring and other products that "make your home smarter." The move will primarily end storage for video recording, but people using the Cloud Cam Key Edition as a Zigbee hub will also lose the ability to connect to smart locks until they get the Echo substitute.The end of service doesn't come as a complete surprise. Amazon stopped offering the Cloud Cam at the end of 2019 as Blink and Ring ultimately took over. We won't blame you if you're still upset, though. Amazon is joining Wyze and other brands in ending support for security cameras on relatively short notice. This could also leave some users paying more. Some of the Cloud Cam's free features, such as quick video access and motion-based recording, require at least a $30 per year Basic subscription with Blink. That's a small price, but it's more than you might have expected to pay.

 Samsung Cutting 2022 Smartphone Production – DTH | File Type: audio/mpeg | Duration: Unknown

Samsung reportedly reducing smartphone production by 10%, Google adds a tablet to the Universal Stylus Initiative Certified Products list, and Mark Gurman reports iOS 16 will add future support for an always-on lock screen. MP3 Please SUBSCRIBE HERE. You can get an ad-free feed of Daily Tech Headlines for $3 a month here. A specialContinue reading "Samsung Cutting 2022 Smartphone Production – DTH"

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