The ongoing adventures of Edwin Winsdor, evil efficiency consultant. (Kind of like Arthur Anderson for villians.) He gives wonderful advice, but his clients are all too megalomaniacal (or stupid) to listen. So he goes into the business of evil for himself.
So I keep getting questions about the music in How to Succeed in Evil. And to my surprise, people keep asking about what I call the main theme. I friend of mine turned me on to Reason and I played around with it until I had something I liked. When I started ‘Evil the podsafe [...]
This is qualifies as prequel territory. As the characters have been evolving (and as I’ve been developing ‘Evil for television) I have discovered that the sweet spot of the story is Edwin as a consultant. There’s just no end of fun to be had pitting him against inane villian after inane villian.
So with that, enjoy [...]
After much soul searching, I found I was changing my character for external reasons, rather than for the demands of the story. And I also discovered that, in doing so, I run the risk of destroying what made the the character and the story work in the first place — Edwin’s unique Edwin-ness.
I’ve been having trouble writing stories for How to Succeed in Evil because Edwin is too perfect and too laconic. In fact, the way he is in the podcast, he’s kind of unsuitable for a main character. So I’ve done some thinking and some writing and here’s what I’ve come up with.